Off the Page is a regular interview series featuring National Magazine Award winners. Recently we spoke with Adrian Forrow, who won his very first National Magazine Award in 2016, winning the Gold Medal in Illustration for his series of illustrations featured alongside the article “My Prescribed Life” (The Walrus). The story is a memoir about the longstanding link between mental health and prescription dependency, and it also received an Honourable Mention for Best Health & Medicine article.
NMAF:As splashes of colour that break up pages otherwise saturated by text, magazine illustrations give the reader a welcomed break, a moment’s pause before they jump back into reading. What do you think the role of an illustration is for people reading magazine articles?
Adrian: The role of editorial Illustration should be additive. It should help set the mood of the forthcoming text. The image can help evoke visual interest and transport the reader to a place where ideas and understanding intersect.
NMAF:What details do you need before you can properly begin your creative, designing process? Are there certain elements or information that your client or partner needs to relay, in order for you to develop your concept?
Adrian: What I find that works best for me is to receive the brief and the text and really absorb the core idea before putting pen to paper. Once I feel I have a grasp of the idea, I might discuss the tone of the imagery that I feel is best for the article. This is where collaboration can happen with the art director and it’s a great way to help inform your imagery. I try not to think about the imagery at this stage–just the mood, atmosphere and tone of the picture.
The other detail that is critical for my process is the dimensions of the image. It’s really important for me to consider the whole compositional area. The dimension can ignite my conceptual approach and really make the art feel customized to the space available.
NMAF:You won Gold in Illustration at last year’s National Magazine Awards for your pieces featured in a memoir called “My Prescribed Life.” The story, published in The Walrus, discussed the link between the author’s mental illness and related dependence on medication. How did the subject matter of the memoir influence your creative conceptualization for the piece? How did you decide what tone would be most appropriate?
Adrian:This was a great article and so interesting. It was a delicate and somewhat saddening topic. I knew the colours were going to be really important. I didn’t want to do what was expected. I knew I had to take an approach that might have to be more ambiguous and surreal.
I didn’t want to use this illustration to summarize or define the problem. Instead my intent was to ask a question or pose a contemplative composition so the viewer would be left to decipher the visual symbols that I included.
The colours were mostly primary and that helped carry the idea of youth and aging. The colours also helped to create a surreal or even jarring feeling in relation to the content. The goal was for the colours and composition to carry ideas about an altered state of reality.
NMAF:Your Gold win last year was also your first time being recognized by the National Magazine Awards Foundation. How does winning awards for your illustration work help you, on both a personal and professional level?
Adrian:It feels great to know that my work is being received and appreciated within the industry. Personally, it helps to motivate me to keep developing my skills as a visual communicator. Professionally, it helps to open doors and possibilities for new and exciting opportunities.
NMAF:Your work has adorned coffee cups, been part of the creative for major music festivals and has been made larger-than-life by outdoor mural installations. Your work has also appeared in magazines, including The New Yorker, Corporate Knights and The Walrus. As an illustrator, what types of creative collaborations do you like to pursue? Do you try to not limit yourself to any one medium?
Adrian:I feel that in many ways I am just getting started. I have so many ideas and desires to push what I can do. The best thing about my profession is the variety it offers. One day I’m drawing a coffee cup, the next day I’m painting a huge outdoor mural. Variety is the spice of life, so I try to be diverse in the projects I take on.
I also love the collaborative process and making things that fulfill a need or desire. I have always experimented with different approaches and tools for making images. I think it helps my clients see different possibilities and vary their experiences with illustration.
As of now, I have been collaborating with Warby Parker for a new store mural which I am really excited to share with people. I have also been collaborating with Keilhauer to make some artful promotional products.
Adrian Forrow is a National Magazine Award-winning illustrator whose work has been published in The Walrus, Corporate Knights, Canadian Running & Cycling Magazine and The New Yorker. His debut National Magazine Award was the Gold Medal in Best Illustration, for his series of illustrations featured in The Walrus memoir, “My Prescribed Life“.
