Off the Page, with Marta Iwanek

Off the Page is a regular interview series featuring National Magazine Award winners. Recently we caught up with photojournalist Marta Iwanek, who in 2016 was named Canada’s Best New Magazine Photographer from the National Magazine Awards Foundation, in addition to winning the Gold Medal for Photojournalism & Photo Essay for her incredible reporting of the 2013-2014 Ukrainian crisis, titled “The Maidan” (Maisonneuve).

NMAF: In your award-winning photo essay, “The Maidan,” you take the reader on a journey to a winter in Kyiv, where thousands of Ukrainians gathered to take a courageous stand against their government. You capture the Maidan as a place of fear and uncertainty, but also of community and solidarity. How did you get a sense of the place when you arrived, and what were the human emotions that spoke to you as a photographer?

Marta: I first arrived in Kyiv in early November (2013) before any of the protests had started. I remember driving through the centre of the city and thinking what a bustling metropolis it was. Then I went out east to work on a film and returned in late November a little after the pro-European protests had begun. Everything was still calm at that point and there was a sense of hopefulness among the crowd.

The protest was to last nine days, but on the last night everything changed. The remaining protestors were chased out of Independence Square (Maidan) and beaten by police, angering many people. On December 1 a large demonstration occurred in Kyiv where the people re-took the square and the movement that became known as “the Maidan” began. I was supposed to fly back to Toronto shortly after, but realized I couldn’t leave.

The feeling was so powerful and strong among the people. It felt like people had been pushed to an edge and they had nothing more to lose. There were feelings of frustration, abandonment and urgency. At the same time, you could still find the glimpses of hope and community as people unified under one cause–to oust then President Yanukovych. I was always trying to show those emotions in my photos and trying to understand the situation deeper, trying to figure out what made it this way? I changed my flight and ended up staying three months, living among the protestors and spending my days and nights wandering the square, talking to people and trying to make sense of it.

I like to immerse myself in stories as much as possible and I hope this translates in my photos. It was also a story I felt personally connected to because my roots are Ukrainian and I grew up in the Ukrainian diaspora in Toronto. I grew up listening to the stories of Ukraine’s constant struggle for independence and to be free of corruption, so the feelings of the people in the square were not foreign to me. However, this time, it wasn’t just my parents talking about it in Canada, detached from the situation and it’s consequences. It was happening in front of me. When it was finally time to leave, I will always remember that contrast I felt when I first arrived in the capital and when I left–the place, the people and the country had been changed forever.

During my years as the art director of Maisonneuve magazine, I had the opportunity to work with many talented women photographers—each one a unique visual voice. Marta Iwanek stands out for the way she brings her compassion to a body of work that sits on the edge of war and peace, among fire and smoke, between life and death situations, especially with her Ukrainian “Maidan” project.
Anna Minzhulina, former art director, Maisonneuve

NMAF: Over one hundred people were killed in the government reprisals, and you spent time not only on the front lines but also with those who were wounded and grieving. How did you balance your own safety with your passion for capturing every aspect of the story? And did you learn anything about yourself as a journalist that will assist you in the future?

Marta: There were certain days that felt very unsafe on the square, but the majority of my time spent there, things were peaceful. There would be flare-ups between police and protestors and then things would resume back to “normal.” I looked to other, more experienced photojournalists in the square for guidance and advice. I had only been freelancing for three months at that point, fresh out of college and had found myself in the middle of the news cauldron that was Kyiv.

There were many times that I was scared. Even today I think I still would be. The most important thing I learned in those kinds of situations is to trust your gut. There were certain situations I decided to be close-up and others I held back from. Sometimes, I beat myself up for not being in the right place or holding back too much, but you have to be honest with yourself and with what you’re willing to do. It took quite a while to reconcile these feelings, but the experience taught me that I’m not a conflict photographer.

Many photojournalists starting out often have a dream of covering foreign stories and conflicts. I didn’t go to Ukraine searching out a conflict to photograph, I just happened to be there when it all started. And a part of me left feeling like I had failed as a journalist because I hadn’t gotten the most heated moments, and I was actually back in Canada on the day that over a hundred protestors were shot. For me, it was more emotionally heavy to be away from the square during that time than when I was in it. Not knowing about the fate of many friends who were there, as well as feeling the guilt of not being there, took a toll.

We’re taught to want to be this travelling, conflict photographer, but that’s not who all of us are. The whole time on the square, I found myself being much more drawn and interested in the quieter moments and it took me a while to realize those moments are just as important too.

We are all unique and we will all notice different things in similar situations and we will be better at photographing in certain situations over others. Journalism is a communal effort and we need to be honest with ourselves, find out the type of stories you’re best at and are drawn to. Then don’t be afraid to do it.

NMAF: That was over three years ago, and since then Ukraine has experienced war and occupation perhaps beyond the worst fears of those who gathered on the Maidan. How has this story stayed with you since then? 

Marta: My time on the Maidan has been one of the factors that keeps driving me to keep coming back to this region and exploring the underlying issues more deeply, looking at why things are the way they are now, what’s caused them and what keeps causing them?

