Off the Page: Terence Byrnes

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Terence Byrnes (Photo: Patricia Woodburn)

Off the Page is a regular interview series featuring National Magazine Award winners. In this interview, we chat with Montreal-based writer and photographer Terence Byrnes. Last year at the NMAs, Terence was awarded the gold medal in the category of Photography: Photojournalism & Photo Essay for “South of Buck Creek.” Byrnes succinctly captures the premise of the photo essay by way of a subheading: “A Canadian memoir of black and white in America’s unhappiest city.”  Read on for Terence’s thoughts on maintaining sympathetic neutrality towards the residents of Springfield, Ohio; smart phones and the democratization of photography; and his advice for emerging photographers.

First, congratulations on winning gold at the NMAs for “South of Buck Creek,” published in Geist. Your photo essay describes Buck Creek as a “cabinet of wonders.” In your career as a photographer, have you found other subjects, or places, that could be described as such?

I shot for a while in Buffalo when that city was among the rustiest of rust-belt towns. The industrial desolation, abandonment, and sense of fallen empire were awe-inspiring. In a residential area, I saw a man, wearing only dirty white briefs, roasting a wiener in a hubcap where he had built a fire with twigs. This was at the end of a street of McMansions protected with black iron grillwork over every door and window. Is that a wonder? I don’t know.

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The essay portion of your piece notes that you took approximately 10,000 photos of Buck Creek, over a span of 45 years. How do you organize all of your photos?

Ten thousand was a guess. It’s more than that. Many are negatives, with some chromes. I worked from proof sheets to produce scans on a Nikon scanner. I moved to digital capture in 2003. Lightroom keeps track of it for me.

Do you have an absolute favourite from those 10,000 photos?

One day, I was photographing an oddly shaped building—it may even have been a skinny parallelogram—that housed a bar. “Bob City” was painted on one end of it. Railroad tracks, a sidewalk, and several streets converged and diverged behind the building, and dandelions had popped up in a patch of grass in front of it. I spent about 45 minutes finding the right position and height to put these elements into proper relation with each other. When I processed the film (this was probably 30 years ago) air bubbles had stuck to the best frame in the series, rendering it unusable. Wanting to salvage that frame eventually led me to early digital scanning of negatives and moved me out of the darkroom to the screen, where I patched the bubbles. I can’t say if this image was an “absolute favourite,” but it’s got a lot of history stored in it.

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Within the first few pages of the photo essay, we jump from the sixties with “Terria (1966)” to the early 2000s with “South of Buck Creek” (2001), then to the 90s, with “Joy (1999).” What were your intentions behind the non-chronological organization of this photo essay?

“Intuitions” is probably a better word that “intentions.” When you establish an order for a photographic series, some arrangements just look better. I suppose I want the eye to re-orient itself to the formal elements of each image so the photograph is actually seen. Also, ordering by year suggests development of some sort, or it implies a narrative. As it was, the images themselves were my first priority.

Very early on in the photo essay, you state that your role in Buck Creek shifted from spectator to participant. Certainly, that theme—of your enmeshment in the Buck Creek community—runs throughout: there’s the “crazy moment” when you “fantasized about adopting” one of the boys from the Vision for Youth residence; you carried the “Friends (1977)” photo around for years, hoping to eventually deliver it to one of the photo’s subjects, “scary guy.” What challenges came along with crossing that line from spectator to participant?

Great question. I had to maintain sympathetic neutrality toward everyone and to learn—more than once— that folks who looked down-and-out could be as smart, respectful, and as deserving of respect, as anyone else. Honesty and openness were crucially important. A subject might say, “Take my picture, but don’t ever use it,” and my agreement would have to be as good as gold.  People were blown away when I would come back a year later with free photographs. That’s how the street cred developed. Of course, there were rough spots and challenges that were both emotional and physical. I saw families living in misery and stripped of dignity thanks to bad luck, fear of gang activity, and profound physical and emotional disability (with no health care or institutional support). You want to help, but you can’t.

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“Marriage (1998)” features a woman in her bikini, with her two twin daughters. The narrative portion states, “In the later years of this project, women wouldn’t so easily agree to have their pictures taken. They were afraid, as one told me, that their faces would appear atop a nude body on the Internet.” It seems that while the Internet has encouraged people to document their lives—via Facebook, YouTube, Instagram—it’s also made it more difficult for photographers to act as the documentarian. Are there other ways in which the growth of social media and the shift to digital have impacted your career as a photographer?

Camera phones have, in a sense, radically democratized photography and, for many people, have done away with the cachet of the physical print. Academic criticism and identity politics have also had a less than salutary effect on the documentary form. Some months ago, I glanced outside my window here in the Point-Saint-Charles district of Montreal and saw an 11-year-old boy got up in a home-made superhero costume, holding a garbage can lid as a shield. I knew it was pure Arbus, but couldn’t resist. When I asked the boy if I could take a photograph, a teenage girl ran up and began shouting at me. Her assumption—thanks to her familiarity with internet images—was that I was about to do something that was immoral as well as illegal.

Your first camera was an Agfa Ambi Silette loaded with Tri-X film. These days, what’s your camera of choice?

Actually, before the Agfa, there was a Kodak “Pony,” which I had forgotten. You’ve caught me at a crossroads now, though. Should I move up from my Nikon D810 to the new D850 or switch to the mirrorless Sony A7R III? Probably the new Nikon.

In 2008, you published Closer to Home: The Author and the Author Portrait, which you had worked on for 10 years. That means that there was some crossover between the literary portraits and Buck Creek. What similarities were there between these two seemingly very different projects?

Both were closer to the subjects’ homes than to the studio. I tend to shoot on-site and to make it up as I go along. This can produce really banal results, but also great surprises in lighting, posture, expression, and mood.

What was the impact—personally and/or professionally—of winning a National Magazine Award?

I think it makes me an easier sell to editors who don’t know me. And if I pitch an idea, I’m more likely to be listened to.

What advice would you offer to a young photographer?

The advice I give myself is often so disastrous that I should keep my own counsel. That said, I think of current work that catches my eye. I love the work of Tamas Deszo, Sebastián Liste, and Ruth Kaplan. Or Michel Huneault’s photographs of Lac Mégantic after the train disaster. There are some wonderful documentarians out there who do far more than record event. I would have been interested in photographing the refugees/migrants who streamed across the border in Quebec’s Eastern Townships in the belief they would find a home in Canada. Good projects don’t have to be topical, but they do have to be fresh.


Previous to Byrnes’ NMA gold award, he received two NMA honourable mentions. The first was in 2009, for “The Imagined Portrait” published in Queen’s Quarterly. The second was in 2012 for “The Missing Piece,” published in The Walrus. For more information on Byrnes’ photography and writing projects, please visit his website

Interview conducted by Leah Edwards.