Submissions to the 40th Anniversary National Magazine Awards The 40th anniversary National Magazine Awards are open for submissions until January 20, including awards for Illustration and for Best New Magazine Illustrator.
Enter at magazine-awards.com.
In alternate years, the NMAF presents distinct awards for Best New Magazine Illustrator and Best New Magazine Photographer. For this year’s 40th anniversary National Magazine Awards, the Best New Visual Creator award will go to an illustrator whose early work in magazines shows the highest degree of craft and promise.
Read more about the Best New Creators Awards here.
Off the Page is a regular interview series featuring National Magazine Award winners. Recently we caught up with photojournalist Marta Iwanek, who in 2016 was named Canada’s Best New Magazine Photographer from the National Magazine Awards Foundation, in addition to winning the Gold Medal for Photojournalism & Photo Essay for her incredible reporting of the 2013-2014 Ukrainian crisis, titled “The Maidan” (Maisonneuve).
NMAF: In your award-winning photo essay, “The Maidan,” you take the reader on a journey to a winter in Kyiv, where thousands of Ukrainians gathered to take a courageous stand against their government. You capture the Maidan as a place of fear and uncertainty, but also of community and solidarity. How did you get a sense of the place when you arrived, and what were the human emotions that spoke to you as a photographer?
Marta: I first arrived in Kyiv in early November (2013) before any of the protests had started. I remember driving through the centre of the city and thinking what a bustling metropolis it was. Then I went out east to work on a film and returned in late November a little after the pro-European protests had begun. Everything was still calm at that point and there was a sense of hopefulness among the crowd.
The protest was to last nine days, but on the last night everything changed. The remaining protestors were chased out of Independence Square (Maidan) and beaten by police, angering many people. On December 1 a large demonstration occurred in Kyiv where the people re-took the square and the movement that became known as “the Maidan” began. I was supposed to fly back to Toronto shortly after, but realized I couldn’t leave.
The feeling was so powerful and strong among the people. It felt like people had been pushed to an edge and they had nothing more to lose. There were feelings of frustration, abandonment and urgency. At the same time, you could still find the glimpses of hope and community as people unified under one cause–to oust then President Yanukovych. I was always trying to show those emotions in my photos and trying to understand the situation deeper, trying to figure out what made it this way? I changed my flight and ended up staying three months, living among the protestors and spending my days and nights wandering the square, talking to people and trying to make sense of it.
I like to immerse myself in stories as much as possible and I hope this translates in my photos. It was also a story I felt personally connected to because my roots are Ukrainian and I grew up in the Ukrainian diaspora in Toronto. I grew up listening to the stories of Ukraine’s constant struggle for independence and to be free of corruption, so the feelings of the people in the square were not foreign to me. However, this time, it wasn’t just my parents talking about it in Canada, detached from the situation and it’s consequences. It was happening in front of me. When it was finally time to leave, I will always remember that contrast I felt when I first arrived in the capital and when I left–the place, the people and the country had been changed forever.
During my years as the art director of Maisonneuve magazine, I had the opportunity to work with many talented women photographers—each one a unique visual voice. Marta Iwanek stands out for the way she brings her compassion to a body of work that sits on the edge of war and peace, among fire and smoke, between life and death situations, especially with her Ukrainian “Maidan” project.
—Anna Minzhulina, former art director, Maisonneuve
NMAF: Over one hundred people were killed in the government reprisals, and you spent time not only on the front lines but also with those who were wounded and grieving. How did you balance your own safety with your passion for capturing every aspect of the story? And did you learn anything about yourself as a journalist that will assist you in the future?
Marta: There were certain days that felt very unsafe on the square, but the majority of my time spent there, things were peaceful. There would be flare-ups between police and protestors and then things would resume back to “normal.” I looked to other, more experienced photojournalists in the square for guidance and advice. I had only been freelancing for three months at that point, fresh out of college and had found myself in the middle of the news cauldron that was Kyiv.
