Your Guide to Winter/Spring 2017 Canadian Magazine Writing Contests

In her 2016 National Magazine Award-winning story “The Beguiling” (sub-Terrain) Zsuzsi Gartner pens a portrait of an amputee cinephile named Zoltan whose sense of the world is derived from the human stories that pass through his (and others’) camera lens. In one scene, at the hospital, the ailing character is suddenly inspired to think of himself as a “little dog,” the kind that audiences root for to overcome challenges. The narrator explains:

He meant the North American penchant for happy endings. Fairy tales. But in the original fairy tales we all know the most diabolical things happen, eyes are pecked out by birds, there’s cannibalism and decapitation, and the little mermaid doesn’t marry the prince but dissolves into sad foam on the sea.

What inspires your sense of the world? What’s your penchant for endings? Happy ones with strong little dogs, or more of a dissolution into empty water? Whatever your approach to the craft–and whether fiction, poetry, memoir or photography–you’ll find plenty of outlets for your stories in Canadian magazines.

And so the NMAF presents its annual Winter/Spring Guide to Canadian Writing (and Photography) Contests.

All contests and awards listed below accept previously unpublished works of Canadian poetry, short fiction, creative non-fiction and photography; listed in chronological order by deadline date. If you know of one that we missed, please let us know or Tweet at us @MagAwards.

And for more inspiration, check out the National Magazine Awards Archive, with hundreds of winning and nominated stories and poems to read.

Room Creative Short Forms Contest
Genre: Fiction, Poetry or Creative Non-fiction (max 500 words)
Deadline: January 29, 2017
Prizes: 2 prizes of $500 + publication (1st); $50 + publication (Honourable Mention)
Entry Fee: $35 ($7 for each additional entry); includes subscription
Detailshttp://roommagazine.com/contests

Prism International Jacob Zilber Prize for Short Fiction*
Genres: Fiction (max 6000 words)
Deadline: January 31, 2017
Prize: $1500 (1st); $600 (2nd); $400 (3rd); publication
Entry Fee: $35; includes subscription
Detailshttp://prismmagazine.ca/contests/
* Judged by National Magazine Award-winning fiction writer Jess Taylor

Arc Poetry Magazine Poem of the Year Contest
Genre: Poetry
Deadline: February 1, 2017
Prize: $5000 (Poem of the Year); $500 (Honourable Mention); paid publication for shortlisted works
Entry Fee: $35 ($5 for each additional entry); includes subscription
Detailshttp://arcpoetry.ca/contests-page/

The Malahat Review Long Poem Prize*
Genre: Poetry
Deadline: February 1, 2017
Prize: $1000 to each of 2 winners; publication
Entry Fee: $35; includes subscription
Detailshttp://www.malahatreview.ca/contests/long_poem_prize/info.html
* Judged by National Magazine Award winners Louise Bernice Halfe, George Elliott Clarke and Patricia Young

Writers Union of Canada Short Prose Competition
Genres: Non-fiction; Fiction
Deadline: February 1, 2017
Prize: $2500 + assistance with publication
Entry Fee: $29
Detailshttp://www.writersunion.ca/short-prose-competition

Pulp Literature Magazine Bumblebee Flash Fiction Contest
Genre: Short Fiction (max 750 words)
Deadline: February 15, 2017
Prize: $300 + publication
Entry Fee: $15 (includes subscription)
Detailshttp://pulpliterature.com/contests/

CBC Canada Writes Creative Non-Fiction Prize
Genre: Creative Non-fiction (1200-1800 words)
Deadline: February 28, 2017
Prize: $6000 + publication in enRoute + Banff Centre residency (1st); $1000 each to 4 runners up
Entry Fee: $25
Detailshttp://www.cbc.ca/books/2016/01/cbc-creative-nonfiction-prize-is-now-open.html

The New Quarterly Nick Blatchford Occasional Verse Contest
Genre: Poetry
Deadline: February 28, 2017
Prize: Two prizes of $1000 + publication
Entry Fee: $40 (for first 2 poems; $5 each for additional); includes subscription
Detailshttp://www.tnq.ca/contests

Alberta Views Public Spaces Photography Contest
Genre: Photography
Deadline: February 28, 2017
Prizes: $1000; publication
Entry Fee: $30 ($15 for each additional entry)
Detailshttps://albertaviews.ab.ca/contests/
Note: The contest is open to residents of Alberta and Alberta expats.