The call for entries for the 2018 National Magazine Awards is open now until January 22. 

Off the Page: Daniel Fish

 

Michael Bryant is a polarizing figure to people both in the legal community and outside and we knew that people really didn’t know what had happened to him. We knew that it was going to make a certain amount of a spl (1).png
Photo Credit: Ian Patterson

 

Off the Page is a regular interview series featuring National Magazine Award winners. Recently we caught up with Daniel Fish, the senior editor of Precedent, a quarterly magazine curated for Toronto lawyers. Fish won the Gold medal for best professional article for his exclusive feature on former attorney general Michael Bryant. Precedent last won gold in 2014 for Raymond Biesinger’s illustration A Well-Oiled Machine.

How did it feel to be the first reporter at Precedent to win a National Magazine Award for writing?

It was super satisfying! We’d been recognized at the Canadian Business Media awards and the KRWs before but to have a piece of writing given some recognition by the best people in the business was huge. It’s not something that happens to everyone and there’s no guarantee that it will happen again. It wasn’t something that I expected, so it really was just a huge treat.

Can you tell me a bit about how your first got the Bryant story?
Sure! I guess that’s going back to the winter of 2015. Sean Robichaud, a criminal lawyer who runs his own law chambers, had mentioned to Melissa Kluger (editor and publisher of Precedent) that she might be interested to know that a high profile person just joined his new chambers—it was Michael Bryant. When she told me, I didn’t immediately know the story was going to have the kind of richness that would be required for a long cover story. But it was interesting enough, even just the fact that he was getting back into the game after people hadn’t seen him in so long would’ve at least justified a short front of book news piece.Screen Shot 2017-12-13 at 10.57.44 AM

Tell me about your reporting process.

I got in touch with him fairly quickly but didn’t hear anything for months. In the spring he responded to my initial email and said he’d be happy to chat about what the story might be about. After I met with him for the first time, I had an inkling of what the story might be: the attorney general who ran the justice system is becoming a criminal lawyer and starting to see some of the injustices in the criminal justice system that he was oblivious to when he ran it. That was what sold me and made me think that there might be more to the story. When I took it back to Melissa to talk to her about it I could say that there was something here that’s richer than just “here’s Michael Bryant becoming a criminal lawyer.” There was a kind of poetry to the story that we could pack in and make it a cover story.

Bryant published an autobiographical book called 28 Seconds: A True Story of Addiction, Tragedy, and Hope in 2012, how did it influence your story?

The big blockbuster revelation in his book which I think people knew but he hadn’t spoken publicly about, was the fact that he’d struggled with alcoholism. He also talked about what happened on the day of the accident (1) and going through that experience. I think in that book he was pretty proud of his tenure as attorney general. So we had to think… the accident is old news, we certainly don’t want to re-litigate what happened, the fact that he struggled with alcoholism is also old news and so much had been written about him already. We really had to think what could we add to the story, what we could add to the next chapter in that book. I would also say that it’s a huge advantage to write about someone who has a published autobiography because an enormous amount of the work is done for you. I had not ever done that before, or since, and I wish every one of my sources would provide a full biography.

Did anything stand out to you while reporting?

I remember I interviewed his pastor because a big part of Bryant’s narrative was that after the accident and after he’d fallen away from politics, he started going to a non-denominational Christian charity in downtown Toronto. His pastor revealed to me that Byrant had considered becoming a minister and that he thought that maybe religion was going to fuel meaning in his life. The story only got richer the more that things went on.

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How was it to interview him? He’s known to be a bit gregarious.

He was a fun interview. There’s no question that he’s a very seasoned politician. But also as a politician he was sort of a straight shooter. I think journalists enjoyed talking to him because he didn’t necessarily stick to party line talking points. He was happy to sound off on what he thought was wrong with the justice system, he wasn’t mincing words.He had no problem saying that the presumption of innocence was a joke. He was a fairly easy interview subject.

How is this story different from others that you’ve worked on?

I guess we knew how much attention it was going to get from our audience and we knew that it was probably going to get more of a focus from the wider world as well. You know the next piece that I wrote on document review did well in the legal community, but I don’t think that people outside of it really picked it up which is fine, that’s not our goal. But I think we were aware that Michael Bryant is a bit of a lightning rod for controversy. We know that he is a polarizing figure to people both in the legal community and outside and we knew that people really didn’t know what had happened to him. We knew that it was going to make a certain amount of a splash upon publication.

What sort of feedback did you get when the piece came out?

The feedback was fairly positive, which was also gratifying. Overall both readers and people from outside of the legal world seemed to be inspired, which wasn’t necessarily the goal of the piece, but they were inspired nonetheless by him trying to make the most meaningful second half of his career as he could. I think people read it and were pleased to hear someone who once perched atop the justice system speak candidly about its flaws. I think people who are in the trenches (so to speak) of defense law—prosecutors and crowns—they know that the system has its problems and so to hear someone like Michael Bryant give voice to that was somewhat satisfying. And I think people just enjoyed the yarn. We don’t write that many 4500 word single profiles.

Fish recently wrote the cover story for Precedent JD (Precedent’s law student magazine) called Are There Too Many Lawyers? He is working on a project now that is exploring the link between mental health problems and the practice of law. You can follow Precedent on twitter here.

Interview conducted by Stephanie Philp.

The call for entries for the 2018 National Magazine Awards is open now until January 22.

(1) Bryant was charged with dangerous driving causing death and criminal negligence causing the death of cyclist Darcy Sheppard in 2009. The charges were eventually dropped.

 

Thank You! From the 40th Anniversary National Magazine Awards

The 40th anniversary National Magazine Awards gala, 26 May 2017, Arcadian Court, Toronto (Photo by Steven Goetz for the NMAF)

The 40th anniversary National Magazine Awards are in the books, and the NMAF would like to thank all of the amazing contributors, sponsors, partners, and everyone else who helped make this year’s awards program a successful and poignant celebration of Canadian magazine creators.

Thank you to Vanessa Wyse, Nicola Hamilton, and their team at Studio Wyse for creating and executing the look and feel of this year’s National Magazine Awards–including the gala program (right), tickets, stage design, and our social media design. We loved working with you!

Thank you to our three wonderful co-hosts–Kim Pittaway, Michael de Pencier, and D.B. Scott–for leading the show and delighting the audience with their wit and honouring the nominees and winners with such grace.

Thank you to Alicia Elliott for delivering a bold and timely keynote address on the issue of cultural appropriation and the role of magazines in educating Canadians.