There were many times that I was scared. Even today I think I still would be. The most important thing I learned in those kinds of situations is to trust your gut. There were certain situations I decided to be close-up and others I held back from. Sometimes, I beat myself up for not being in the right place or holding back too much, but you have to be honest with yourself and with what you’re willing to do. It took quite a while to reconcile these feelings, but the experience taught me that I’m not a conflict photographer.
Many photojournalists starting out often have a dream of covering foreign stories and conflicts. I didn’t go to Ukraine searching out a conflict to photograph, I just happened to be there when it all started. And a part of me left feeling like I had failed as a journalist because I hadn’t gotten the most heated moments, and I was actually back in Canada on the day that over a hundred protestors were shot. For me, it was more emotionally heavy to be away from the square during that time than when I was in it. Not knowing about the fate of many friends who were there, as well as feeling the guilt of not being there, took a toll.
We’re taught to want to be this travelling, conflict photographer, but that’s not who all of us are. The whole time on the square, I found myself being much more drawn and interested in the quieter moments and it took me a while to realize those moments are just as important too.
We are all unique and we will all notice different things in similar situations and we will be better at photographing in certain situations over others. Journalism is a communal effort and we need to be honest with ourselves, find out the type of stories you’re best at and are drawn to. Then don’t be afraid to do it.
NMAF: That was over three years ago, and since then Ukraine has experienced war and occupation perhaps beyond the worst fears of those who gathered on the Maidan. How has this story stayed with you since then?
Marta: My time on the Maidan has been one of the factors that keeps driving me to keep coming back to this region and exploring the underlying issues more deeply, looking at why things are the way they are now, what’s caused them and what keeps causing them?
It’s also something I’ve always wanted to do because my background is Ukrainian. I’ve always been drawn to Ukraine and Eastern Europe because I’ve grown up with my cultural heritage being so central in my life, from participating in folk activities, being involved in the diaspora community to regular dinner table conversations about Eastern European politics. I actually started primary school barely speaking English because at home we just spoke Ukrainian. It has a huge place in my heart. I’ve started looking at my own family’s history in the area, connecting with relatives and following the story of Ukrainians in Poland who were deported from the South-Eastern territories in 1947 under military Operation Vistula. Deportations are a huge part of Eastern Europe’s history and play a huge factor in why things are the way they are today.
There has definitely been media fatigue with Ukraine as the conflict reaches yet another year. It’s why I think it’s more important than ever to stay with the story and understand what is happening there, to put the past and the future in greater context for the average viewer.
NMAF: For the camera nerds, what bodies and lenses do you shoot with? And what was your technical approach to the photography on the Maidan?
Marta: Back then, during those three months on the Maidan, I was using a D600 and a 35mm f/2 and a 24-70mm. This is still my favourite set-up although now I have a D810 with a 35mm f/1.4. My technical approach is to go as light on gear as possible, zoom with your feet and build intimacy with the people you are photographing. This will create a much better photo than any lens or camera body can.
NMAF: You worked with Anna Minzhulina, then the art director of Maisonneuve, who said she was stunned by the evocative scenes and characters that jumped out from your images. Can you describe the creative process of how the two of you edited your body of work into a story that connected with the magazine reader?
Marta: Anna is an extremely talented and passionate editor and I am so grateful for her eye. Editing is an art of its own and a skill many photographers often lack, myself included. It was also a story I had immersed myself in, so it can be very hard to be objective about the photos when editing, which is where Anna came in.
So often, I would attach a personal memory or story to a photo and Anna was able to single out the photos that could still speak to a viewer who was encountering them without all the backstory. She chose the photos that could speak on their own and spoke together cohesively to tell the story of the square.
It was also exciting to be able to tell a story in a magazine over so much space. The majority of my time I’ve spent working in newspapers where it’s usually one image to tell a story, but here it was a different process of how the photos work together to form a narrative.