It’s also something I’ve always wanted to do because my background is Ukrainian. I’ve always been drawn to Ukraine and Eastern Europe because I’ve grown up with my cultural heritage being so central in my life, from participating in folk activities, being involved in the diaspora community to regular dinner table conversations about Eastern European politics. I actually started primary school barely speaking English because at home we just spoke Ukrainian. It has a huge place in my heart. I’ve started looking at my own family’s history in the area, connecting with relatives and following the story of Ukrainians in Poland who were deported from the South-Eastern territories in 1947 under military Operation Vistula. Deportations are a huge part of Eastern Europe’s history and play a huge factor in why things are the way they are today.

There has definitely been media fatigue with Ukraine as the conflict reaches yet another year. It’s why I think it’s more important than ever to stay with the story and understand what is happening there, to put the past and the future in greater context for the average viewer.

NMAF: For the camera nerds, what bodies and lenses do you shoot with? And what was your technical approach to the photography on the Maidan? 

Marta: Back then, during those three months on the Maidan, I was using a D600 and a 35mm f/2 and a 24-70mm. This is still my favourite set-up although now I have a D810 with a 35mm f/1.4. My technical approach is to go as light on gear as possible, zoom with your feet and build intimacy with the people you are photographing. This will create a much better photo than any lens or camera body can.

NMAF: You worked with Anna Minzhulina, then the art director of Maisonneuve, who said she was stunned by the evocative scenes and characters that jumped out from your images. Can you describe the creative process of how the two of you edited your body of work into a story that connected with the magazine reader? 

Marta: Anna is an extremely talented and passionate editor and I am so grateful for her eye. Editing is an art of its own and a skill many photographers often lack, myself included. It was also a story I had immersed myself in, so it can be very hard to be objective about the photos when editing, which is where Anna came in.

So often, I would attach a personal memory or story to a photo and Anna was able to single out the photos that could still speak to a viewer who was encountering them without all the backstory. She chose the photos that could speak on their own and spoke together cohesively to tell the story of the square.

It was also exciting to be able to tell a story in a magazine over so much space. The majority of my time I’ve spent working in newspapers where it’s usually one image to tell a story, but here it was a different process of how the photos work together to form a narrative.

Women photographers are still an anomaly in the male-dominated documentary photo world, with its emphasis on traditionally masculine values like the courage and bravery to ‘shoot’ with a camera. We need to encourage more female visual voices like Iwanek’s here in Canada and around the world. Death does not distinguish between genders. It takes all. But I’m interested in how the female eye looking through a photographic lens might see it differently. It’s important that we have different perspectives, that we pay attention to what they might show us that we haven’t considered before. That’s why we need exposure to more work of female war photographers, such as Iwanek.
Anna Minzhulina, former art director, Maisonneuve

NMAF: The night of the 2016 National Magazine Awards, you didn’t have a ticket to get in, but as the show started you were hanging out in the foyer in case your name was called. And it was—twice! What was that experience like? And when you were on stage accepting your awards, what was your message to the audience?

Marta: I was generously given a seat at the sponsor table and so in the end I was able to attend the awards. I had a small cheer crew at the table and we had a lot of fun. I hadn’t prepared a speech, but I just went up there and spoke from my heart. I thanked everyone who helped me and it was great to see Anna in the audience as I spoke. I was also thankful that the recognition of the award would bring more attention to the story, which had greatly fallen off the news cycle. It’s a story close to me and so I’m grateful for any opportunity to talk about it.

Marta Iwanek accepts the National Magazine Award for Best New Magazine Photographer at the 2016 Gala.
Marta Iwanek accepts the National Magazine Award for Best New Magazine Photographer at the 2016 Gala.

 

NMAF: Can you tell us about some of your latest projects, and what you’re up to next as a journalist? 

Marta: A project titled “Darling” was actually one of my first projects and still one close to my heart. It is a story about an elderly couple in Trenton, Ontario, where Lex Duncan is the at-home-caregiver for his wife Mary Duncan, who has dementia. I started it as a way to reconnect with a generation I felt I didn’t get a good chance to know after my last grandparent died.

It was a project to deal with the loss and also understanding what my parents, as well as countless others in our country are facing as they care for an ailing loved one. I am so grateful to the Duncan family who opened up their home to me and gave me a chance to get to know them and tell this story.

Lex Duncan wakes his wife Mary up in the morning in Trenton, Ontario. Mary was diagnosed with dementia in 2008 and Lex cared for her in their home until she died in 2015. (Photo courtesy Marta Iwanek.)
Lex Duncan wakes his wife Mary up in the morning in Trenton, Ontario. Mary was diagnosed with dementia in 2008 and Lex cared for her in their home until she died in 2015. (Photo courtesy Marta Iwanek.)

 

This year I started photographing in the villages my grandparents came from. They were once Ukrainian villages but after WWII became part of Poland and the majority of the Ukrainians who lived there were deported and dispersed either to Soviet Ukraine or throughout Poland, my grandparents included.

I’ve always been curious about my roots and grew up with a father who has worked as a historian, making films and writing books on eastern European history. So after the Maidan I became interested in exploring Eastern Europe on a deeper level and understanding events in the past that have an effect on the present. Through this project I want to explore how identity changes when a culture is displaced from its ancestral land. It’s been a very personal project, but I’ve also found it to be incredibly universal through the many forced migrations happening throughout the world today.


