Off the Page, with art director Anna Minzhulina

Off the Page is a regular interview series featuring National Magazine Award winners. In this interview we chat with award-winning art director Anna Minzhulina, who spent 10 years at the creative helm of Maisonneuve. “Maisy” was named Magazine of the Year at the 2016 National Magazine Awards, and over the years it has been among the most lauded and decorated magazines for design, illustration, and photography (as well as its writing and reporting).

 

NMAF: Let’s start with Maisonneuve. You spent over a decade as the art director of the award-winning Montreal quarterly.

Anna: Maison-who?! I have never heard of it?! Is it any good?!

(Sorryyyyyy, I just could not help myself!) Indeed, my tenure at the magazine was exceeded only by the logo itself–the infamous Maisy dude. I could easily be a special edition Maisy mascot!

I joined Maisonneuve in 2005, shortly after I graduated from the Design Art program at Concordia University. Then in the summer of 2006, I became the Art Director. At the time, the magazine was in its fourth year of publication.

Looking back, we were both wild spirited newbies! Maisonneuve was just getting noticed, but still in the early stages of fully developing its editorial and visual personalities. And, there I was…an idealistic designer taking my first steps into the professional art world I felt so passionate about…excitedly searching for the special place to house my creativity. There was maison and it was neuve.

We complemented each other very well. And in a retrospect, the collaboration blossomed into a fruitful and long-term relationship.

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NMAF: Maisonneuve is one of those magazines that is sometimes difficult to describe, yet always attracts alluring descriptions: quirky, bold, refreshing, imaginative, passionate, delightful, thoughtful, exciting…

Anna: For people who are familiar with Maisy (the affectionate in-house name), you may say…A versatile humanitarian with socially and culturally inclined tendencies and some very personal issues, who welcomes anyone into its Open House, obsessively collects Letters from Montreal…in addition, has strange Fictional fantasies, whole-heartedly laughs at the Comics…at times gender confused, but very intelligent and oh! such a visual feast for the eyes to devour ;)!

Undoubtedly, Canadian readers have a variety of great magazines to choose from. Just as easily, dozens could fit the description you gave. But even so, I feel the major difference between other publications and Maisonneuve is the consistency. It’s Maisonneuve’s extraordinary ability to remain uncompromisingly true to its philosophy of high-quality editorial and visual story telling, from one issue to the next and throughout the years.

 To sum up…Maisonneuve is a voice of organic harmony, which with equal strength speaks to and of both human experience and human expression.

 

NMAF: How would you describe the creative vision you set out to achieve at the magazine?

Anna: I feel successful visions are the ones that are flexible in nature. They adapt to the circumstances and times. With enthusiasm and passion, there is nothing impossible…as long as it’s based on the principles of honesty and integrity.

I always strove to design the best magazine I could possibly create in spite of the numerous limitations. In my mind, there were Plans A, B…Z and, if none of those worked—well…I would do it myself!

Over the course of a decade, those visions and approaches evolved beyond simply design aspect/aesthetics and into an understanding of such important values as creative collaboration and the conceptualization of emotionally deep visual narratives capable of touching and evoking lasting impressions and intelligent conversations.

Furthermore, I like to think of the magazine pages as the walls of an art gallery, where art is displayed for practical reasons, such as the pictorial entourage to an article. The words and pictures co-exist.

But at the same time, the images exist in a realm of their own and are appreciated as a separate entity with their own story. Usually, that story is connected to the written one, but it does not have to be in a literal way. I liked to commission illustration that, if there were just empty pages with no words, the images would still have the visual power to stand on their own.

If you think about it, that’s the natural state of the words before they arrive on the designed page. Why can’t the images create their own sustaining presence? That’s one reason why I think Maisonneuve has been so successful… it has had these multiple strong presences that can stand alone and also interact.

 

NMAF: Is there a magic formula for directing such a unique publication, or do you re-invent the wheel, so to speak, every time you start work on a new issue?

Anna: Hmm… yes and no?! Each issue is a new experience, for the team and for the readers. Be that as it may, you don’t reinvent the philosophy—it’s the anchor. You adapt and modify the approach to the underlying design to provide individual and suitable reflection of each story and its characters, which are unique in their own right.

 

NMAF: It’s fair to say that Maisonneuve has been one of the most celebrated magazines in Canada over the past decade, as judged by its peers in the industry and its readers. As its art director you have collected 6 National Magazine Awards for your work—3 for Best Magazine Cover and 3 more for Art Direction—among more than a dozen nominations. Maisy has also won Magazine of the Year twice in that span.

Anna: The number of people, who defriended me on the Facebook skyrocketed! 😛

Truthfully, I am humbled and very honoured for every nomination and award. Thank you!

 

NMAF: What has been the significance to you of the National Magazine Award recognition from your peers?

Anna: Aside from what it personally means to me as well as everyone else involved in Maisonneuve’s production, the recognition of effort, sacrifice, time, sleepless nights, grey hair, broken promises, cancelled dinner dates…it is the acknowledgement of women’s visibility within creative fields.

I believe in the vital role women play in diversifying the publishing world by exposing it to their sensibly strong perspective. So kudos to National Magazine Awards Foundation! I hope it will inspire young women illustrators, photographers, and art directors in Canada to persevere. So that in the future, there are more female voices such as Marta Iwanek, Gracia Lam, Selena Wong, Suharu Ogawa, Genevieve Simms, Heidi Berton, Ness Lee…and the list goes on and on.

 

NMAF: Let’s take a closer look at some of your most celebrated work, and perhaps you can tell us a quick story of how it came together:

In 2011, you won a Silver Medal in Art Direction for a Magazine Story for “Monuments: The City in Three Parts”—a progression of towering illustrations by Amy Casey accompanying a suite of poems by Roland Pemberton. What was your inspiration here—was it the poetry itself, or something more?

Anna: The challenge with poetry is: it’s an art form naturally open to interpretation. Overly strong visuals can clash with or even crash the delicate aesthetic of poetry itself. But no visuals at all, in a magazine like Maisonneuve, would be a cop out.

In the case of “Monuments” the inspiration came equally from both—the beautiful text and Amy’s wonderful work. I created a collage of collapsing imaginary houses so the text could interact with Amy’s images in a way that allowed both to stand on their own and coexist in peace on the same spread. That’s hard to do! So often with poetry there is a love-hate relationship with surrounding images, but this one worked.

Amy was reluctant at first, but when I showed her what I have done as a mock-up she was very excited and happy for her work be adapted in this creative way.