Women photographers are still an anomaly in the male-dominated documentary photo world, with its emphasis on traditionally masculine values like the courage and bravery to ‘shoot’ with a camera. We need to encourage more female visual voices like Iwanek’s here in Canada and around the world. Death does not distinguish between genders. It takes all. But I’m interested in how the female eye looking through a photographic lens might see it differently. It’s important that we have different perspectives, that we pay attention to what they might show us that we haven’t considered before. That’s why we need exposure to more work of female war photographers, such as Iwanek.
—Anna Minzhulina, former art director, Maisonneuve
NMAF: The night of the 2016 National Magazine Awards, you didn’t have a ticket to get in, but as the show started you were hanging out in the foyer in case your name was called. And it was—twice! What was that experience like? And when you were on stage accepting your awards, what was your message to the audience?
Marta: I was generously given a seat at the sponsor table and so in the end I was able to attend the awards. I had a small cheer crew at the table and we had a lot of fun. I hadn’t prepared a speech, but I just went up there and spoke from my heart. I thanked everyone who helped me and it was great to see Anna in the audience as I spoke. I was also thankful that the recognition of the award would bring more attention to the story, which had greatly fallen off the news cycle. It’s a story close to me and so I’m grateful for any opportunity to talk about it.
NMAF: Can you tell us about some of your latest projects, and what you’re up to next as a journalist?
Marta: A project titled “Darling” was actually one of my first projects and still one close to my heart. It is a story about an elderly couple in Trenton, Ontario, where Lex Duncan is the at-home-caregiver for his wife Mary Duncan, who has dementia. I started it as a way to reconnect with a generation I felt I didn’t get a good chance to know after my last grandparent died.
It was a project to deal with the loss and also understanding what my parents, as well as countless others in our country are facing as they care for an ailing loved one. I am so grateful to the Duncan family who opened up their home to me and gave me a chance to get to know them and tell this story.
This year I started photographing in the villages my grandparents came from. They were once Ukrainian villages but after WWII became part of Poland and the majority of the Ukrainians who lived there were deported and dispersed either to Soviet Ukraine or throughout Poland, my grandparents included.
I’ve always been curious about my roots and grew up with a father who has worked as a historian, making films and writing books on eastern European history. So after the Maidan I became interested in exploring Eastern Europe on a deeper level and understanding events in the past that have an effect on the present. Through this project I want to explore how identity changes when a culture is displaced from its ancestral land. It’s been a very personal project, but I’ve also found it to be incredibly universal through the many forced migrations happening throughout the world today.
Marta Iwanek is a National Magazine Award-winning photojournalist whose work has appeared in Maisonneuve, Maclean’s, the Toronto Star, the Globe and Mail, and other publications. In 2016 she was named Canada’s Best New Magazine Photographer by the National Magazine Awards Foundation. Discover more of her work at martaiwanek.com.
The 40th anniversary National Magazine Awards are open for submissions until January 20, including three different categories for photography. Enter at magazine-awards.com.
It was a night to remember! The NMAF has announced the winners of the 39th annual National Magazine Awards, concluding an exciting evening celebrating Canadian creators at the Arcadian Court in Toronto–hosted by author Chris Turner–with more than 400 of Canada’s best writers, artists, editors, art directors, publishers and others in attendance. The NMAF presented Gold, Silver and Honourable Mention awards in 39 categories. More than $50,000 in cash prizes has been awarded to Canadian creators.
Jennifer Varkonyi, Publisher Haley Cullingham, Daniel Viola, Editors Anna Minzhulina, Art Director
Published by Maisonneuve Magazine Association
Maisonneuve fulfills its bold mandate of “banishing boring,” clearly striving to engage, inform and inspire. From its refreshing and imaginative art direction to its passionate editorial voice, the magazine feels like its constantly evolving, yet at the same time seems to connect with a sense of familiarity with its readers.