Marta Iwanek is a National Magazine Award-winning photojournalist whose work has appeared in Maisonneuve, Maclean’s, the Toronto Star, the Globe and Mail, and other publications. In 2016 she was named Canada’s Best New Magazine Photographer by the National Magazine Awards Foundation. Discover more of her work at martaiwanek.com

The 40th anniversary National Magazine Awards are open for submissions until January 20, including three different categories for photography. Enter at magazine-awards.com.

Read more Off the Page interviews with National Magazine Award-winning photographers including Roger LeMoyne and Ian Willms.

NMA gala photos by Steven Goetz for the National Magazine Awards Foundation. 

Enter Best New Magazine Illustrator | 2017 National Magazine Awards

Are you an emerging Canadian magazine illustrator or graphic artist? Have you published your first major piece of visual work in a Canadian consumer or B2B magazine, a university magazine, or an arts journal within the last 3 years? Chances are you’re eligible to be named Canada’s Best New Illustrator from the National Magazine Awards Foundation.

The National Magazine Award for Best New Illustrator  goes to the artist whose early work in Canadian magazines shows the highest degree of craft and promise. The award includes a cash prize of $1000, an awards certificate, and nationwide recognition.

ELIGIBILITY
Eligible work–including illustration, photo illustration, infographics, graphic narratives and digital images–must have been published in a Canadian magazine (print, online or tablet) between January 1, 2014 and December 31, 2016. The work can be a single illustration or a series accompanying an article or editorial package. Candidates must not have published any magazine work prior to 2014. The intent is to restrict this award to students and visual artists with a maximum of 3 years’ experience in professional journalism. One entry per person. See the NMAF’s rules for further information about eligible publications.

HOW TO ENTER
Enter your submissions at magazine-awards.com. Submissions may be made by the artist or their art director or teacher, and must include a PDF of the work as well as a letter of reference (see requirements below). The deadline for applications is January 20. The cost to enter is $95 (freelancers who enter their own work may be eligible for the Freelancer Support Fund and an entry fee of just $50).

REQUIREMENTS

  • Upload a PDF of your work during the online application.
  • Upload a PDF of a letter of reference from a teacher, art director, mentor or colleague, which should introduce the candidate to the jury, attest to their eligibility, for this award, and provide context for the work submitted. Both the visual work and letter are reviewed by the judges.
  • Pay the submission fee by cheque or credit card.

FINALISTS AND WINNERS
A shortlist of up to 5 finalists will be announced in the spring, and all finalists receive a certificate and recognition in NMAF publications and at the gala. The winner will be revealed at the 40th anniversary National Magazine Awards gala.

PRIZE
There is a cash prize of $1000 and an awards certificate, and the right to call yourself a National Magazine Award winner. We’ll interview you for our blog and newsletter, and promote you and your work to art directors and magazine readers nationwide.

PREVIOUS WINNERS
Recent winners of the award for Best New Magazine Illustrator include Byron Eggenschwiler and Hudson Christie.

Don’t forget the deadline: January 20, 2017.

Ready to submit? Click here.

ABOUT THE NMAF
The National Magazine Awards Foundation is a bilingual, not-for-profit institution whose mission is to foster, recognize and promote editorial excellence in Canadian publications. The annual program of awards are presented in the spring and are followed by a year-long national publicity campaign and several professional development opportunities.

Announcing the Winners of the 39th National Magazine Awards

It was a night to remember! The NMAF has announced the winners of the 39th annual National Magazine Awards, concluding an exciting evening celebrating Canadian creators at the Arcadian Court in Toronto–hosted by author Chris Turner–with more than 400 of Canada’s best writers, artists, editors, art directors, publishers and others in attendance. The NMAF presented Gold, Silver and Honourable Mention awards in 39 categories. More than $50,000 in cash prizes has been awarded to Canadian creators.

La version française: magazine-prix.com
Press release: English | Français
Complete list [pdf] of all winners
Twitter highlights: @MagAwards | #NMA16
The Judges
Award Seals
Read the complete articles of all nominees and winners

SPECIAL AWARDS

Magazine of the Year

Maisonneuve

Jennifer Varkonyi, Publisher
Haley Cullingham, Daniel Viola, Editors
Anna Minzhulina, Art Director
Published by Maisonneuve Magazine Association

Maisonneuve fulfills its bold mandate of “banishing boring,” clearly striving to engage, inform and inspire. From its refreshing and imaginative art direction to its passionate editorial voice, the magazine feels like its constantly evolving, yet at the same time seems to connect with a sense of familiarity with its readers.
National Magazine Awards jury


Best Magazine Brand
Ricardo


Best New Magazine Writer
Sponsored by Reader’s Digest Foundation
Desmond Cole
The Skin I’m In
Toronto Life


Best New Magazine Photographer
Marta Iwanek
The Maidan
Maisonneuve


Foundation Award for Outstanding Achievement
Kim Pittaway

Renowned journalist, editor, teacher and mentor Kim Pittaway is the recipient of the 2016 Foundation Award for Outstanding Achievement, recognizing career excellence and service to the Canadian magazine industry. For her enduring dedication to the Canadian magazine industry, for the principled leadership and mentorship that has impacted the careers of many, and for her unfailing support of magazine creators, the NMAF is proud to recognize Kim Pittaway with its highest individual honour.