 

NMAF: In “Gays for God”—Silver Medallist in 2013 for Best Magazine Cover—you created (with photographer Kourosh Keshiri) an irresistible image of a contemplative Jesus draped in a rainbow flag, which accompanied the cover story by Clancy Martin about a new LGBTQ-friendly evangelical movement. This is an image of infinite subtleties—from the blue eye to glowing halo and the soft edges. The mood is very inviting to the story. What were the questions you asked yourself as you worked on this design?

Anna: Perhaps, at one time or another, we all contemplate being draped in the fabric of our own fears and doubts, while waiting for the divine to show the way…it’s the concept that talks to universal experience while personal as well. A close-up portrait was the best way to capture the dichotomy.

As for the questions…I am asking myself the same ones today, as I have done then. One of them is how can I, a gay woman myself, shine the light on the relationship LGBTQ community has with spirituality in a singular iconic image to the broader audience? To create a bold and intelligent visual statement to inspire pride in one side and to engage into conversation the other one.

 

NMAF: How did it come together?

Anna: Well…it’s not that easy to find Jesus wondering the streets, more so to convince him to be gay for the photoshoot! But hey, drop the Maisonneuve name here and there and you might be surprised! 😉

Usually, I have a lot of ideas and sketches for the cover (story). Drew Nelles [the editor-in-chief at the time] and I agreed on this concept as the final one—the stand alone powerful image and the direct reflection of Martin’s story.

With the help from dear friend and brilliant photographer Kourosh Keshiri, I was able to get amazing raw shots to work from. Subsequently, I photo edited and photo illustrated the selected image (the most sincere and devoid of pretence) into the final cover version.

In other words, I deliberately de/emphasized and added specific details (such as halo, blue eyes, serene lighting, deep shadows)—the visual signifiers, to create a stronger impact.

 

NMAF: The “TV We Hate Issue” cover (also a Silver Medal winner for Best Magazine Cover in 2015) looks like it was absolutely fun to create—a friendly poke at the subversive, gonzo style of MTV. Were any TVs actually harmed in the production of this cover?

Anna: Ha! Well, yes, twice. How many of us just get so annoyed with what is on TV we just dream of taking a hammer to it?…or in this case, a butcher knife! I deeply apologize to TV set lovers for butchering a very cool retro television…All in the name of art!

The amazing Ian Patterson and I worked on five covers together, the “TV We Hate” was the second one in that sequence. Ian is the example of someone you just click with. He has mastered an amazing skill—working with natural light.

For a start, there were many, many doodles and sketches for this cover. As I remember correctly, we narrowed it down to two main concepts. What made this one the final one was the minimalism and pointedness. The complexity lay in the precise execution–the limited (minimalistic) number of elements did not leave the room to hide mistakes. It’s something that either works or completely fails. This is why, when one element was off the whole cover had to be reshot. Afterwards, just as with the “Gays for God” cover, there was extensive photo editing to ensure the right details are highlighted while the unnecessary ones either overshadowed or removed completely.

Visual knowledge is important, but it’s not necessary to enjoy something from purely aesthetic point of view. That’s why the most interesting and iconic images successfully and equally merge both, concept and beauty, into one.

Here’s a peak at how the design evolved:

 

NMAF: Do you have another favourite creation from your Maisonneuve career?

Anna: For many artists, myself including, the favourite creation is the one yet to be created. Otherwise, what is there to strive for?

The favourite ones are the most memorable ones, which in one way or another enriched me with certain experience, insight or knowledge. Each image I worked on has a story behind it.

The ones that jump to mind, though, are:

…and so many many more…

Each one, no matter how big or small, was an unforgettable moment in time shared between kindred spirits.

 

NMAF: What do you look for in a creative partnership with an illustrator or photographer? What is your process of communicating an artistic vision for a magazine story that brings out the best in an artist?

Anna: My choice with whom to collaborate on projects is based on a great admiration for artists themselves and their work.

Imagine, you receive a bucket and it’s filled with stories for the next issue, you lift it up above your head and just turn it over…so the words just wash over you, like a waterfall. Most of the water will drain away, yet some will penetrate your skin and leave you with a sensation…a feeling or thought.

Out of the heart and straight to your mind, that will be your guide to conceptualize ideas and find the right voice to breath the life into the story. You can only bring out the best in others if you yourself believe passionately in what you do. Then your enthusiasm will ignite the alike spirits to join you on the crazy joyride called creative collaboration. And they will become your partners in art crime.

I love working with people who see creative process as an adventure. This requires trust, open-mindedness, and mutual respect. You are pursuing a common vision, yet ping-ponging ideas back and forth to create something spectacular. Some people can’t do that. It can be hard to find great collaborators. But when you do, it’s like a drug, the highest high.

 

NMAF: Now that you’ve moved on from Maisonneuve, what’s next for you? What would you like to achieve with the next stage of your career?

Anna: You mean, beside the grandiose production of the Maisy mascot costume?!

Well…it took me a while, but I finally launched my website www.annaminzhulina.com. It’s a collection of the work I have done during my Maisonneuve years. I invite everyone to come say hello! And reminisce of some of the Maisonneuve’s classics.

All in all, I still love publishing and want to pursue it further—magazines, books, other design projects…but I’m also curious about art exhibitions, conceptual design in larger spaces, on real walls, not just paper or virtual ones… it’s all fascinating to me, as long as it’s creative and/or collaborative.

In the meantime, I am working on a drawing series titled See You”portraits of random people sketched in shopping malls and plazas and other interesting, mundane places… my apartment walls are covered with them!

There is life beyond Maisonneuve… 😉 But I’m keeping my subscription! And so should you.

One last thing, before I bow my farewell to Maisonneuve, I would like to thank one very special person, whom I never got to thank at the NMAs:

“My dearest mom, Thank you! for giving me a precious gift— the courage to live my passion and to follow my heart.”


Anna Minzhulina is an award-winning art director, designer, artist and illustrator. For ten years, she was the Art Director of Maisonneuve magazine, where she was recognized for her imaginative concepts in cover design, design, photography and illustration. At Maisonneuve, Minzhulina collaborated with dozens of photographers, illustrators and artists, many of whom won awards for their work under her direction. More at annaminzhulina.com.

Check out more Off the Page interviews, including Maisonneuve publisher Jennifer Varkonyi and contributing artists Marta Iwanek, Gracia Lam, and Selena Wong.