Thank you to our Special Guests at the 40th anniversary National Magazine Awards gala and those who sent special video messages to our nominees and winners:

  • Rt. Hon. Justin Trudeau, Prime Minister of Canada;
  • His Worship John Tory, Mayor of Toronto;
  • Sally Armstrong, UNICEF Special Representative to Afghanistan, Amnesty International-recognized human rights journalist, and former Outstanding Achievement Award winner;
  • James Ireland, legend of Canadian magazine design and former Outstanding Achievement Award winner;
  • Ken Rodmell, legend of Canadian magazine design and former Outstanding Achievement Award winner;
  • Lynn Cunningham, Ryerson University Journalism School instructor and former Outstanding Achievement Award winner;
  • Stephen Trumper, Ryerson University Journalism School instructor and former Outstanding Achievement Award winner (and his daughter Hannah);
  • Al Zikovitz, CEO of Cottage Life Media and former Outstanding Achievement Award winner;
  • Paul Jones, long-time Maclean-Hunter and Rogers publisher, and former Outstanding Achievement Award winner;
  • Desmond Cole, 3-time National Magazine Award winner and Newstalk 1010 host;
  • Jennifer Varkonyi, publisher of Maisonneuve;
  • Peter McNeill, national director of KPMG Enterprise;
  • Hon Lu, National Magazine Award-winning writer;
  • Min Gyo Chung, National Magazine Award-winning illustrator;
  • Gilbert Li, award-winning art director and NMA judge;
  • Arjun Basu, senior vice president of Bookmark Content, NMA judge, and former NMAF president;
  • Marcel Courville, senior vice president of marketing at TC Transcontinental Printing;
  • Anna Principe, business development manager at Rolland Enterprises;
  • Jack Illingworth, literature officer at the Ontario Arts Council;
  • Laurie Smith, customer marketing manager at CNW, a Cision Company.

Thank you to our Judges–the 112 individuals who volunteered their time as peer experts in Canadian magazines, serving on our juries for the 40th anniversary awards.

Thank you to the 40 National Magazine Award winners who participated in our #40at40 anniversary story, where we asked 40 people to tell us about a magazine, a creator, or a magazine story that has had a big impact on their careers. [ See Twitter version | Download PDF version ]

Thank you to our Table Patrons who generously provided discounted tickets for nominated freelance creators:

Thank you to all our Sponsors and Partners for their enthusiastic support of the National Magazine Awards and Canadian magazine creators.

Thank you to the team at CCR Solutions for their production of the gala multimedia show.

Thank you to the team at Very Good Studios for their production of the nominees video.

Thank you to our wonderful staff and our Board of Directors for their hard work and guidance.

Thank you to Steven Goetz, our event photographer for this year’s National Magazine Awards. Check out the 2017 NMA photo gallery on our Facebook Page.


Check out all the photos here


Thank you to all our contributors to the 40th anniversary gala:

Program Editor: Richard A. Johnson
Program & Gala Art Direction & Design: Studio Wyse
Printing: Transcontinental Printing
Paper: Rolland Enterprises
Translation: Sophie Lecomte, Émilie Pontbriand
Copy Editing: Leah Edwards, Krista Robinson
Volunteer Coordination: Leah Jensen
Audiovisual Production: CCR Solutions
Nominees Montage: Very Good Studios
Production Interns: Eny Kuen, Leah Edwards
Outstanding Achievement Award Photography: Daniel Ehrenworth
Event Photography: Steven Goetz
News Release Distribution: CNW, a Cision Company
Chartered Accountants: Beckett Lowden Read, LLP
Caterer: Oliver & Bonacini
Venue: The Arcadian Court, Toronto

Special Thanks:

  • To our 40th anniversary Program Advisory Committee: Curtis Gillespie, Danielle Groen, and Kim Pittaway
  • To the Town of Huntsville, where Roy MacGregor’s original 1978 NMAF President’s Medal is now on display at the Canada Summit Centre Sports Memorabilia Collection.
  • To our hardworking event volunteers.

Congratulations to the participants, nominees and winners of the 40th anniversary National Magazine Awards. We look forward to seeing you next year!

Penny Caldwell’s speech at the 40th anniversary National Magazine Awards

Penny Caldwell, publisher of Cottage Life, accepts the 2017 Foundation Award for Outstanding Achievement at the 40th anniversary National Magazine Awards gala in Toronto, 26 May 2017 (Photo by Steven Goetz / NMAF)

At last Friday’s 40th anniversary National Magazine Awards gala, the NMAF presented Penny Caldwell, publisher and vice-president of Cottage Life Media, with the Foundation Award for Outstanding Achievement, the highest individual honour presented in Canadian magazines.

We asked Penny to compose a message to the industry, which was presented in the 40th anniversary NMA gala program and comprised the basis of her acceptance speech at the gala. Here are Penny Caldwell’s complete remarks.


The Space Between

Our urgent need for innovative ideas and talented creators
by Penny Caldwell

I am honoured to receive this award and extend my sincere thanks to the National Magazine Awards Foundation, to my colleagues who nominated me, and to the many people who have contacted me since the news was announced.

Recently, a student at Cottage Life asked me what I have learned over the nearly forty years that I have worked in publishing. The best advice, I told her, was to manage your expectations but keep dreaming, work hard, be patient, and be adaptable.

That advice came to me from Doug Creighton, the founding publisher of the Toronto Sun when, fresh out of university, I was looking for a job. A family friend had arranged the interview, and Doug said he could probably get me a job on the copy desk working the night shift. What a thrill to imagine being part of a big daily newspaper, even as a proofreader on the night shift. Then he advised me not to take the job. Go out, he said, and find a place at a small newspaper where you will learn to do everything. So I went home and applied to every community newspaper across Canada, and I got a job as a sports reporter and columnist at the Whitby News Advertiser in Ajax.

The newspaper’s editor and senior reporters taught me a lot about crafting compelling stories. When one of the girls on the basketball team was fatally attacked by another student, I even covered a murder. But I recall the day I heard some surprising news: that the purpose of the stories we poured our hearts into was to fill the space between the ads.

If only it were that simple.

Fast forward. Most of us here tonight are still inescapably seduced by the power of storytelling. And while we can’t lose sight of the reality that, yes, in our legacy business the stories have traditionally been what fill up the spaces between the ads, we comfort ourselves that good content comes out on top. Content is king. Our readers pay for the content. Our advertisers pay to be close to the content. How close? Well, that’s the million-dollar question, isn’t it?

Ads are no longer simply adjacent to content,. Now they pop up in the middle of the stories—online and on our TV screens. Not that this is new. Who here remembers the issue of Saturday Night magazine in the late ‘90s, in which an excerpt of Mordecai’s Richler’s “Barney’s Version” was typeset to wrap around a vodka bottle? “Absolut Mordecai.”