AWARDS TABLE


INTEGRATED AWARDS – GOLD WINNERS

Best Single Issue
Sponsored by Rolland Enterprises, Inc

Sportsnet

John Intini, Editor
Brianne Collins, Art Director
What it’s like to be Connor McDavid right now
Sportsnet


 Best Magazine Cover
Sponsored by Ontario Media Development Corporation
Stephen Gregory, Art Director
Mark Stevenson, Editor
Hurry Up and Die, Already
Maclean’s


  Words & Pictures
Sponsored by CDS Global
Our Ever-Changing Moods
The Walrus
Jillian Tamaki
, Author & Illustrator
Jonathan Kay
, Editor
Brian Morgan
, Art Director


Single Service Article Package
VÉGÉ Inspiré
Ricardo
Brigitte Coutu, Editor
Caroline Blanchette, Art Director
Mélanie Roy, Émilie Folie-Boivin, Sarah Lalanne, Authors
David de Stefano, Photographer
Caroline Nault, Heidi Bronstein, Contributors


Infographics
David Chau, Creator
Craig Battle, Editor
GR!#K
Sportsnet


“The most important mission of the National Magazine Awards is to celebrate Canadian creators. And tonight we have reached a new milestone in recognizing and rewarding excellence to more than 300 nominees and 70 gold and silver winners at the 39th annual NMA gala. The National Magazine Awards are one of Canada’s most important cultural institutions, and even as we celebrate our 39th year we are looking forward to our 40th anniversary and beyond.”
Joyce Byrne, president of the NMAF


WRITING AWARDS – GOLD WINNERS

Arts & Entertainment
Drew Nelles
Howl
The Walrus

Best Short Feature
Hon Lu
Spirited Away
Toronto Life

Business
Valérie Borde
Le virage vert de la Chine
L’actualité

Columns
Sponsored by Impresa Communications Ltd.
Anne Kingston
Thank you, Margaret Wente, for exposing rape culture
Maclean’s

Editorial Package
Maclean’s Staff
The Space Issue
Maclean’s

Essays
Lisa Gregoire
Breathing Holes
Eighteen Bridges

Fiction
Presented by Ontario Arts Council
Russell Smith
Raccoons
CNQ: Canadian Notes & Queries

Health & Medicine
Alison Motluk
Worth the Risk
Maisonneuve

Humour
Jacob Pacey
Your Daily Life As A Failing Comedian
The Feathertale Review

Investigative Reporting
Virgil Grandfield
The Cage
Eighteen Bridges

One of a Kind
Richard Kelly Kemick
Playing God
The Walrus

Personal Journalism
Sasha Chapin
Dreams Are Boring
Hazlitt

Poetry
David McGimpsey
The High Road
Vallum

Politics & Public Interest
Alec Castonguay
Les partis politiques vous espionnent
L’actualité

Profiles
Marci McDonald
The Fixer
Toronto Life

Science, Technology & Environment
Philip Preville
It’s A Hard Knock Life
Cottage Life

Service: Family, Health & Personal Finance
Sarah Liss
The Shame Game
Chatelaine

Service: Lifestyle
Andrew Braithwaite
Canada’s Best New Restaurants 2015
Air Canada enRoute

Society
Carissa Halton
A Different Kind of Simakanis
Eighteen Bridges

Sports & Recreation
Jonathan Trudel
Laurent chez les grands
L’actualité

Travel
Isabelle Grégoire
Le vrai train du nord
L’actualité



VISUAL AWARDS – GOLD WINNERS

Art Direction of an Entire Issue
Sponsored by TC Transcontinental Printing
Domenic Macri
Fallout
Report on Business


Art Direction of a Single Article
Sponsored by The Office of Gilbert Li
Marcey Andrews
The Future of Everything
New Trail


Fashion
For my 10th birthday…
ELLE Canada
Owen Bruce
, Photographer
Brittany Eccles
, Art Director
Juliana Schiavinatto
, Stylist
Contributors: Denis Desro, Liisa Winkler, Stella Winkler, Juliann H, Hannah D, Sam F, Judith Maria Bradley, Susana Hong, Simone Otis, Suzanne Campos


Homes & Gardens
Martin Tessler, Photographer
Paul Roelofs, Art Director
Nicole Sjöstedt, Stylist
The Comeback
Western Living


Illustration
Sponsored by Very Good Studios
Adrian Forrow
My Prescribed Life
The Walrus


Photojournalism & Photo Essay
Sponsored by CNW Group
Marta Iwanek
The Maidan
Maisonneuve


Portrait Photography

Raina + Wilson
Future Perfect
Globe Style Advisor


Spot Illustration
Jay Dart
The Things He Carried
Globe Style Advisor


Still-Life Photography
Hudson Hayden
Butcher Crop
Globe Style Advisor


To view the complete list of Gold and Silver winners and Honourable Mentions, visit magazine-awards.com/39winners


ABOUT THE 39th ANNUAL NATIONAL MAGAZINE AWARDS
More than 400 members of the Canadian magazine industry—publishers, editors, art directors, writers, photographers, illustrators, circulators and more—joined esteemed sponsors and other guests at the Arcadian Court for the 39th annual National Magazine Awards gala, presented by CDS Global.

Special guests were in abundance at the 39th annual National Magazine Awards. Minister of Canadian Heritage Mélanie Joly delivered a tribute via video to the evening’s nominees and winners, acknowledging the important role of Canadian magazine creators in nurturing Canadian culture. Member of Parliament Adam Vaughan of Toronto attended and delivered a welcome message to the guests, celebrating the nominees in attendance. And Member of Parliament and Green Party Leader Elizabeth May, radio host Gillian Deacon and Calgary Mayor Naheed Nenshi each delivered messages via video congratulating the nominees and winners.