The nominations for the 40th anniversary National Magazine Awards will be announced on Thursday April 20. Subscribe to this blog or follow us on Twitter @MagAwards for all the exciting news.

This year’s National Magazine Awards gala is Friday, May 26 in Toronto. Tickets go on sale April 20 at magazine-awards.com.

Photograph of Anna Minzhulina by Florentine.

Interview by Richard A. Johnson for the National Magazine Awards Foundation.

Your Guide to Fall 2016 Magazine Writing (and Photography) Contests

Welcome to autumn, all you writers, poets and shutterbugs. Time to let the soft, low-angle sunlight, the cool, easterly winds, and the pumpkin-spiced everything inspire you towards your next artistic endeavour. But beware the lure of the tired metaphor, for in his 2016 National Magazine Award-winning poem “The High Road,” David McGimpsey warns:

Are you the kind of person who giggles
when you hear somebody say “poetry
is like peeling an onion”? Yes? Really?
I’m afraid I must take the high road now

The National Magazine Awards contest guide lists any writing or photography contest in a Canadian magazine or digital publication, or one that seeks emerging Canadian creators. As always, the list below may be incomplete. Leave a comment here or hail us on Twitter @MagAwards #WritingContest if you know of any we missed.

The contests in our Fall 2016 edition are organized by deadline date, from September 30 to December 31.

The Puritan Thomas Morton Memorial Prize
Genres: Poetry; Fiction (max 7500 words)
Deadline: September 30, 2016 October 10, 2016 (extended)
Prizes: $1000 + publication + $100 book prize pack
Entry Fee: $15
Detailshttp://puritan-magazine.com/writing-contest/

CV2 Young Buck Poetry Prize
Genre: Poetry
Deadline: October 1, 2016
Prizes: $1000 (1st); cash prizes for runners-up; publication
Entry Fee: $26 ($16 for each additional entry)
Detailshttp://www.contemporaryverse2.ca/en/contests/young-buck-poetry-prize
Note: Open to writers under the age of 35

PRISM International Pacific Spirit Poetry Prize
Genre: Poetry (up to 3 poems per entry)
Deadline: October 15, 2016
Prizes: $1500 (1st); $600 (2nd); $400 (3rd); publication
Entry Fee: $35 (includes subscription); $5 each for additional entries
Detailshttp://prismmagazine.ca/contests/
Note: PRISM’s short fiction contest will have a deadline of Jan 15, 2017

Tethered by Letters F(r)iction Fall Literary Competition
Genres: Short stories (1,000-7,500 words), flash fiction (750 words) and poetry
Deadline: November 1, 2016
Prizes: $1,600
Entry Fee: range from $8-15 for each contest
Details: http://tetheredbyletters.com/submissions/contest/

The Malahat Review Open Season Awards
Genres: Poetry; Fiction; Creative Non-fiction (max 2500 words)
Deadline: November 1, 2016 November 6, 2016 (extended)
Prizes: $1500 to the winner in each section + publication
Entry Fee: $35 (includes subscription); $15 each for additional entries
Detailshttp://www.malahatreview.ca/contests/open_season/info.html

CBC Canada Writes Short Story Contest
Genre: Fiction (1200-1500 words)
Deadline: November 1, 2016
Prizes: $6000 + Banff Centre Residency + Publication in enRoute & CBCBooks.ca (1st prize); $1000 for each of 4 runners up
Entry Fee: $25
Detailshttp://www.cbc.ca/books/canadawrites/literaryprizes/shortstory/

CNQ: Canadian Notes & Queries CanLitCrit Essay Contest
Genre: Non-fiction essay (max 4000 words)
Deadline: November 15, 2016
Prizes: $1000 (1st); $500 (2nd); $250 (3rd); publication
Entry Fee: $30 (includes subscription); $10 for additional entries
Detailshttp://notesandqueries.ca/contests/

Prairie Fire Creative Writing Contests
Genres: Poetry; Fiction (max 10,000 words); Creative Non-fiction (max 5000 words)
Deadline: November 30, 2016
Prizes: $1250 (1st); $500 (2nd); $250 (3rd); publication; invitation to Thin Air Writers Festival; dinner with Prairie Fire staff
Entry Fee: $32 (includes subscription)
Detailshttp://www.prairiefire.ca/contests/

Room Cover Art Contest
Genre: Visual Art
Deadline: November 30, 2016
Prizes: $500 + your art on the cover of Room’s issue 40.2 (1st place); $50 + publication (2nd); web publication (Honourable Mention)
Entry Fee: $35 (includes subscription); $7 for each additional entry
Details: http://roommagazine.com/contests

Up Here Photo Contest
Categories: Grand Prize; Science & Nature; Travel & Adventure; Arts & Culture; People & History
Deadline: November 30, 2016
Prizes: Nikon 7200 HD-SLR + lens (Grand Prize winner); subscriptions for winners in each of 4 categories; publication
Entry Fee: None
Detailshttp://uphere.ca/photocontest
Note: Contest open to all Canadians; photographs must be of Canada’s North

Saltscapes Photography Contest
Categories: Landscapes & Nature; Uniquely Atlantic Canadian; World Up Close; People/Folks
Deadline: November 30, 2016
Prizes: Nikon AW1 camera + lens (Grand Prize winner); Framed canvas print (winners in each of 4 categories); CAA membership (each of 2 staff picks); gift certificates (honourable mentions)
Entry Fee: None
Detailshttp://saltscapes.com/contests/amateur-photo-contest/contest-details.html
Note: Contest open to all Canadians; photographs must be of Atlantic Canada

Briarpatch Writing in the Margins Creative Writing Contest
Genres: Poetry; Creative Non-fiction (max 2000 words)
Deadline: December 1, 2016
Prize: $300 + print publication (1st); $75 + online publication (honourable mention)
Entry Fee: $25 (includes subscription)
Detailshttp://briarpatchmagazine.com/writingcontest

The Fiddlehead 26th annual Literary Contest
Genres: Poetry (up to 3 poems); Fiction (max 6000 words)
Deadline: December 1, 2016
Prizes: $2000 + publication (1st); $250 each to 2 honourable mention
Entry Fee: $30 (includes subscription)
Detailshttps://thefiddlehead.ca/contest

Freefall Prose & Poetry Contests
Genres: Poetry (max 5 poems); Fiction (max 3000 words)
Deadline: December 31, 2016
Prizes: $500 (1st); $250 (2nd); $75 (3rd); $25 (HM); publication
Entry Fee: $25 (includes subscription); additional entries $5 each
Detailshttp://www.freefallmagazine.ca/contest.html

On the horizon for 2017…

Plentitude’s Cornucopia Literary Prize
Genre: Fiction
Deadline: February 15, 2017
Prize: $500 + publication in Plenitude magazine
Entry Fee: $15
Details: Open to LGBTQ2 writers only: http://plenitudemagazine.ca/announcing-the-inaugural-cornucopia-literary-prize


Did we miss one? Send us a note or hail us on Twitter @MagAwards. We’ll update this post throughout the fall as more contests are announced. Find more awards, prizes and contests for magazine journalism on the Awards and Contests pages of this blog.