While the business model for paid advertising evolves, so does our distribution method. Our world now includes an audience that doesn’t expect to have to shell out for content. And so, in an effort to attract the big numbers—not to mention big data—we give away our valuable content for free on our websites, on other digital channels, and in e-newsletters. Our advertising partners, who in the past clamoured to be close to the content, now want to be the content. Our industry has survived the inventions of radio and television, but I don’t know of a time in which magazines have been under more pressure to reinvent themselves—because with new technology we can, and because with new technology we have to. We now compete in more places and in more ways than ever for our customers’ time and money.

My twenty-year-old, idealistic, sports-reporter self says, what has the world come to? My present, practical business self says disruption happens, get on with it. The magazine industry must adapt—all of us here—in order to keep growing. We are going to have to find new sources of revenue, new innovative ways to engage our audiences that they will pay for. And that means learning everything possible about our customers. We’re going to have to find out what’s important to them, and tap into that passion.

My optimistic self says, we can do this. Yes, because we don’t have a choice if we want to survive. But also because as magazine creators we are very, very good at captivating audiences with compelling stories. Magazines are still a highly authentic, trusted platform whose halo has already enabled our industry to expand far beyond print into mega media brands comprising digital, social, video, audio, events, stores, merchandise, and even restaurants. If we continue to tell compelling, relevant stories, in whatever form, the audience will be there and they will pay. We still need good, high-quality content and the talented creators behind it. We still need to recognize its value in our business.

Tonight, we celebrate excellence. Tonight, we celebrate the creators. And tonight, I offer congratulations to those of you—editors, art directors, writers, photographers, illustrators, and publishers—who know how to tell the powerful Canadian stories that have such a profound influence on our society.

Finally, I would like to end with a thank you to Cottage Life, and particularly to Al Zikovitz, my mentor, friend, and long-time boss, who every day teaches me something new about hard work, being adaptable, and chasing your dreams.

Thank you.


Penny Caldwell (@PennyCaldwell) is the publisher and vice-president of Cottage Life Media. At this year’s 40th anniversary National Magazine Awards she was presented with the Foundation Award for Outstanding Achievement. Read her complete National Magazine Awards bio here

ABOUT THE OUTSTANDING ACHIEVEMENT AWARD
The NMAF’s most prestigious individual prize  is the Foundation Award for Outstanding Achievement, an award that recognizes an individual’s innovation and creativity through contributions to the magazine industry.

The award is open to circulation experts, editors, marketing, sales and promotion professionals, publishers, creators, designers, production managers – in short, to everyone in the industry. It cannot be given posthumously. The annual deadline for nominations is March 1.

For more information and previous winners, visit magazine-awards.com/oa.

Alicia Elliott’s speech at the 40th anniversary National Magazine Awards

Host Kim Pittaway (right) greets Alicia Elliott on the stage of the 40th anniversary National Magazine Awards in Toronto, 26 May 2017 (photo by Steven Goetz / NMAF)

At last Friday’s 40th anniversary National Magazine Awards gala, the NMAF invited Tuscarora First Nations writer Alicia Elliott to deliver a keynote address, reflecting on the recent controversy in the Canadian magazine industry surrounding cultural appropriation and the roles that magazine media and creators play in contextualizing the debate and educating Canadians.

The NMAF is very grateful to Ms. Elliott for accepting this invitation and addressing the 300 guests gathered at the NMA gala on Friday.  Here are Alicia Elliott’s complete remarks, published with her permission:


She:kon.

Don’t worry, everybody. I promise I’m not here to take away your free speech. I’ve got maybe a handful and a half of publications, so I’m pretty sure I don’t have that kind of power. But you’re all writers, editors and publishers with some of the most prestigious publications in Canada. You have considerable power: to say what you want and know people will listen, to amplify any voice or perspective you want, to edit out or repress any voice or perspective you want. I hope after the past few weeks, you’ve all been reflecting on that responsibility.

This is not a responsibility to be taken lightly. Once a citizen reaches adulthood, Canada officially washes its hands of educating them. Your magazines are what fill that void. Each and every page of your publications are like classrooms: sometimes teaching readers new ideas, sometimes reinforcing old ones. Take a moment and think about that. What are you teaching Canadians? What are you refusing to teach Canadians? And who are you letting do that teaching?

The fact is many marginalized communities do not feel you’re doing a good enough job telling their stories. I know there have been efforts at diversifying the workplace to counteract this. People from many more identities and cultures are part of newsrooms and magazines than twenty years ago. There’s some progress. But are they in leadership positions? Are they listened to by their leaders? Are they supported by those leaders when fighting for their right to speak, to exist?

I’m sure many of you would like to think the establishments you work at are safe havens for marginalized writers. Otherwise, why would they work there, right? But I’d like to share with you a quote from journalist, activist, novelist and all-around bad ass James Baldwin. In his introduction to his essay collection Nobody Knows My Name, he wrote, “Havens are high-priced. The price exacted of the haven-dweller is that he contrive to delude himself into believing that he has found a haven.”

As many have pointed out, and as the continued ignorance displayed in national political cartoons and columns have shown, the media and literary communities in Canada are not havens. We are collectively deluding ourselves to believe otherwise. It only took the smallest pushback from indigenous people for those who have always had access to free speech to derail conversation, shake off all accountability and put us back in our place. When you exalt their voices by publishing their articles and columns, what are you teaching Canada? What are you saying to marginalized communities about their issues and your coverage of them? What are you saying about yourself?

Because it’s not just the marginalized who are searching for havens. Those in power are searching, too. Sometimes they want a haven from criticism and accountability, from hard questions and harder answers. And for some, when that haven is snatched away and the full extent of their responsibilities is made crushingly apparent, it’s too much. They don’t reflect and make real change. They search out the closest haven and run.

I’m here tonight to ask you NOT to run. I’m asking you to do hard work, to examine your own complicity in perpetuating these problems, to be vulnerable with us, to have difficult conversations with us, to offer us a hand up instead of another push down. I’m here tonight to ask you to admit you don’t know it all, to ask questions, to learn and to do better.

We’re currently creating the world our children and grandchildren will grow up in, which means all of our actions and our inaction carry immense weight. Are you going to make future generations proud? Or are you going to make their work harder? Ultimately, that decision is your responsibility. There is no haven from that.

Nya:weh’kowa.


Alicia Elliott is a Tuscarora writer from Six Nations currently living in Brantford, Ontario. Her writing has most recently been published by CBC Arts, Room, Grain, The New Quarterly and The Malahat Review. She’s on Twitter @WordsandGuitar

Read Alicia Elliott’s short essay on CBC.ca about why “The cultural appropriation debate isn’t about free speech — it’s about context.”