The NMAF was also honoured to welcome Carolyn Vesely of Ontario Arts Council, who presented the award for Fiction; Matt Hilliard-Forde of the Ontario Media Development Corporation, who presented the award for Magazine Covers; Natalie Turvey of the Canadian Journalism Foundation, who presented the award for Investigative Reporting; Karen Luttrell of the Professional Writers Association of Canada, who presented the award for Society; and Derek Finkle of the Canadian Writers Group, who presented the award for One of a Kind.

This year, 184 Canadian magazines from coast to coast to coast—English and French, print and digital—entered the best of their editorial and design to the National Magazine Awards, submitting the work of more than 3000 writers, editors, photographers, illustrators, art directors and other creators. The NMAF’s 232 volunteer judges nominated a total of 309 submissions from 84 different Canadian magazines for awards in 39 written, visual, integrated and special categories. A record 12 magazines were nominated for the first time. More than $50,000 in cash prizes has been awarded to Canadian creators.

ACKNOWLEDGEMENTS
The NMAF gratefully acknowledges the support its sponsors, partners and suppliers.

 

THANK YOU CHRIS TURNER!
The NMAF (and all guests of the National Magazine Awards) are grateful to Chris Turner for his wonderful performance tonight as host of the 39th National Magazine Awards!

Chris Turner is the author of five books and one of Canada’s leading writers and speakers on energy and sustainability. His bestsellers The Leap and The Geography of Hope were both National Business Book Award finalists. His most recent book is How to Breathe Underwater, an essay collection, which won the W.O. Mitchell City of Calgary Book Prize. His feature writing has won nine National Magazine Awards.

PHOTOS, VIDEOS, INTERVIEW & MORE
Check back next week for photos, videos and more from the 39th annual National Magazine Awards gala.

ABOUT THE NATIONAL MAGAZINE AWARDS FOUNDATION
The National Magazine Awards Foundation is a bilingual, not-for-profit institution whose mission is to foster, recognize and promote editorial excellence in Canadian publications. The annual awards are presented in June and are followed by a year-long national publicity effort and professional development opportunities. Our mandate is to support Canadian creators. Since 1977, the NMAF has helped build and sustain the careers of thousands of creators—the writers, editors, creative directors and visual artists who contribute to the vast ecosystem of Canadian culture. On June 9, the NMAF presented the first annual Digital Publishing Awards recognizing excellence in Canadian digital publications. Discover more at magazine-awards.com.

See you next year!

NMA 2016 Nominees: Meet the finalists for Best New Magazine Photographer

The 39th annual National Magazine Awards are coming up on June 10 and the entire Canadian magazine industry is getting ready to see whose work will be recognized at this year’s gala.

It’s always exciting to see the nominees for our best new creator categories (Best New Magazine Illustrator* / Photographer and Best New Magazine Writer) as we’re exposed to some of the Canadian magazine industry’s great, emerging talent.

The finalists have been announced and this year’s jury has nominated four finalists for the Best New Photographer award. The winner will be announced at the National Magazine Awards gala on June 10 in Toronto.  [Tickets & Gala Info].

Tweet us your comments at @MagAwards | #NMA16.

And now, please meet your finalists for Canada’s Best New Magazine Photographer…

SexEdRevolution

Luis Mora

Luis Mora’s portrait series for Toronto Life, “The Sex Ed Revolution” focused on changes to Toronto’s sex education curriculum and featured subjects who had never been professionally photographed, and had reservations about appearing in a major magazine themselves, never mind having their children participate. Mora’s talent in disarming his subjects’ apprehensions resulted in an honest, nuanced and powerful portrait series.

“His enthusiasm, energetic personality and unwavering professionalism give Mora the exceptional ability to put inexperienced and apprehensive strangers at ease.”
– Daniel Neuhaus, Director of Photography, Toronto Life

SexEd2

Mora approached this photo essay with courage and consistency, and as a result, touched his audience with the emotion that lives just beneath the surface of his subjects, expertly portraying them with honesty and transparency.
– National Magazine Awards Jury

TL3

Luis Mora is a full-time photographer whose work has appeared in numerous magazines including Toronto Life, VICE, FSHN Unlimited, The Kit, ELLE Canada and Flare.


Maiden

Marta Iwanek

Marta Iwanek’s photo essay, “The Maidan” published in Maisonneuve, introduces us to the human element in any conflict – the collateral damage. Armed with only a camera, Iwanek travelled to Ukraine in 2014 to march alongside protestors, and amidst the backdrop of armed forces, burning buildings and explosions, was able to expose the basic human longings that are written in her subjects’ faces.

Iwanek is a brave, courageous and objective photographer who digs beneath the surface, is unafraid to pose questions and leaves us wondering how we can make this world a better place.
– Anna Minzhulina, Art Director, Maisonneuve

2

Each of Iwanek’s 14 photos is powerful and emotive, and together they expertly document the enormity, confusion and emotional drama of Ukraine’s revolution. Her use of light and treatment of imagery have a stunning impact, and her coverage of this topic is a masterful achievement and stunning example of photojournalism.
– National Magazine Awards Jury

3

Marta Iwanek is a Toronto-based photojournalist whose work has been published in various publications including the Canadian Press, the Toronto Star, The Globe and Mail, Maclean’s and Maisonneuve.