–National Magazine Awards jury
Best New Magazine Photographer Marta Iwanek The Maidan Maisonneuve
Foundation Award for Outstanding Achievement Kim Pittaway
Renowned journalist, editor, teacher and mentor Kim Pittaway is the recipient of the 2016 Foundation Award for Outstanding Achievement, recognizing career excellence and service to the Canadian magazine industry. For her enduring dedication to the Canadian magazine industry, for the principled leadership and mentorship that has impacted the careers of many, and for her unfailing support of magazine creators, the NMAF is proud to recognize Kim Pittaway with its highest individual honour.
Single Service Article Package VÉGÉ Inspiré Ricardo Brigitte Coutu, Editor Caroline Blanchette, Art Director Mélanie Roy, Émilie Folie-Boivin, Sarah Lalanne, Authors David de Stefano, Photographer Caroline Nault, Heidi Bronstein, Contributors
Infographics David Chau, Creator Craig Battle, Editor GR!#K Sportsnet
“The most important mission of the National Magazine Awards is to celebrate Canadian creators. And tonight we have reached a new milestone in recognizing and rewarding excellence to more than 300 nominees and 70 gold and silver winners at the 39th annual NMA gala. The National Magazine Awards are one of Canada’s most important cultural institutions, and even as we celebrate our 39th year we are looking forward to our 40th anniversary and beyond.”
—Joyce Byrne, president of the NMAF
Fashion For my 10th birthday… ELLE Canada Owen Bruce, Photographer Brittany Eccles, Art Director Juliana Schiavinatto, Stylist Contributors: Denis Desro, Liisa Winkler, Stella Winkler, Juliann H, Hannah D, Sam F, Judith Maria Bradley, Susana Hong, Simone Otis, Suzanne Campos
Homes & Gardens Martin Tessler, Photographer Paul Roelofs, Art Director Nicole Sjöstedt, Stylist The Comeback Western Living
ABOUT THE 39th ANNUAL NATIONAL MAGAZINE AWARDS More than 400 members of the Canadian magazine industry—publishers, editors, art directors, writers, photographers, illustrators, circulators and more—joined esteemed sponsors and other guests at the Arcadian Court for the 39th annual National Magazine Awards gala, presented by CDS Global.
Special guests were in abundance at the 39th annual National Magazine Awards. Minister of Canadian Heritage Mélanie Joly delivered a tribute via video to the evening’s nominees and winners, acknowledging the important role of Canadian magazine creators in nurturing Canadian culture. Member of Parliament Adam Vaughan of Toronto attended and delivered a welcome message to the guests, celebrating the nominees in attendance. And Member of Parliament and Green Party Leader Elizabeth May, radio host Gillian Deacon and Calgary Mayor Naheed Nenshi each delivered messages via video congratulating the nominees and winners.
The NMAF was also honoured to welcome Carolyn Vesely of Ontario Arts Council, who presented the award for Fiction; Matt Hilliard-Forde of the Ontario Media Development Corporation, who presented the award for Magazine Covers; Natalie Turvey of the Canadian Journalism Foundation, who presented the award for Investigative Reporting; Karen Luttrell of the Professional Writers Association of Canada, who presented the award for Society; and Derek Finkle of the Canadian Writers Group, who presented the award for One of a Kind.
This year, 184 Canadian magazines from coast to coast to coast—English and French, print and digital—entered the best of their editorial and design to the National Magazine Awards, submitting the work of more than 3000 writers, editors, photographers, illustrators, art directors and other creators. The NMAF’s 232 volunteer judges nominated a total of 309 submissions from 84 different Canadian magazines for awards in 39 written, visual, integrated and special categories. A record 12 magazines were nominated for the first time. More than $50,000 in cash prizes has been awarded to Canadian creators.
ACKNOWLEDGEMENTS The NMAF gratefully acknowledges the support its sponsors, partners and suppliers.
THANK YOU CHRIS TURNER!
The NMAF (and all guests of the National Magazine Awards) are grateful to Chris Turner for his wonderful performance tonight as host of the 39th National Magazine Awards!