Read Alicia Elliott’s National Magazine Award-winning essay “A Mind Spread Out on the Ground” (The Malahat Review).

The 40th anniversary National Magazine Award winners were announced on Friday, 26 May at the Arcadian Court in Toronto. Catch up on all the news and winners here.

Announcing the Winners of the 40th Anniversary National Magazine Awards

The National Magazine Awards Foundation (NMAF) has presented the winners of the 40th anniversary National Magazine Awards at a gala this evening in Toronto at the Arcadian Court. Nearly 300 of Canada’s top magazine writers, artists, editors, art directors, publishers, and other guests representing 75 nominated magazines gathered to recognize and celebrate excellence in the content and creation of Canadian magazines in 2016. Gold and Silver medals were presented in 25 categories recognizing Canada’s best in magazine writing, art, and design.

Prime Minister Justin Trudeau delivered a welcome message to the audience via video, congratulating the nominees and winners and praising the important work of Canada’s magazine creators.

The Foundation presented Gold and Silver Medal awards in 25 categories at a ceremony co-hosted by Kim Pittaway, Michael de Pencier, and D.B. Scott—three of Canada’s most respected journalists and publishers, and all former winners of the Foundation Award for Outstanding Achievement. Indigenous writer and Gold Medalist in the Essays category, Alicia Elliott, delivered the keynote address, urging all Canadian magazine creators and publishers to recognize their role in educating and informing the public about the complex social and cultural issues of our time, including empowering Indigenous voices and perspectives in the media.

Penny Caldwell, publisher and vice-president of Cottage Life Media, was presented with the 2017 Foundation Award for Outstanding Achievement, the highest individual honour in the Canadian magazine industry, which recognizes an individual’s innovation and creativity through contributions to the magazine industry.

For a complete list of winners, see below or download the PDF list.


MAGAZINE OF THE YEAR

Canada’s 2017 Magazine of the Year is Cottage Life. The award for magazine of the year goes to the publication that most consistently engages, surprises, and serves the needs of its readers. The award is judged according to four criteria—overall quality, impact, innovation, and brand awareness—and success relative to the magazine’s editorial mandate.

Honourable Mention for Magazine of the Year went to Explore, Nouveau Projet, Ricardo, and The Kit Compact.

With a clear and creative editorial strategy that is loyal to their brand, audience, and business, Cottage Life continues to diversify its mandate, grow its readership, and excel at publishing. The magazine’s tone is perfectly playful, its stories educate and delight, and its story packaging is alluring. Cottage Life has demonstrated creativity and excellence in evolving its brand through events, shows, and multimedia—reinventing itself again and again. And throughout its evolution, the magazine itself remains fresh and fascinating.
The National Magazine Awards Jury



INTEGRATED AWARDS

Best Magazine Cover

GOLD MEDAL: “General Dynamics” (Report on Business)
Domenic Macri, art director
Gary Salewicz, editor
Brennan Higginbotham, contributor

This is a beautiful execution of a well-thought-out idea, from its concept right down to the smallest detail. Report on Business’s “General Dynamics” cover is a masterful example of having graphics work harmoniously with type to create the impression of a must-read story within. It’s engaging and unexpected—the forbidden, blacked-out words suck you in immediately. A truly remarkable and successful magazine cover.
The National Magazine Awards Jury

SILVER MEDAL: “Why Design Matters” (Canadian Business)


Best Editorial Package

GOLD MEDAL: « Nordicité » (Caribou)
Tania Jiménez, directrice artistique
Audrey Lavoie, Véronique Leduc, Geneviève Vezina-Montplaisir, rédactrices en chef

This Editorial Package from Caribou is a delicious invitation to the table set around the concept of Nordicité, where a meal of uniquely Québécois flavour is served. On the menu are cozy stories and tasteful photography of matsutake mushrooms, maple syrup, boreal spices, and wild berries. The package has the benefit of relying almost wholly on the support of readers and presents them with a carefully thought out series of articles that complement the topic and each other—all editorially handpicked and beautifully plated for our enjoyment.
The National Magazine Awards Jury

SILVER MEDAL: “Swim or Sink” (New Trail)


Best Service Editorial Package

GOLD MEDAL: “Breast of Luck” (Today’s Parent)
Ariel Brewster, editor
Stephanie Han Kim, art director
Contributors: Vivian Rosas, Katie Dupuis, Karen Robock, Louise Gleeson, Kara Aaserud, Sasha Emmons, Kate Lunau

“Breast of Luck” from Today’s Parent epitomizes service journalism. The team approached the issue from various perspectives, offering up multiple entry points. It feels exceptionally relevant—these are the real questions people ask about breastfeeding. It’s beautifully designed, very well written, funny, informative—the practical information is hands-on and useful. Whether you read it closely or simply skim, it has something for every reader.
The National Magazine Awards Jury

SILVER MEDAL: “How to Travel like a Boss” (Report on Business)


Best Words & Pictures

GOLD MEDAL: “Rosemont Petite-Syrie” (Nouveau Projet)
Judith Oliver, rédactrice en chef adjointe
Jean-François Proulx, directeur artistique
Félix Beaudry-Vigneux, auteur
Maxime Roy de Roy, illustrateur

Beautifully drawn, informative, and concisely written, “Rosemont Petite-Syrie” is a powerful and graphic way to show the response of two families to the Syrian refugee crisis. The piece seamlessly weaves text and illustrations that speak to one another and the reader without seeming redundant. It’s an exemplar of the comic-book genre—and bilingual, to boot.
The National Magazine Awards Jury

SILVER MEDAL: “Love Your Body” (NOW Magazine)


Forty years ago the NMAF set about building a coalition of institutions to form the foundation of what would become the National Magazine Awards. The goal was to create a truly national program that would recognize individual excellence in the many aspects of the magazine industry. Forty years later that legacy has endured. Tonight we have recognized the outstanding work of Canada’s magazine creators. Congratulations to all the nominees and winners—you have truly inspired the future of great journalism in this country.
Nino Di Cara, President, NMAF


BEST NEW MAGAZINE WRITER

GOLD MEDAL
The Questionable Science of Vancouver’s Port Expansion
Hakai Magazine
Amorina Kingdon, writer
Heather Pringle, handling editor

Honourable Mention: Eternity Martis, Kyle Edwards, Sharon J. Riley, Viviane Fairbank


WRITING AWARDS

Long-Form Feature Writing

GOLD MEDAL
Growing Up Trans
The Walrus
Mary Rogan, writer
Carmine Starnino, handling editor