To see what’s on the horizon for 2017, check out:
Your Guide to Winter/Spring Magazine Writing Contests
Your Guide to Summer Magazine Writing Contests

For a comprehensive guide to submitting to literary publications in Canada, check out:
A Writer’s Guide to Canadian Literary Magazines

Top 10 Canadian Poets | NMA 2016 Nominees in Poetry

In 1977 the very first National Magazine Award for Poetry was presented to a young poet named Marilyn Bowering, for a poem called “Rose Harbour Whaling, 1910.” The poem was published in a magazine called Branching Out, which was a feminist literary magazine founded in 1973 in Edmonton. Marilyn Bowering has gone on to become one of Canada’s most beloved poets and playwrights, and while Branching Out lasted only 7 years in publication, it remains part of a great tradition of Canadian literary magazines.

This year the National Magazine Awards jury has selected 10 finalists for the Poetry Award, from among entries in dozens of literary magazines from across the country. The Gold and Silver winners will be revealed at the National Magazine Awards gala on June 10 in Toronto. [Tickets & Gala Info].

Vote for Canada’s Best Magazine Cover

Here are the nominated writers and magazines for this year’s National Magazine Award for Poetry…


Leanne Simpson
Caribou Ghosts & Untold Stories; This Accident of Being Lost; To Be a Witness
Arc


Roxanna Bennett
Ghost Dog
Arc


Rachel Rose
Corona for Charlotte; Good Measure; Sunflowers
The Fiddlehead


Gary Barwin
Winter
Hazlitt


Harold Hoefle
A Loving Follow-Through
Prairie Fire


Vincent Pagé
Why Don’t I
PRISM International


Shazia Hafiz Ramji
The Second Person
Sub-Terrain


Michael Prior
Murmuration; Fathom; Hibernal Country
The New Quarterly


Julie Bruck
Supreme Leader; Flipped; Let Evening Come
The Rusty Toque


David McGimpsey
The High Road
Vallum


Who do you think is most worthy of this award? Leave us a comment or tell us on Twitter: @MagAwards | #NMA16.

Tickets are on sale for the 39th annual National Magazine Awards gala, Friday June 10 at the Arcadian Court in Toronto.

Vote for Canada’s Best Magazine Cover

See the National Magazine Awards nominees for:
Fashion
Best Magazine Brand
Best New Magazine Writer
Best New Magazine Photographer
Photojournalism & Photo Essay
Fiction
Single Service Article Package
Illustration

Art Direction of an Entire Issue
Art Direction of a Single Article
Portrait Photography
Words & Pictures
Best Single Issue
Magazine Covers
Columns

Complete nominations coverage

See also:
A Writer’s Guide to Canadian Literary Magazines

Off the Page, with poet Michael Prior

At the start of summerfall, and early spring, the National Magazine Awards Foundation publishes a comprehensive list of magazine writing contests and prizes. These contests are great opportunities for emerging writers and poets to establish their presence in CanLit. Michael Prior is one such emerging writer, and in just a few years he’s compiled an impressive record of Canadian magazine publications and contest wins.

Doggedly submitting his work to numerous literary publications, between 2013 and 2015 Michael placed in over a dozen competitions and garnered scores of publications in literary journals and magazines across Canada.

His success as a poet has evolved from literary publications to small-press chapbooks–Swan Dive (Frog Hollow Press, 2014) included poetry first published in The Walrus, Lemon Hound and the Winnipeg Reviewto a debut, book-length collection recently published by Véhicule Press: Model Disciple (Spring 2016).

Recently the NMAF caught up with Michael, currently pursuing an MFA at Cornell University, to chat about magazine contests and building a career as a writer.

NMAF: Your poetry career emerged quite recently and has been moving at breakneck-speed. How and when did you first set foot in the world of Canadian poetry, and why were you drawn to this world?

Michael Prior: I think, like a lot of other writers, I was nudged into this by a series of passionate teachers and professors. I had always liked poetry, but it wasn’t until later in my undergrad that I actually began to read poems deeply. And then, when I did, they became these fascinating and visceral experiences: Dickinson took off the top of my head. Lowell made me feel like my mind was in a vise. Bishop asked me to look more carefully until the act of looking became a way of thinking.

NMAF: “To Hunt” (2013) garnered you your first poetry contest win: 2nd place in Echolocation’s Chase Chapbook Competition. You were in Vancouver at the time; what drew you to submitting to the Toronto-based Echolocation? What did it mean to win, and what happened—personally and professionally—next?

Michael Prior: Well, I’m not sure anything happened immediately, but placing second certainly gave me a little more confidence. I hadn’t been making poems for long at that point, and I remember having received a few rejections around the same time, so it was a nice validation to think that someone liked something I had written.

 

NMAF: You’ve since won poetry contests in acclaimed Canadian magazines, such as Vallum, Grain, The Walrus, and Matrix Magazine. There are often financial incentives to entering magazine writing contests, but what are some of the not-so-obvious perks? (Winning the Matrix Lit POP Award, for instance, includes tickets to POP Montreal and offers poets the opportunity to present on stage.)

Michael PriorPrairie Fire’s Bliss Carman Poetry Prize invites its winner out to the Thin Air Festival, and the Robert Kroetsch Award from Matrix comes with perhaps the ultimate prize: a first book publication deal for its winner.

But in terms of less tangible perks, I would argue that the primary benefit of literary magazine contests is that most are run through a blind submission process; that is, the readers and judges aren’t permitted to see the authors’ names, and therefore have to judge the work on its own merits without the context of a writer’s corpus, their stature in a literary community—in theory, this should level the playing field a bit for less-established writers.