Chris Turner is the author of five books and one of Canada’s leading writers and speakers on energy and sustainability. His bestsellers The Leap and The Geography of Hope were both National Business Book Award finalists. His most recent book is How to Breathe Underwater, an essay collection, which won the W.O. Mitchell City of Calgary Book Prize. His feature writing has won nine National Magazine Awards.
PHOTOS, VIDEOS, INTERVIEW & MORE Check back next week for photos, videos and more from the 39th annual National Magazine Awards gala.
ABOUT THE NATIONAL MAGAZINE AWARDS FOUNDATION The National Magazine Awards Foundation is a bilingual, not-for-profit institution whose mission is to foster, recognize and promote editorial excellence in Canadian publications. The annual awards are presented in June and are followed by a year-long national publicity effort and professional development opportunities. Our mandate is to support Canadian creators. Since 1977, the NMAF has helped build and sustain the careers of thousands of creators—the writers, editors, creative directors and visual artists who contribute to the vast ecosystem of Canadian culture. On June 9, the NMAF presented the first annual Digital Publishing Awards recognizing excellence in Canadian digital publications. Discover more at magazine-awards.com.
Canada’s National Magazine Awards will be presented on June 10 at the Arcadian Court in Toronto, and among the prizes to be won is the award for best Art Direction of a Single Magazine Article, sponsored by The Office of Gilbert Li, which created the design for this year’s National Magazine Awards.
Canada’s most fashionable magazine event of the year is coming up on June 10th as journalists and publishers from coast to coast gather to recognize excellence in their field at the 39th annual National Magazine Awards gala, where among the subtle grandeur of the Arcadian Court and the bold sartorial statements of the guests we will learn who will be named Canada’s best fashion photographers, art directors and stylists.
Friday Night Lights ELLE Canada
Max Abadian, Photographer Brittany Eccles, Art Director Juliana Schiavinatto, Stylist
Contributors: Jenna Earle, Sabrina Rinaldi
For my 10th birthday… ELLE Canada
Owen Bruce, Photographer Brittany Eccles, Art Director Juliana Schiavinatto, Stylist
Contributors: Denis Desro, Liisa Winkler, Stella Winkler, Juliann H, Hannah D, Sam F, Judith Maria Bradley, Susana Hong, Simone Otis, Suzanne Campos
Modern Family FASHION Magazine
Gabor Jurina, Photographer Eng Lau, Art Director Susie Sheffman, Stylist
Hue New FASHION Magazine
Chris Nicholls, Photographer Eng Lau, Art Director Zeina Esmail, Stylist Caitlin Doherty, Contributor
Lost Love FASHION Magazine
Chris Nicholls, Photographer Eng Lau, Art Director Zeina Esmail, Stylist Caitlin Doherty, Contributor
Team Spirit FASHION Magazine
Peter Tamlin, Photographer Eng Lau, Art Director George Antonopoulos, Stylist Susana Hong, Hair & Makeup
Models: Alice (NEXT Models) & David (Ciotti Models)
How Bizarre Globe Style Advisor
Ted Belton, Photographer Benjamin MacDonald, Art Director Odessa Paloma Parker, Stylist Andrew Sardone, Editor Caitlin Doherty, Set design Robert Weir, Makeup Anna Barseghian, Hair Rita Remark, Manicure
On June 10th journalists from around the country will gather at the 39th annual National Magazine Awards gala, where one of the awards presented will recognize excellence in Photojournalism & Photo Essay, an award sponsored by the CNW Group.
For this year’s National Magazine Awards the jury has selected 10 finalists for the category Illustration & Photo Illustration. Gold and Silver winners will be revealed at the 39th National Magazine Awards gala on June 10. Tickets are on sale now.
Here are the nominees for Best Illustration & Photo Illustration:
Kagan McLeod The Trial of the Century Maclean’s
Mike Ellis Reduce, Reuse, RIP Maisonneuve
Raymond Biesinger An Anatomy Course Circa 2115 New Trail