SILVER MEDAL
Canadian Mining’s Dark Heart
The Walrus
Richard Poplak, writer
Carmine Starnino, handling editor


Feature Writing

GOLD MEDAL
« Les exilés de l’enfer »
L’actualité
Anne-Marie Luca, auteure
Ginette Haché, rédactrice-réviseure

SILVER MEDAL
Big Lonely Doug
The Walrus
Harley Rustad, writer
Carmine Starnino, handling editor


Short Feature Writing

GOLD MEDAL
« Santa Martha Acatitla : le théâtre de la réconciliation »
Jeu, Revue de théâtre
Françoise Major, auteure
Christian Saint-Pierre, rédacteur-réviseur

SILVER MEDAL
The Cutting Edge
ON Nature
Ray Ford, writer
Joanna Pachner, handling editor


Columns

GOLD MEDAL
« Économie »
L’actualité
Pierre Fortin, auteur
Josée Désaulniers, Karine Picard, Lucie Daigle, rédactrices-réviseures

SILVER MEDAL
Just Sayin’
Atlantic Business Magazine
Stephen Kimber, writer
Dawn Chafe, handling editor


Essays

GOLD MEDAL
A Mind Spread Out on the Ground
The Malahat Review
Alicia Elliott, writer
John Barton, handling editor

SILVER MEDAL
A Poet Self-Destructs
The Walrus
Don Gillmor, writer
Katherine Laidlaw, handling editor


Fiction

GOLD MEDAL
The Unitarian Church’s Annual Young Writer’s Short Story Competition
The New Quarterly
Richard Kelly Kemick, writer
Pamela Mulloy, handling editor

SILVER MEDAL
Eight Saints and a Demon
Hazlitt
Naben Ruthnum, writer
Kiara Kent, handling editor


Investigative Reporting

GOLD MEDAL
The Last Days of Target
Canadian Business
Joe Castaldo, writer
James Cowan, handling editor

SILVER MEDAL
Justice Is Not Blind
Maclean’s
Nancy Macdonald, writer
Colin Campbell, handling editor


One of a Kind

GOLD MEDAL
The Verdict
The Walrus
Katherine Laidlaw, writer
Emily M. Keeler, handling editor

SILVER MEDAL
The David Foster Wallace Disease
Hazlitt
Sasha Chapin, writer
Haley Cullingham, handling editor


Personal Journalism

GOLD MEDAL
The Burn
Prairie Fire
Benjamin Hertwig, writer
Andris Taskans, handling editor

SILVER MEDAL
By The Time You Read This I’ll Be Dead
Toronto Life
John Hofsess, writer
Emily Landau, handling editor
Gary Ross, contributor


Poetry

GOLD MEDAL
“(Good) ‘Girls Don’t Hitchhike’; Half/Brother; Meet Cree: A Practical Guide to the Cree Language
The New Quarterly
Selina Boan, poet
Barb Carter, handling editor

SILVER MEDAL
La Traviata
PRISM International
Kim Fu, poet
Dominique Bernier-Cormier, handling editor


Professional Article

GOLD MEDAL
Whatever happened to Michael Bryant?”
Precedent
Daniel Fish, writer
Melissa Kluger, handling editor

SILVER MEDAL
Beware the Weakest Link
Listed
Jim Middlemiss, writer
Brian Banks, handling editor


Profiles

GOLD MEDAL
This is How I’m Going to Die
Maclean’s
Nancy Macdonald, writer
Colin Campbell, handling editor

SILVER MEDAL
The Artist of the Deal
Report on Business
Max Fawcett, writer
Ted Mumford, handling editor


Service Journalism

GOLD MEDAL
Canada’s Best New Restaurants 2016
Air Canada enRoute
Andrew Braithwaite, writer
Sarah Musgrave, handling editor

SILVER MEDAL
« Santé des femmes : le travail nous met en danger »
Châtelaine
Marie-Hélène Proulx, auteure
Johanne Lauzon, rédactrice-réviseure



VISUAL AWARDS

Art Direction of an Entire Issue

GOLD MEDAL
Issue 22: Secrets
SAD Mag
Pamela Rounis, art director
Sara Harowitz, editor
Katie Stewart, Michelle Reid Cyca, contributors

SILVER MEDAL
87: Le Vivant / The Living
esse Arts + Opinions
Studio FEED, direction artistique
Sylvette Babin, rédactrice en chef


Art Direction of a Single Article

GOLD MEDAL
« Le politique est personnel »
Nouveau Projet
Ping Pong Ping, direction artistique
Miriam Fahmy, rédactrice en chef

SILVER MEDAL
Give Peas a Chance
Today’s Parent
Mandy Milks, art director
Lauren Ferranti-Ballem, editor
Anthony Swaneveld, illustrator
Roberto Caruso, photographer


Illustration

GOLD MEDAL
« Une vie sexuelle pour les prêtres ? Pourquoi pas ? »
L’actualité
Gérard Dubois, illustrateur
Jocelyne Fournel, directrice artistique

SILVER MEDAL
Move or Improve?
MoneySense
Steven P. Hughes, illustrator
John Montgomery, art director


Photojournalism & Photo Essay

GOLD MEDAL
South of Buck Creek
Geist
Terence Byrnes, photographer
Syd Danger, art director
AnnMarie MacKinnon, Michal Kozlowski, editors

SILVER MEDAL
Canada’s Oldest Profession
The Walrus
Tyler Anderson, photographer
Brian Morgan, art director
Jonathan Kay, editor
Conrad Black, text


Portrait Photography

GOLD MEDAL
Marina Abramovic
Corduroy Magazine
Peter Ash Lee, photographer & art director
Tim Chan, editor

SILVER MEDAL
Love Your Body
NOW Magazine
Tanja-Tiziana, photographer
Troy Beyer, art director
Susan G. Cole, editor
Taylor Savage, hair & makeup


Lifestyle Photography

GOLD MEDAL
Different Strokes
Globe Style Advisor
Riley Stewart, photographer
Benjamin MacDonald, art director
Andrew Sardone, editor
Odessa Paloma Parker, fashion editor, stylist
Vanessa Jarman, makeup / hair stylist
Wendy Rorong, manicurist
James Reiger, model, NEXT Models Canada

SILVER MEDAL
Tan Lines
Globe Style Advisor
Renata Kaveh, photographer
Benjamin MacDonald, art director
Andrew Sardone, editor
Odessa Paloma Parker, fashion editor, stylist
Robert Weir, grooming
Connor, model, Elmer Olsen Model Management



INDIVIDUAL HIGHLIGHTS

Writer Nancy Macdonald won two awards: A Gold Medal in Profiles for “This is How I’m Going to Die” (Maclean’s), about the Leviathan II disaster, and a Silver Medal in Investigative Reporting for “Justice Is Not Blind” (Maclean’s), about the bias against Indigenous Canadians in the judicial system.