But of course, the factors involved in any contest’s outcome are undeniably complex. There are aspects of contest culture that might favour certain aesthetics, certain experiences, certain types of poems about certain things. Connected to this is the question of who’s actually entering literary magazine contests. Economic means can be an obstacle to submitting (contests usually cost around $30 to enter, which is a lot for someone struggling to make ends meet) and identity can also be a determining factor: writers of colour may be uneasy about sending their work to prizes if the judge is of European descent, while LGBTTQI writers may apprehensive about submitting to a contest judged by a cisgender, straight individual.

 

Regardless of whether one wins, or doesn’t, I think it’s important to remember that placing in a contest is only a small measure of success. What matters is that one keeps writing and reading and writing.

 

I do think, however, that contests present an important opportunity for writers, as long as one takes their inscription of hierarchies, their tendencies, with a grain of salt; the magazines that run contests should be thinking (if they aren’t already) about how to attract more diverse submissions from diverse writers. Mostly, I hope that judges and readers are doing their best to be respectful, empathetic, imaginative, and inclusive when considering contest submissions.

 

NMAF: Which Canadian literary magazines are on your reading list right now?

Michael Prior: There are many great Canadian literary magazines, though due to budget constraints I have to rotate subscriptions. Right now, the stack of periodicals on my bedside table includes issues of Ricepaper, Poetry is Dead, The New Quarterly, Canadian Notes and Queries, The Walrus, Maisonneuve, and The Fiddlehead.

I do my best to keep up with Canada’s burgeoning online publications, and like many of the poet folk I know, I eagerly await each new issue of The Puritan and The Rusty Toque. Also online: the poet Robin Richardson recently founded the Minola Review in order to create a unique publishing space for women, femme-identifying, and non-binary writers; the influential website Lemon Hound, though no longer publishing, remains an important archive; and Plenitude Magazine continues to publish and promote the work of LGBTTQI writers in Canada.

Needless to say, I think it’s apparent that there’s a lot of exciting work happening among Canada’s many literary magazines, of which I’ve only mentioned a small number, and I’m very grateful for all the editors and staff who volunteer countless hours to sift through the submissions and support new work.

 

NMAF: While completing your Master’s at the University of Toronto, you were a Poetry Editor at Echolocation. You’re now an MFA candidate at Cornell, and an Assistant Editor at Cornell’s Epoch Magazine. How does a magazine editor at a small press literary journal go about attracting new writing talent and new readers? As an editor, what do you look for in poetry submissions?

Michael Prior: To answer the first part of your question, I think an engaged editor obviously needs to read widely: books, journals, websites, blogs, and all the other places poems might be proliferating. This is undoubtedly time consuming—we’re all busy, and resources tend to be scarce at small magazines—but I think this sort of effort is essential to fostering a magazine’s ethos, which emerges over time through both the work an editor solicits, and the work an editor accepts from the slush pile. This becomes an even harder thing to foster at a student-run journal, where the staff changes every year.

Editorial work, in my opinion, requires a simultaneously historical and forward-looking perspective (what has happened, what is happening, what will happen next / what might I like to see happening more in the future). Editors are unavoidably gate-keepers. There’s no way around it: a magazine cannot, nor should it try to be, everything at once (though its scope of interest need not be narrow)—what’s important is that the literary landscape is able to support a diverse range of publications, and by extension, a diverse range of editors.

And of course, I believe editors should always be questioning what they like and why. As Jim Johnstone once said to me, it’s much easier to quickly dismiss a piece of writing than it is to spend the time and learn how it’s asking to be read. Some writing opens up in unexpected ways with a little persistence.

"Model Discipline" by Michael Prior is now available from Véhicule Press.
“Model Discipline” by Michael Prior is now available from Véhicule Press.

As for what I personally look for in a submission, well, I’m interested in poems that are compelling experiences, surprising experiences, experiences that are emotionally complex and powerful—poems that have something at stake beyond language as a game of phonemic pick-up sticks. Memorability is often a good marker of this for me: if I am re-experiencing a poem at unexpected times (while riding the bus, or when walking a corgi) moments when the poem is not right in front of me, that’s usually a good sign.

I am also interested in a poem’s formal qualities, especially its engagement with what has preceded it—its conversation with other poems, traditions, and modes. In other words, how aware is the poem of the fact it wasn’t written in a vacuum? This isn’t to say I’m only interested in canonically inherited formal structures (though I am a sucker for a well-written sonnet): I’m as equally enraptured by Alexandra Oliver’s metrical brilliance as I am by Alice Fulton’s fractal poetics or Cathy Park Hong’s renovation of the ballad form through lipogrammatic constraints.

NMAF: As both a writer and editor, what advice do you have for those new poets who have yet to enter a magazine writing contest?

Michael Prior: While it’s nice to win, entering a contest can be a helpful creative impetus: use the contest as a deadline to generate new work; use the contest as a way to support an admired publication; use the contest to hopefully get one’s work before the eyes of a favourite writer.

And regardless of whether one wins, or doesn’t, I think it’s important to remember that placing in a contest is only a small measure of success. What matters is that one keeps writing and reading and writing.


From the National Magazine Awards Foundation:


Michael Prior’s Model Disciple was released on March 29th, 2016. Véhicule Press has declared it “one of the most commanding poetic debuts in years” and the CBC included Model Disciple on their Spring 2016 Books Preview. Model Disciple is available in bookstores and for order now.

Michael holds an MA in English with a Creative Thesis from the University of Toronto, where he was the poetry editor of EcholocationHe’s now a poetry candidate at Cornell University, and an assistant poetry editor at Epoch Magazine. Though living in America, he’s still actively publishing in Canadian magazines, with work recently appearing in recent issues of The Puritan and Canadian Notes and Queries. He also has poems forthcoming in Ricepaper and The Fiddlehead. Discover more at MichaelPrior.ca and on Twitter @MichaelPrior06.

Special thanks to Leah Edwards for researching and conducting this interview on behalf of the NMAF.

The nominees for the 39th annual National Magazine Awards will be announced on Monday,. May 2, 2016. Follow us right here on this blog or on Twitter (@MagAwards) to find out who will be the finalists this year. 

Your Guide to Winter/Spring 2016 Magazine Writing Contests

Winter. A shivery season not only conducive to externalizing our inner narratives in poetry and prose, but also which leaves us, as we curl under heirloom quilts with cups of tea, prone to daydreaming. Michael Pollan, in A Place of My Own–a bestseller in which the author writes the biography of his own writing cabin in the woods–used the daydream as metaphor for the writer’s first draft. “A fair amount of what [writers] call work,” wrote Pollan, “consists of little more than daydreaming edited.” He went on:

Isn’t it in our daydreams that we acquire some sense of what we are about? Where we try on futures and practice our voices before committing ourselves to words or deeds? Daydreaming is where we go to cultivate the self, or more likely selves, out of the view and earshot of other people. Without daydreams, the self is apt to shrink down to the size and shape of the estimation of others.