FaceTime

Hannah Eden

Hannah Eden was wandering through a city in Yellowknife, on the lookout for her next subject, when she popped her head into a carver’s studio and photographed him for “Face Time” published in Up Here. Whether the shoot is taking place on a windswept frozen lake at -40 C, amidst a cloud of summer bugs, or involves wrangling children on the tundra, Eden shows no fear when confronted with challenges.

 Hannah Eden has flown above the Arctic Circle to remote communities, driven hundreds of kilometres of roads through the southern NWT and visited far-flung fishing lodges across the North, returning with rare, compelling images and videos.
– Daniel Campbell, Associate Editor, Up Here

Hannah Eden is a graduate of the photojournalism program at Loyalist College and a multimedia photojournalist, originally from the U.K., currently living in Yellowknife.

Simple, elegant and impeccably executed, Eden’s portraits capture an exposition of truth in the faces of her subject, as she applied a concept of juxtaposition to reveal what lay beneath the surface of what’s expected. Though a brief essay, there’s an undeniably thorough and compelling visual story being told.
– National Magazine Awards Jury


Filler1

Ted Belton

Ted Belton is an anthropologist armed with a camera, whose creative vision continually proves his ability to excavate the spirit of the moment. He strays from the norm, as seen in his conception of an editorial on through to his final images, as was demonstrated in “Fringe & Fluff” for FILLER Magazine. Belton has a creative mind, inspiring attitude, passionate work ethic and is a well-respected collaborator.

Ted’s work demonstrates an exceptional eye—the eye of an artist and an art lover. Each photo he shoots wear the Belton stamp: raw and romantic. Ted turns fashion into art.
– Jennifer Lee, Editorial Director, FILLER Magazine

Showing tremendous maturity, range, precision and forethought, Belton approached his subjects with sensitivity and a keen eye, resulting in images that are saturated with depth and expressiveness. His work is at once classic, current and relevant.
– National Magazine Awards Jury

Ted Belton is a Toronto-based portrait and fashion photographer.


Congratulations to our 4 finalists for Best New Magazine Photographer. Tweet us your comments at @MagAwards | #NMA16.

The winner will be revealted at the 39th annual National Magazine Awards gala on June 10. Tickets

About the Award for Best New Magazine Photographer:
The awards for Best New Magazine Photographer and Best New Magazine Illustrator are presented to Canadian visual artists whose early work in Canadian magazines shows the highest degree of craft and promise. Submissions are open to any Canadian editorial artist with a maximum of 3 years’ professional experience in journalism. Submissions are due every year by January 15, and submitted work must have been published within the 3 years prior to the due date.

*The awards for Best New Magazine Illustrator and Best New Magazine Photographer are presented in alternating years.

Meet the National Magazine Awards nominees for:
Illustration

Art Direction of an Entire Issue
Portrait Photography
Words & Pictures

Complete nominations coverage

Special thanks to Leah Jensen for her reporting.

Announcing the nominees for the 39th annual National Magazine Awards

The National Magazine Awards Foundation (NMAF) is honoured to announce the finalists for 39th annual National Magazine Awards, recognizing excellence in Canadian magazines for 2015.

Version française
Complete list of nominees [pdf]

Gala info & tickets
Nominees press release [pdf]

This year, 184 Canadian magazines from coast to coast to coast—English and French, print and digital—entered the best of their editorial and design to the National Magazine Awards, submitting the work of more than 3000 writers, editors, photographers, illustrators, art directors and other creators. The NMAF’s 232 volunteer judges have nominated a total of 310 submissions from 84 different Canadian magazines for awards in 39 written, visual, integrated and special categories. A record 12 magazines have been nominated for the first time.

Gold, Silver and Honourable Mention awards will be announced at the Arcadian Court in Toronto on June 10, at the 39th annual National Magazine Awards gala presented by CDS Global. More than $50,000 in cash prizes will be awarded to Canadian creators. Tickets are on sale at magazine-awards.com.

And the nominees are…

MAGAZINE OF THE YEAR

 

TOP NOMINATED MAGAZINES

FIRST-TIME NOMINEES
Magazines nominated for their first National Magazine Awards include 1968 Magazine, Buzzfeed Canada, Caribou, Chloe Magazine, DTK Men, Hakai Magazine, Humber Literary Review, One Throne, Oxygène, Reel West, The Rusty Toque, and SAD Mag.

TOP NOMINEES
Writer Nicholas Hune-Brown leads all individuals with 5 nominations for his work published in Hazlitt, Reader’s Digest, Sharp and Toronto Life. Valérie Borde (L’actualité), Desmond Cole (Toronto Life) and Emily Landau (Toronto Life, The Walrus) are each nominated 4 times for 4 different stories. Alec Castonguay (L’actualité) and Charles Wilkins (Outdoor Canada, Report on Business) earned 3 nominations each.

View the complete list of nominees [pdf].