Mary Rogan won the first NMA Gold Medal for Long-Form Feature Writing, for her story “Growing Up Trans” (The Walrus). It’s Rogan’s third National Magazine Award and first since 1999.

Art director Domenic Macri of Report on Business won the Gold Medal for Best Magazine Cover (“General Dynamics”), his and the magazine’s fifth gold medal in this category since 2006.

Pierre Fortin (L’actualité) won the Gold Medal in Columns, for his Québec « Économie » coverage. This is Fortin’s fourth gold medal in Columns since 2003.

Indigenous poet Selina Boan won the Gold Medal in Poetry for a suite of poems in The New Quarterly, including “Meet Cree: A Practical Guide to the Cree Language.” This is her first National Magazine Award.

Richard Kelly Kemick won the Gold Medal in Fiction for “The Unitarian Church’s Annual Young Writer’s Short Story Competition” (The New Quarterly), his second NMA after winning gold last year in One of a Kind. Kemick also received an Honourable Mention in Fiction and in One of a Kind this year.

Indigenous writer Alicia Elliott won the Gold Medal in Essays for “A Mind Spread Out on the Ground” (The Malahat Review).

Don Gillmor won his twelfth National Magazine Award since 1997, a Silver Medal in Essays for “A Poet Self-Destructs” (The Walrus).

Joe Castaldo won the Gold Medal in Investigative Reporting for “The Last Days of Target” (Canadian Business). He won the Silver Medal in the same category in 2015.

In Personal Journalism, Edmonton writer and visual artist Benjamin Hertwig won the Gold Medal for “The Burn” (Prairie Fire). The story of the late John Hofsess, “By The Time You Read This I’ll Be Dead” (Toronto Life), about assisted dying and preparing to take his own life, won the Silver Medal.

Photographer and art director Peter Ash Lee won the Gold Medal in Portrait Photography (“Marina AbramovicCorduroy), his fourth National Magazine Award.

Gérard DuBois won the Gold Medal in Illustration, for « Une vie sexuelle pour les prêtres ? Pourquoi pas ? ». It is DuBois’ fourth National Magazine Award and first since 2013.

Andrew Braithwaite won the Gold Medal in Service Journalism for “Canada’s Best New Restaurants 2016” (Air Canada enRoute), marking the second consecutive year he and the magazine have won gold for their annual feature on Canada’s newest culinary hotspots.

Ray Ford won his eighth National Magazine Award since 2000 with a Silver Medal in Short Feature Writing for “The Cutting Edge” (ON Nature).



MAGAZINE HIGHLIGHTS

L’actualité led all magazines with 3 Gold Medals, winning the top prize in Feature Writing, Columns, and Illustration.

The Walrus led all magazines with 6 awards (2 Gold Medals and 4 Silver Medals). This is the tenth time in the magazine’s history that The Walrus has won the most total awards at the NMAs.

Report on Business won 3 awards, including a Gold Medal for Best Magazine Cover (“General Dynamics”) and Silver Medals in Best Service Editorial Package and in Profiles.

The New Quarterly won the Gold Medal in Fiction and in Poetry, marking the second time that the Waterloo, Ontario literary magazine has swept both awards (also doing so in 2003 at the 25th anniversary National Magazine Award).

NOW Magazine’s “Love Your Body” issue was a double winner, taking the Silver Medal in Portrait Photography and the Silver Medal in Best Words & Pictures.

Globe Style Advisor swept the Gold and Silver Medals in the category Lifestyle Photography.

Nouveau Projet won 2 Gold Medals, in Art Direction of a Single Magazine Article (« Le politique est personnel ») and in Words & Pictures (“Rosemont Petite-Syrie”). Nouveau Projet won Magazine of the Year in 2015 and was a finalist this year.

The online magazine Hazlitt won 2 Silver Medals, in Fiction and in One of a Kind.

Today’s Parent won 2 medals: Gold in Best Service Editorial Package (“Breast of Luck”) and Silver in Art Direction of a Single Magazine Article (“Give Peas a Chance”).

7 magazines won a National Magazine Award for the first time: Atlantic Business Magazine; Caribou; esse Arts + Opinions; Hakai Magazine; Jeu, Revue de théâtre; Listed; and SAD Mag.

Magazines winning 1 Gold Medal: Air Canada enRoute; Caribou; Corduroy; Cottage Life; Geist; Hakai Magazine; Jeu, Revue de théâtre; The Malahat Review; Prairie Fire; Precedent

Magazines winning 1 Silver Medal: Atlantic Business Magazine; Châtelaine; esse Arts + Opinions; Listed; MoneySense; New Trail; ON Nature; PRISM International; Toronto Life.


Check out all the gala photos on our Facebook page.


SPECIAL GUESTS

Prime Minister Justin Trudeau delivered a welcome message to the audience via video, congratulating the nominees and winners and praising the important work of Canada’s magazine creators.

Toronto Mayor John Tory also addressed the gathering via video to offer his congratulations to the nominees and winners and offer his support for Canadian magazine creators.

Alicia Elliott delivered the keynote address. Alicia is a Tuscarora writer from Six Nations, currently living in Brantford, Ontario. Her writing has most recently been published by CBC Arts, Room, Grain, The New Quarterly and The Malahat Review. Later in the evening she won the Gold Medal in Essays for “A Mind Spread Out on the Ground” (The Malahat Review).

For the 40th anniversary National Magazine Awards, the NAMF welcomed a number of its former winners of the Foundation Award for Outstanding Achievement, led by Kim Pittaway, Michael de Pencier, and D.B. Scott, who co-hosted the event.

Also attending and presenting awards as former winners of the Foundation Award for Outstanding Achievement: James Ireland, Sally Armstrong, Ken Rodmell, Lynn Cunningham, Stephen Trumper, Al Zikovitz, and Paul Jones.

Other special guest presenters included award-winning illustrator Min Gyo Chung, award-winning writers Hon Lu and Desmond Cole, award-winning art director Gilbert Li, and former NMAF president Arjun Basu.


ABOUT THE 40th ANNIVERSARY NATIONAL MAGAZINE AWARDS

Nearly 300 members of the Canadian magazine industry—publishers, editors, art directors, writers, photographers, illustrators, circulators and more—joined esteemed sponsors and other guests at the Arcadian Court for the 40th anniversary National Magazine Awards gala.