Like Thoreau, Shaw, Woolf and her Room of One’s Own, and countless others, Pollan understood that daydreaming depended “on a certain degree of solitude,” and resolved to build a cabin to allow his daydreaming to flourish. “What is a book but a daydream at second hand?”

Wherever you find yourself writing this winter and spring, these Canadian magazine contests may be just what you’re daydreaming for.

All contests and awards listed below accept previously unpublished works of Canadian poetry, short fiction and creative non-fiction; listed in chronological order by deadline date. (If you know one that we missed, please let us know.)

Prism International Short Fiction & Poetry Contests
Genres: Fiction; Poetry
Deadline: January 25, 2016
Prize: $1500 (1st); $600 (2nd); $400 (3rd); publication
Entry Fee: $35; includes subscription
Detailshttp://prismmagazine.ca/contests/

Matrix Magazine Robert Kroetsch Innovative Poetry Award
Genre: Poetry
Deadline: January 31, 2016
Prize: $500 advance + publication
Entry Fee: $30
Detailshttp://matrixmagazine.org/rkaward/

Arc Poetry Magazine Poem of the Year Contest
Genre: Poetry
Deadline:  February 1, 2016 February 14, 2016
Prize: $5000 (Poem of the Year); $500 (Honourable Mention)
Entry Fee: $35 ($5 for each additional entry); includes subscription
Detailshttp://arcpoetry.ca/contests-working-dw-draft/

The Malahat Review Novella Prize
Genre: Fiction
Deadline: February 1, 2016
Prize: $1500; publication
Entry Fee: $35; includes subscription Detailshttp://www.malahatreview.ca/contests/novella_contest/info.html

12th annual Geist Literary Postcard Story Contest
Genre: Very short fiction or non-fiction (500 words max)
Deadline: February 1, 2016
Prize: $500 (1st); $250 (2nd); $150 (3rd); publication
Entry Fee: $20; includes subscription ($5 each additional entry)
Detailshttp://www.geist.com/contests/postcard-contest/

Pulp Literature Magazine Bumblebee Microfiction Contest
Genre: Very short fiction (50 words)
Deadline: February 1, 2016
Prize: Publication + subscription
Entry Fee: None
Detailshttp://pulpliterature.com/contests/the-bumblebee-microfiction-contest/

Publishing online? The Digital Publishing Awards are accepting submissions until Feb 16.
Publishing online? The Digital Publishing Awards are accepting submissions until Feb 16.

Carleton University’s “Passages” Creative Writing Contest
Genres: Fiction, Poetry
Deadline: February 19, 2016
Prizes: $300 (1st); $100 (2nd); publication; prize pack
Entry Fee: None
Detailshttps://carleton.ca/creativewriting/passages/
Note: This contest has two age categories, one for under-18, one for 18+.

Alberta Views Public Spaces Photography Contest
Genre: Photography
Deadline: February 28, 2016
Prizes: $1000; publication
Entry Fee: $30 ($15 for each additional entry)
Detailshttps://albertaviews.ab.ca/contests/
Note: The contest is open to residents of Alberta and Alberta expats.

The New Quarterly Nick Blatchford Occasional Verse Contest
Genre: Poetry
Deadline: February 28, 2016
Prize: Two prizes of $1000 + publication
Entry Fee: $40 (for first 2 poems; $5 each for additional); includes subscription
Detailshttp://www.tnq.ca/contests

CBC Canada Writes Creative Non-Fiction Prize
Genre: Creative Non-fiction (1200-1500 words)
Deadline: February 29, 2016
Prize: $6000 + publication in enRoute + Banff Centre residency (1st); $1000 each to 4 runners up
Entry Fee: $25
Details:
http://www.cbc.ca/books/canadawrites/literaryprizes/nonfiction/index.html

Writers Union of Canada Short Prose Competition
Genres: Non-fiction; Fiction
Deadline: March 1, 2016
Prize: $2500 + assistance with publication
Entry Fee: $29
Detailshttp://www.writersunion.ca/short-prose-competition

The RBC Bronwen Wallace Award for Emerging Writers
Genre: Fiction (max 2500 words)
Deadline: March 7, 2016
Prizes: $5000 (1st); $1000 (to two honourable mentions)
Entry Fee: $0
Details: http://www.writerstrust.com/Awards/RBC-Bronwen-Wallace-Award-for-Emerging-Writers/Prize-Guidelines.aspx
NotesTo be eligible, candidates must be: a Canadian citizen or permanent resident, under the age of 35 as of March 7, 2016; previously published in an independently edited magazine or anthology; unpublished in book form and without a book contract.

Room Creative Non-fiction Contest
Genre: Creative Non-fiction
Deadline: March 8, 2016
Prizes: $500 (1st); $250 (2nd); $50 (3rd); publication
Entry Fee: $35 ($7 for each additional entry); includes subscription
Details: http://roommagazine.com/contests

Arc Poetry Magazine Diana Brebner Emerging Poet Prize
Genre: Poetry (max 30 lines)
Deadline: March 15, 2016
Prize: $500
Entry Fee: $25 for up to 2 poems; includes subscription
Detailshttp://arcpoetry.ca/contests-working-dw-draft/#brebner

The New Quarterly Edna Staebler Personal Essay Contest
Genre: Creative Non-Fiction
Deadline:  March 28, 2016
Prize: $1000
Entry Fee: $40; includes subscription
Detailshttp://www.tnq.ca/contests
Note: All submissions will be considered for publication ($250) in the magazine.

Exile Literary Quarterly Carter V. Cooper Fiction Competition
Genre: Fiction (max 10,000 words)
Deadline:  March 29, 2016
Prizes: $10,000 for best story by an emerging writer; $5000 for best story by a career writer; publication
Entry Fee: $30; includes subscription
Details: http://www.theexilewriters.com/

Vallum Chapbook Award
Genre: Poetry
Deadline: March 31, 2016
Prize: $125 + publication
Entry Fee: $25
Detailshttp://www.vallummag.com/chapbookrules.html

Narrative Magazine Winter 2016 Story Contest
Genres: Non-fiction; Fiction; Graphic Narratives; Photo Essays
Deadline: March 31, 2016
Prize: $2,500 (1st); $1000 (2nd); $500 (3rd); $100 (finalists)
Entry Fee: $24
Detailshttp://www.narrativemagazine.com/winter-2016-story-contest
Notes: Entries can be short stories, essays, memoirs, photo essays, graphic stories, all forms of literary nonfiction, and excerpts from longer works of both fiction and nonfiction. Entries must be previously unpublished, no longer than 15,000 words, and must not have been previously chosen as a winner, finalist, or honorable mention in another contest.