Matrix Magazine Robert Kroetsch Innovative Poetry Award*
Genre: Poetry (manuscript)
Deadline: March 1, 2017
Prize: Publication contract with Insomniac Press
Entry Fee: $25
Detailshttp://www.matrix-magazine.org/robert-kroetsch-award
* Judged by National Magazine Award-winning writer Wayde Compton

13th annual Geist Literary Postcard Story Contest
Genre: Very short fiction or non-fiction (500 words max)
Deadline: March 1, 2017
Prize: $500 (1st); $250 (2nd); $150 (3rd); publication
Entry Fee: $20; includes subscription ($5 each additional entry)
Detailshttp://www.geist.com/contests/postcard-contest/

The RBC Bronwen Wallace Award for Emerging Writers
Genre: Poetry
Deadline: March 6, 2017
Prizes: $10,000 (1st); $2500 (to two honourable mentions)
Entry Fee: $0
Details: http://www.writerstrust.com/Awards/RBC-Bronwen-Wallace-Award-for-Emerging-Writers/Prize-Guidelines.aspx

Room Creative Non-fiction Contest
Genre: Creative Non-fiction
Deadline: March 8, 2017
Prizes: $500 (1st); $250 (2nd); $50 (3rd); publication
Entry Fee: $35 ($7 for each additional entry); includes subscription
Detailshttp://roommagazine.com/contests

The New Quarterly Edna Staebler Personal Essay Contest
Genre: Creative Non-Fiction
Deadline:  March 28, 2017
Prize: $1000
Entry Fee: $40; includes subscription
Detailshttp://www.tnq.ca/contests
Note: All submissions will be considered for publication ($250) in the magazine.

Vallum Chapbook Award
Genre: Poetry (chapbook 12-20 pages)
Deadline: March 31, 2017
Prize: $125 + publication
Entry Fee: $25
Detailshttp://www.vallummag.com/chapbookrules.html

Grain Magazine 29th annual Short Grain Writing Contest
Genres: Fiction (max 2500 words); Poetry (max 100 lines)
Deadline: April 1, 2017
Prize: $1000 (1st); $750 (2nd); $500 (3rd); publication
Entry Fee: $40 (for two entries in one category); includes subscription
Detailshttp://www.grainmagazine.ca/short-grain-contest/

Alice Munro Festival Short Story Contest
Genre: Short Fiction (max 2500 words; separate categories for adults and youths)
Deadline: April 1, 2017
Prizes:  $1,500 (adults prize); $500 (youth prize)
Entry Fee: $25 (adults); $10 (youth)
Detailshttp://alicemunrofestival.ca/?page_id=1317

Exile Literary Quarterly Carter V. Cooper Fiction Competition
Genre: Fiction (max 10,000 words)
Deadline: April 3, 2017
Prizes: $10,000 for best story by an emerging writer; $5000 for best story by a career writer; publication
Entry Fee: $30; includes subscription
Details: http://www.theexilewriters.com/

Exile Literary Quarterly Gwendolyn McEwan Poetry Competition
Genre: Poetry
Deadline: April 3, 2017
Prizes: $1500 for Best Suite; $1000 for Best Suite by an Emerging Poet; $500 for Best Poem; publication
Entry Fee: $25; includes subscription
Details: http://www.theexilewriters.com/

CV2 2-Day Poem Contest
Genre: Poetry
Deadline: April 3, 2017 (registration; competition is held April 8-9)
Prize: $500 (1st); $300 (2nd); $150 (3rd); publication
Entry Fee: $26; includes registration + subscription (registration only is $16)
Detailshttp://www.contemporaryverse2.ca/en/contests/2-day-poem-contest

Pulp Literature Magazine Magpie Award for Poetry
Genre: Poetry (max 100 lines)
Deadline: April 15, 2017
Prize: $500 + publication (1st); $50 for each of 2 runners-up
Entry Fee: $25 (includes subscription); $10 for each additional entry
Detailshttp://pulpliterature.com/contests/