 

BEST MAGAZINE BRAND

 

BEST NEW MAGAZINE WRITER
Sponsored by Reader’s Digest Foundation

Richard Kelly Kemick
Playing God
The Walrus
Also nominated in the category One of a Kind

Desmond Cole
The Skin I’m In
Toronto Life
Also nominated in the categories
Essays, Personal Journalism, and Politics & Public Interest

Karen Ho
A Daughter’s Revenge
Toronto Life
Also nominated in the category One of a Kind

Kat Shermack
The Tenant from Hell
Toronto Life
Also nominated in the category Investigative Reporting

 

BEST NEW MAGAZINE PHOTOGRAPHER

Ted Belton
Fringe & Fluff
FILLER Magazine

Marta Iwanek
The Maidan
Maisonneuve
Also nominated in the category Photojournalism & Photo Essay

Luis Mora
The Sex Ed Revolution
Toronto Life

Hannah Eden
Face Time
Up Here

 

FOUNDATION AWARD FOR OUTSTANDING ACHIEVEMENT
Announced on April 28th, this year’s recipient of the NMAF Foundation Award for Outstanding Achievement, renowned journalist, editor, teacher and mentor Kim Pittaway. A writer, editor, teacher and mentor with more than 25 years’ experience in Canadian magazines, former editor-in-chief of Chatelaine and an eight-time National Magazine Award nominee, Kim has touched the lives of many in our industry with her generosity, wisdom and skill.

Read more about Kim Pittaway and the Outstanding Achievement Award.

 

BEST MAGAZINE COVER
Sponsored by Ontario Media Development Corporation

 

BEST SINGLE ISSUE
Sponsored by Rolland Enterprises

 

ART DIRECTION OF AN ENTIRE ISSUE
Sponsored by Transcontinental Printing

 

COMPLETE LIST OF NOMINEES
View and download the complete list of nominees [pdf] in all 39 written, visual, integrated and special categories.

CREDIT CHANGES
Email staff@magazine-awards.com to make any credit changes to your nomination. The deadline for credit changes is Monday May 9.

TWITTER
Follow the buzz on our Twitter feed (@MagAwards) and use the hashtag #NMA16 to keep up with the conversation about this year’s National Magazine Awards.

GALA TICKETS
The Gold, Silver and Honourable Mention awards will be announced at the Arcadian Court in Toronto on June 10, at the 39th annual National Magazine Awards gala presented by CDS Global. More than $50,000 in cash prizes will be awarded to Canadian creators. Tickets are on sale now.

This year’s Master of Ceremonies will be announced next week.

ACKNOWLEDGEMENTS
The NMAF gratefully acknowledges the support of the Government of Canada, the Ontario Arts Council, and the Ontario Media Development Corporation. The NMAF would like to thank its sponsors including Air Canada MediaCDS GlobalCNW GroupImpresa CommunicationsVery Good StudiosO&B Events and CateringThe Office of Gilbert LiRolland Enterprises Inc., Reader’s Digest FoundationRedPoint Media Transcontinental Printing, and Yellowhouse Agency.

The NMAF gratefully acknowledges its suppliers and its contributors who donated gifts in kind to support the awards program. We thank them for their generosity, interest and expertise.

For sponsorship enquiries please contact NMAF Managing Director Barbara Gould at staff@magazine-awards.com.

The National Magazine Award for Best New Magazine Photographer

The National Magazine Award for Best New Magazine Photographer* will go to a photographer whose early work in Canadian magazines (Print Magazine, Tablet Magazine or Magazine Website) shows the highest degree of craft and promise.

The award is open to students and magazine photographers with a maximum of three years’ experience in professional journalism. The intent is to restrict this award to emerging creative talent in Canadian magazines.

Eligible work must have been published between January 1, 2013 and December 31, 2015 and consists of a single or series of related photographs published in a Canadian magazine. Photographs published in university/college magazines are eligible. Only 1 entry per person.

Submission requirements: Hard copies are not required. Entrants must upload a PDF of the photograph(s) and a letter of reference from a teacher, mentor, art director or colleague, attesting to the candidate’s eligibility and providing context for the submitted work. The entry fee is only $25 for this category.

The deadline for entries is January 15, 2016.

READY TO SUBMIT? Click here to enter

A shortlist of 3 finalists will be announced on May 2. The winner will be revealed at the 39th annual National Magazine Awards gala on June 10, 2016. The winner receives a cash prize of $500. The runners-up receive Honourable Mention. All three finalists receive certificates.

Hudson Christie (portrait by the illustrator)
Hudson Christie (portrait by the illustrator)

Last year’s winner, Hudson Christie, recently chatted with us about his award-winning creative work in Maisonneuve, and about the impact of the award on his young career as a magazine illustrator

Winning a National Magazine Award in my first year out of OCAD was a really huge honour. Being named in the same breath as other renowned members of the Canadian magazine community made me feel like a real contributor to a larger creative goal.

Read the complete interview.

*In alternate years, the NMAF will present distinct awards for Best New Magazine Illustrator and Best New Magazine Photographer

READY TO SUBMIT? Click here to enter

Off the Page, with Hudson Christie

Off the Page is back! Our interview series with National Magazine Award winners returns this week with Hudson Christie, winner of the 2015 award for Best New Magazine Illustrator, sponsored by Red Point Media. Hudson generously gave us some of his time recently to talk about his winning work, the significance of his award and building a career as a magazine illustrator.