Grain Magazine Short Grain Writing Contest
Genres: Fiction; Poetry
Deadline: April 1, 2016
Prize: $1000 (1st); $750 (2nd); $500 (3rd); publication
Entry Fee: $40 (for two entries in one category); includes subscription
Detailshttp://www.grainmagazine.ca/short-grain-contest/

Alice Munro Festival Short Story Contest
Genre: Short Fiction (max 2500 words; separate categories for adults and youths)
Deadline: April 1, 2016
Prizes:  $1,500 (adults prize); $500 (youth prize); $500 (Arts & Letters Club Special Prize)
Entry Fee: $25 (adults); $10 (youth)
Detailshttp://alicemunrofestival.ca/?page_id=1317
Note: New this year, there is a special category for an emerging GTA author between the ages of 20 – 30. Sponsored by the Arts and Letters Club of Toronto. Must be living in the GTA or have grown up in that area.

CV2 2-Day Poem Contest
Genre: Poetry
Deadline: April 4, 2016 (registration; competition is held April 9-10, 2016)
Prize: $500 (1st); $300 (2nd); $150 (3rd); publication
Entry Fee: $26; includes registration + subscription (registration only is $16)
Detailshttp://www.contemporaryverse2.ca/en/contests/2-day-poem-contest

Event Magazine Non-Fiction Contest
Genre: Creative Non-fiction (5000 words or fewer)
Deadline: April 15, 2016
Prize: $1500 in total cash prizes; publication
Entry Fee: $34.95; includes subscription
Detailshttp://www.eventmagazine.ca/contest-nf/

Pulp Literature Magazine Magpie Award for Poetry
Genre: Poetry
Deadline: April 15, 2016
Prize: $500 + publication (1st); $50 + publication (each of 2 runners-up)
Entry Fee: $25 (1st entry; all others $10); includes subscription
Detailshttp://pulpliterature.com/contests/the-magpie-award-for-poetry/

The Malahat Review Far Horizons Award for Poetry
Genre: Poetry
Deadline: May 1, 2016
Prize: $1000; publication
Entry Fee: $25 (additional entries are $15); includes subscription
Detailshttp://www.malahatreview.ca/contests/far_horizons_poetry/info.html

Exile Literary Quarterly Gwendolyn MacEwen Poetry Competition
Genre: Poetry
Deadline:  May 16, 2016
Prizes: $1500 for best suite by a career writer; $1000 for best suite by an emerging writer; $500 for best poem; publication
Entry Fee: $25; includes subscription
Detailshttp://www.theexilewriters.com/

The New Quarterly Peter Hinchcliffe Fiction Award
Genre: Fiction
Deadline: May 28, 2016
Prize: $1000 + publication
Entry Fee: $40; includes subscription
Details: http://www.tnq.ca/contests
Note: All submissions will be considered for paid publication ($250) in the magazine.

CBC Canada Writes Poetry Prize
Genre: Poetry
Deadline: May 31, 2016
Prize: $6000 + publication in enRoute + Banff Centre residency (1st); $1000 each to 4 runners up
Entry Fee: $25
Detailshttp://www.cbc.ca/books/literaryprizes/poetry/
Note: The submission form can be downloaded as of April 1, 2016

Ricepaper ACWW Emerging Writer Award
Genre: Poetry (book-length manuscript)
Deadline: June 1, 2016
Prize: $250 + publication (1st); prize packs + publication (2nd & 3rd)
Entry Fee: $25; includes subscription
Detailshttp://ricepapermagazine.ca/contests/

Antigonish Review Sheldon Curray Fiction Prize
Genre: Fiction
Deadline: June 1, 2016
Prize: $600 (1st); $400 (2nd); $200 (3rd); publication
Entry Fee: $25 (includes subscription)
Detailshttp://www.antigonishreview.com/

Other contests may be added to the list as Winter melts into Spring. Stay tuned.

Did we miss one? Send us a note or grab us on Twitter @MagAwards. We’ll update this post throughout the winter and spring as more contests are announced.

Find more awards, prizes and contests for magazine journalism on the Awards and Contests pages of this blog.

Summer Magazine Contest Guide
Fall Magazine Contest Guide
Writer’s Guide to Canadian Literary Magazines & Journals

Image via WikiCommons

NMA laureates Robyn Sarah, Guy Vanderhaeghe win Governor General’s Literary Awards

Robyn Sarah. Photo by Allen McEachern (via Canada Council for the Arts)
Robyn Sarah. Photo by Allen McEachern (via Canada Council for the Arts)

Montreal poet Robyn Sarah and Saskatchewan author Guy Vanderhaeghe, both previously National Magazine Award winners, have been named the 2015 Governor General’s Literary Award winners for poetry and fiction, as announced by Canada Council for the Arts this morning.

The work of both writers and all the other finalists for the #GGBooks fiction and poetry prizes first appeared in one or more of Canada’s literary magazines, demonstrating yet again how important our cultural magazines are to fostering a strong and vibrant Canadian literary community.

In the spring of 2012 Robyn Sarah published a poem in The New Quarterly issue #122 called “My Shoes Are Killing Me (a poem in nine movements),” which went on to be nominated for a National Magazine Award. Three years later, now expanded into a collection of poetry under the same title, Robyn Sarah’s work has won one of Canadian poetry’s highest honours.

 

Robyn Sarah won the National Magazine Award for fiction in 1993 (for “Accept my Story” in the Malahat Review), and she has also twice been nominated for her critical essays in TNQ.

Two other #GGBooks poetry finalists are NMA laureates. Patrick Lane has won 3 National Magazine Awards for his poetry, most recently for “Arroyo” published in VallumKayla Czaga was a National Magazine Award poetry finalist in 2014, for “Song” and other poems in Arc Poetry Magazine.

Guy Vanderhaeghe was a finalist for the National Magazine Award in fiction this year for his story “Tick Tock” in Prairie Fire. His latest book of short fiction, Daddy Lenin and Other Stories, was named the #GGBooks winner this year, the third time he’s won the Governor General’s Literary Award.