This year, 197 Canadian magazines from coast to coast to coast—English and French, print and digital—entered the best of their editorial and design to the National Magazine Awards, submitting the work of more than 2000 writers, editors, photographers, illustrators, art directors and other creators. The NMAF’s 112 volunteer judges nominated a total of 202 submissions from 75 different Canadian magazines for awards in 25 written, visual, integrated and special categories. 

 

ACKNOWLEDGEMENTS

The NMAF gratefully acknowledges the support of the Government of Canada, the Ontario Arts Council, and the Ontario Media Development Corporation.

The NMAF gratefully acknowledges the support of its sponsors and table patrons:
Access Copyright,
Alberta Magazine Publishers Association,
Bookmark,
Canadian Media Guild,
Content Writers Group,
CDS Global,
CNW, a Cision Company,
ExpertWomen.ca,
Goetz Storytelling,
Impresa Communications,
Oliver & Bonacini,
Ricardo Media,
Rolland Enterprises,
Ryerson University School of Journalism,
Studio Wyse,
TC Transcontinental Printing,
University of King’s College School of Journalism,
Very Good Studios, and
Vividata.

The NMAF gratefully acknowledges its 112 Judges who volunteered their time and their expertise to serve on the juries for the 40th anniversary National Magazine Awards.

 

ABOUT THE NMAF

A charitable foundation, the NMAF’s mandate is to recognize and promote excellence in content creation of Canadian print and digital publications through an annual program of awards and national publicity efforts.

The Foundation produces two distinct and bilingual award programs: the National Magazine Awards and the Digital Publishing Awards. Throughout the year, the Foundation undertakes various group marketing initiatives and professional development events. 

Download the entire list [PDF] of nominees and winners.

Penny Caldwell to receive 2017 Foundation Award for Outstanding Achievement in Canadian Magazines

The NMAF is proud to present the 2017 Foundation Award for Outstanding Achievement to Penny Caldwell, publisher and vice-president of Cottage Life Media.

Penny began her career in magazines as a freelance journalist, writing for sports and boating magazines at a time when it was rare for women to cover those topics. In the summer of 1988, a spirited new publication called Cottage Life debuted, and Penny was tapped to write a feature for the inaugural issue about how to buy a windsurfer.

“There’s no doubt about it,” wrote Penny in the opening lines of her first Cottage Life story, “those hot, lazy days of summer are better at the cottage—and best when you can spend most of your time in and around the water.” She still feels that way.

From her modest start as a freelance writer, Penny began to develop and hone the panoply of journalism and leadership skills that she has come to embody today. In 2000, she was named editor-in-chief of Cottage Life, where she quickly earned a reputation as an editor of considerable passion and frequent praise. In her 15-year tenure as editor, the Canadian Society of Magazine Editors named her its Editor of the Year a record four times, while Cottage Life won Magazine of the Year at the National Magazine Awards in 2003 and again in 2014.

“The hallmarks of Penny’s style are conscientiousness, diplomacy, and kindness. There are never any questions she won’t take the time to answer. No matter how tight the deadline, there is always time to adhere to the tight standards she sets for herself and inspires in her colleagues.”
Cottage Life Media CEO Al Zikovitz

Consistent with the evolving roles of a modern magazine leader, Penny was named brand manager and later vice president of content strategy and development before assuming the mantle of publisher in 2015, succeeding Al Zikovitz. That year, the NMA jury named Cottage Life Canada’s Best Magazine Brand for demonstrating a level of innovation that sets the standard for the industry and represents how a magazine can succeed beyond print with dynamic and thriving extensions.

“As a publisher, Penny has demonstrated her adaptability to changing circumstances and serving readers across multiple platforms. This includes print, digital, television, e-commerce, and live events.”
D.B. Scott, magazine consultant and publisher of Canadian Magazines

Today, Cottage Life reaches over six million Canadians every year as perhaps the savviest magazine brand in the country.

Beyond the walls of Cottage Life’s old cozy HQ at 54 St. Patrick Street in Toronto, Penny has made an indelible mark on the wider magazine industry as a mentor, teacher, volunteer, and advocate for a stronger magazine community. She was a member of the original Magazines Canada task force that developed the industry’s advertising-editorial guidelines, and has sat on the curriculum development committees of MagsU and MagNet.

“Penny’s insights and thoughtful contributions have always put the interest of readers first. Her calm, cool, and collected demeanor informs her success as an editor and publisher.”
Patrick Walsh, editor-in-chief, Outdoor Canada

At Ryerson University’s Magazine and Web Publishing Program she taught students the finer points of building a career in magazines. Many colleagues have noted her interest in learning about new talent in the industry and looking for opportunities to mentor others.

“Penny seeks connections for everyone she meets. She sees that if she fosters this talent within our industry, our collective chances at success—at having healthy, thriving Canadian magazines—are so much greater.”
Jess Ross, multiplatform content director at TVA Publications

All the while, Penny has frequently volunteered her time to sit on panels, juries, and boards of directors (including the NMAF from 2004 to 2010). Currently she serves as president of the International Regional Magazine Association (IRMA), where she has chaired awards committees, led numerous conference sessions, and developed the IRMA Connection initiative to improve communication and learning between members. “Penny is incredibly hard-working and an impressive problem solver who always has time for those who need her help,” says Tara Flint, executive director of IRMA. “She fosters positive discussions and brings out the best in others.”

Last year’s Outstanding Achievement Award winner, Kim Pittaway, sums it up aptly:

“Penny’s career exemplifies the best of what it means to lead a magazine: a deep respect for the audience, a commitment to the highest quality, a desire to innovate, and a dedication to respecting and fostering the talent of those with whom she works.”

For her commendable leadership in every role she has assumed, the NMAF is proud to honour Penny Caldwell with the 40th anniversary Foundation Award for Outstanding Achievement. Penny will receive her award and recognition at the 40th anniversary National Magazine Awards gala on May 26 in Toronto.

Tickets go on sale Thursday April 20 at magazine-awards.com.

The nominees for the 40th anniversary National Magazine Awards will be announced on Thursday April 20.

ABOUT THE OUTSTANDING ACHIEVEMENT AWARD
The NMAF’s most prestigious individual prize  is the Foundation Award for Outstanding Achievement, an award that recognizes an individual’s innovation and creativity through contributions to the magazine industry.

The award is open to circulation experts, editors, marketing, sales and promotion professionals, publishers, creators, designers, production managers – in short, to everyone in the industry. It cannot be given posthumously.

The Judging Committee of the National Magazine Awards Foundation will consider the nominations, along with nominations from members of the Committee itself. The Board of the National Magazine Awards Foundation will select the winner.

For more information and previous winners, visit magazine-awards.com/oa.

Photo of Penny Caldwell by Daniel Ehrenworth