NMAF: Congratulations on the award for Best New Magazine Illustrator. Your winning piece accompanied a story in Maisonneuve called “A Portrait of the Artist with Testicles in Hand,” (itself a National Magazine Award finalist in the humour category; a personal essay about an angst-ridden young man having a scrotal examination). Can you talk a bit about the process of creating that illustration—from your design brief with Maisy art director Anna Minzhulina, your reading of the text, and the actual construction of the sculptures?

Hudson Christie (portrait by the illustrator)
Hudson Christie (portrait by the illustrator)

Hudson Christie: This was my first commission from Maisonneuve, and Anna smartly matched me with a simultaneously silly and dark article. I’m happiest when I get to work with unhappy themes! Illustrating a testicular cancer scare demanded both a degree of sensitivity for the reality of cancer while leaving room for the nervous laughter that accompanies the dodging of a bullet.

For the picture, I wanted to express the way that this event interrupted the author’s everyday life. We went through a variety of sketches until landing on the classic thinker pose, contrasting the humor inherent to banal, contemporary life (in the form of frozen food) with the (conveniently phallic) home decor.

NMAF: Your style of illustration—clay sculptures, painted and photographed, and sometimes animated—is striking and unique. (The NMA jury called it a “fresh approach to traditional illustration” that proves you are “unafraid to push boundaries and take risks.”) When did you start developing this style as an editorial art form; was it while you were studying at OCAD, or even earlier?

Hudson Christie: I started working on this approach during my 3rd year at OCAD. I was really charmed by figurative folk sculpture at the time and was trying to come up with a way to integrate its uncanny geometric features and deliberate colour palettes into my work.

I had some mental hurdles to clear in order to figure out a way of making this inherently three-dimensional medium conform to the framed two-dimensionality of editorial illustration.

A huge personal breakthrough was learning how to use the computer to plot measurements of my dioramas, giving me final pictures which are 90% true to the original sketch.

NMAF: One of my favourite recent pieces of yours was your work for Alberta Venture magazine’s “Best Workplaces” issue (June 2015). Every element seems precise and yet whimsical—the oversized water cooler, the dog dish, the first aid kit, etc—conveying a sense of a scene that is both exemplary and fun. What’s the biggest challenge in working with clay to create an illustration like this?

Hudson Christie: There’s always a bit of randomness that takes control between the sketch and the final props I build. For the Alberta Venture cover, I had to employ a bit of trial and error, changing the angle and position of the figures in order to remove confusing contours.

Lighting is another aspect that’s hard to predict during the sketch phase. In this case, lighting the crowd of co-workers while maintaining a sense of depth where they overlapped took plenty of fiddling.

 

NMAF: Can you describe your studio and workspace? I imagine a large table littered with discarded clay limbs and eyeballs, dog tails and unicorn horns. And of course a large oven emitting the earthy aroma of baked clay. Is that close to the mark?

Hudson Christie: You’re pretty close! I work out of a bachelor apartment in Parkdale, so it’s instead a fairly small desk that’s covered in tiny clay body parts. I also have a separate table (read: piece of plywood with detatchable Ikea legs) where I set up my dioramas. I use two halogen photo lamps and a DSLR camera.

Replace “large oven” with “toaster oven” and “earthy aroma of baked clay” with “vaguely burnt odor of Super Sculpey” and you get the idea. I use polymer clay for the speed and versatility, even though it’s a lot less romantic than the real thing.

Hudson Christie has a distinctive and clear voice that will attract notice from audiences and designers. He uses wit and humour to address a provocative subject and his technique is a fresh and a unique approach to form.
— National Magazine Awards jury

NMAF: What is the significance to you as a young illustrator to win the National Magazine Award? Has it helped create other opportunities to publish your work, or amplify your work to art directors and agencies? And is there anything new you’re working on at the moment that you can tell us about?

Hudson Christie: Winning a National Magazine Award in my first year out of OCAD was a really huge honour. Being named in the same breath as other renowned members of the Canadian magazine community made me feel like a real contributor to a larger creative goal.

Since my win, I’ve been featured in The Walrus, another Canadian magazine that I’ve been itching to contribute to since I started freelancing.

NMAF: Do you have any words of wisdom for young and student artists and illustrators about making an impact in the world of magazines and publishing?

Hudson Christie: My first real portfolio of ten illustrations was just my senior year-long project, called “Work Life Balance,” at OCAD, which was based around a self-initiated concept that I was really passionate about.

If you aren’t enrolled in any illustration program, I recommend initiating your own series from scratch anyway. A focused series of pictures is one of the best arguments for your intellectual and artistic ability.


Hudson Christie is a National Magazine Award winning illustrator, a 2014 Medallist in Illustration at OCAD, and the recipient of the 2015 NMA prize for Best New Magazine Illustrator. His work has appeared in Maisonneuve, The Walrus, Alberta Venture, The New York Times, Mother Jones and other publications. Check out his creative portfolio at hudsonchristie.com and find him on Twitter @Hudsons_House.

The 2016 National Magazine Awards are now open for submissions.

Related “Off the Page” interviews
Roxanna Bikadoroff
, 4-time NMA-winning illustrator
Byron Eggenscwhiler, 6-time NMA-winner and winner of the 2009 award for Best New Magazine Illustrator
Gracia Lam, 2-time NMA winner for Spot Illustration
Jillian Tamaki, 4-time NMA-winning illustrator
Selena Wong, 2-time NMA-winning illustrator