Fellow #GGBooks fiction nominee Helen Humphreys was a National Magazine Award finalist in 2012 for her essay “Natural History” in Queen’s Quarterly.

Read more about this year’s Governor General’s Literary Award winners at ggbooks.ca.

And check out some of this fall’s great writing contests from Canadian literary magazines.

Your Guide to Fall 2015 Magazine Writing Contests

Welcome to autumn, at least in the celestial sense, for tonight in the northern hemisphere is the autumnal equinox and whether or not the leaves are changing colour yet in your neighbourhood, there’s no denying that the anticipation of a new season is an inspirational moment.

We asked our Twitter followers how the changing seasons inspired them to get in a writing mood.

Our thrice-annual magazine contest guide is back with the Fall 2015 edition (see Winter/Spring and Summer, too). These contests are presented by Canadian magazines or magazine-related associations, and open to Canadian writers and photographers. Unless otherwise indicated, these contests are open to unpublished works only.

As always, the list below may be incomplete. Leave a comment here or hail us on Twitter @MagAwards #WritingContest if you know of any we missed. The contests in our Fall 2015 edition are organized by deadline date, from September 22 to December 31.

The Puritan Thomas Morton Memorial Prize
Genres: Poetry; Fiction (max 7500 words)
Deadline: September 30, 2015 October 10, 2015
Prizes: $1000 + publication + $900 book prize pack
Entry Fee: $15
Detailshttp://puritan-magazine.com/submissions/

Up Here Photo Contest
Categories: Grand Prize; Science & Nature; Travel & Adventure; Arts & Culture; People & History
Deadline: October 16, 2015
Prizes: Nikon 7200 HD-SLR + lens (Grand Prize winner); subscriptions for winners in each of 4 categories; publication
Entry Fee: None
Detailshttp://uphere.ca/photocontest
Note: Contest open to all Canadians; photographs must be of Canada’s North

Writers’ Community of Durham Region (WCDR) Phoenix Short Story Contest
Genre: Short Fiction (max 2500 words)
Deadline: October 25, 2015
Prizes: $750 (1st); $500 (2nd); $250 (3rd); publication
Entry Fee: $20
Detailshttp://wcdr.ca/wcdr/contest/

The Malahat Review Open Season Awards
Genres: Poetry; Fiction; Creative Non-fiction (max 2500 words)
Deadline: November 1, 2015
Prizes: $1500 to the winner in each section + publication
Entry Fee: $35 (includes subscription); $15 each for additional entries
Detailshttp://www.malahatreview.ca/contests/open_season/info.html

CBC Canada Writes Short Story Contest
Genre: Fiction (1200-1500 words)
Deadline: November 1, 2015
Prizes: $6000 + Banff Centre Residency + Publication in enRoute & CBCBooks.ca (1st prize); $1000 for each of 4 runners up
Entry Fee: $25
Detailshttp://www.cbc.ca/books/canadawrites/literaryprizes/shortstory/

Humber Literary Review Fiction Contest
Genre: Fiction (max 3000 words)
Deadline: November 15, 2015
Prizes: $250 + Workshop Placement (1st); $250 (2nd); $100 (3rd); publication
Entry Fee: $25 (includes subscription)
Details: http://humberliteraryreview.com/submissions

PRISM International Creative Non-fiction Contest
Genre: Creative Non-fiction (max 6000 words)
Deadline: November 20, 2015
Prizes: $1500 (1st); $600 (2nd); $400 (3rd); publication
Entry Fee: $35 (includes subscription); $5 each for additional entries
Detailshttp://prismmagazine.ca/contests/
Note: PRISM’s poetry and short fiction contests will have a deadline of Jan 15, 2016

Plenitude Emerging Writer Mentorship Award
Genre: Creative Non-fiction (max 4000 words)
Deadline: November 27, 2015
Prize: Mentorship + publication
Entry Fee: $20 (includes subscription)
Detailshttp://plenitudemagazine.ca/emerging-writer-mentorship-award/

Prairie Fire Creative Writing Contests
Genres: Poetry; Fiction (max 10,000 words); Creative Non-fiction (max 5000 words)
Deadline: November 30, 2015
Prizess: $1250 (1st); $500 (2nd); $250 (3rd); publication
Entry Fee: $32 (includes subscription)
Detailshttp://www.prairiefire.ca/contests/

Briarpatch Writing in the Margins Creative Writing Contest
Genres: Poetry; Creative Non-fiction (max 2000 words)
Deadline: December 1, 2015
Prize: $300 + print publication (1st); $75 + online publication (honourable mention)
Entry Fee: $25 (includes subscription)
Detailshttp://briarpatchmagazine.com/writingcontest

The Fiddlehead 25th annual Literary Contest
Genres: Poetry (up to 3 poems); Fiction (max 6000 words)
Deadline: December 1, 2015
Prizes: $2000 + publication (1st); $250 each to 2 honourable mention
Entry Fee: $30 (includes subscription)
Detailshttp://www.thefiddlehead.ca/FHcontest.html

Rhubarb magazine contests
Genres: Fiction; Poetry; Essays
Deadline: December 15, 2015
Prize: $500 + publication
Entry Fee: $30; includes subscription
Detailshttp://www.rhubarbmag.com/submit-or-enter/contests/

Hamilton Readers & Writers Festival gritLIT Writing Contest
Genres: Fiction, Poetry
Deadline: December 15, 2015
Prizes: $200 (1st); $100 (2nd); $50 (3rd); publication in anthology; author pass to gritLIT event
Entry Fee: $20
Detailshttp://www.gritlit.ca/submissions/

Freefall Prose & Poetry Contests
Genres: Poetry (max 5 poems); Fiction (max 3000 words)
Deadline: December 31, 2015
Prizes: $500 (1st); $250 (2nd); $75 (3rd); $25 (HM); publication
Entry Fee: $25 (includes subscription); additional entries $5 each
Detailshttp://www.freefallmagazine.ca/contest.html


Did we miss one? Send us a note or hail us on Twitter @MagAwards. We’ll update this post throughout the fall as more contests are announced. Find more awards, prizes and contests for magazine journalism on the Awards and Contests pages of this blog.

To see what’s on the horizon for 2016, check out:
Your Guide to Winter/Spring Magazine Writing Contests
Your Guide to Summer Magazine Writing Contests

For a comprehensive guide to submitting to literary publications in Canada, check out:
A Writer’s Guide to Canadian Literary Magazines