Event Magazine Non-Fiction Contest
Genre: Creative Non-fiction (5000 words or fewer)
Deadline: April 15, 2017
Prize: $1500 in total cash prizes; publication
Entry Fee: $34.95; includes subscription
Detailshttp://www.eventmagazine.ca/contest-nf/

The Malahat Review Far Horizons Award for Short Fiction
Genre: Fiction (max 3500 words)
Deadline: May 1, 2017
Prize: $1000; publication
Entry Fee: $25 (additional entries are $15); includes subscription
Detailshttp://www.malahatreview.ca/contests/far_horizons_fiction/info.html

The New Quarterly Peter Hinchcliffe Fiction Award
Genre: Fiction
Deadline: May 28, 2017
Prize: $1000 + publication
Entry Fee: $40; includes subscription
Details: http://www.tnq.ca/contests
Note: All submissions will be considered for paid publication ($250) in the magazine.

CBC Canada Writes Poetry Prize
Genre: Poetry
Deadline: May 31, 2017
Prize: $6000 + publication in enRoute + Banff Centre residency (1st); $1000 each to 4 runners up
Entry Fee: $25
Detailshttp://www.cbc.ca/books/literaryprizes/poetry/
Note: The submission form can be downloaded as of April 1, 2017

Ricepaper ACWW Emerging Writer Award
Genre: Poetry (book-length manuscript)
Deadline: June 1, 2017
Prize: $250 + publication (1st); prize packs + publication (2nd & 3rd)
Entry Fee: $25; includes subscription
Detailshttp://ricepapermagazine.ca/contests/

Antigonish Review Sheldon Curray Fiction Prize
Genre: Fiction (max 20 pages)
Deadline: June 1, 2017
Prize: $600 (1st); $400 (2nd); $200 (3rd); publication
Entry Fee: $25 (includes subscription)
Detailshttp://www.antigonishreview.com/

Pulp Literature Magazine Hummingbird Flash Fiction Contest
Genre: Short Fiction (max 1000 words)
Deadline: June 15, 2017
Prize: $300 + publication
Entry Fee: $15 (includes subscription)
Detailshttp://pulpliterature.com/contests/

Other contests may be added to the list as Winter melts into Spring. Stay tuned.

Did we miss one? Send us a note or grab us on Twitter @MagAwards. We’ll update this post throughout the winter and spring as more contests are announced.

Find more awards, prizes and contests for magazine journalism on the Awards and Contests pages of this blog.

Summer Magazine Contest Guide
Fall Magazine Contest Guide
Writer’s Guide to Canadian Literary Magazines & Journals

Digital Publishing Awards accepting Freelancer Submissions

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The NMAF is very pleased to share that the Freelancer Support Fund is also available for the Digital Publishing Awards, whose deadline to enter is Tuesday January 31.

The discounted entry fees allow freelance creators to submit their first two (2) entries at the discounted rate of $50 per submission.

With the 2nd Annual DPAs officially underway, we are very happy to offer this special discount to the freelance creators – the writers, videographers, editors, designers, developers, video and podcast producers, photographers and illustrators, and others – who are establishing excellence in Canadian digital publishing. There is a $500 cash prize for individual winners.

An eligible “freelancer” is someone:

  • who is not a staff member of a publication whose work they are submitting, and
  • whose byline appears on the work they are submitting.

If your magazine work also appeared in an online platform, it may be eligible to enter. Check out the full list of Rules & Eligibility.

The Freelancer Support Fund applies to your first two (2) entries only. The regular rate of $110 will apply to any submission entered in addition to the first two. Fees paid for submissions to the Digital Publishing Awards may be tax-deductible for freelancers. The DPAs are operated by the non-profit registered charity NMAF.

There is exactly one week left to enter, as the final deadline to submit is Tuesday January 31.

To submit your best, visit submissions.digitalpublishingawards.ca. If you have any questions about entering the Digital Publishing Awards, please get in touch: info@digitalpublishingawards.ca.

Off the Page, with Maisonneuve Publisher Jennifer Varkonyi

Off the Page is a regular interview series featuring National Magazine Award winners. Recently we caught up with Jennifer Varkonyi, publisher of Maisonneuve, which was named Canada’s Magazine of the Year in 2016, among 5 NMAs it took home last year. A quarterly magazine of arts, literature, ideas and culture, published in English in Montreal, Maisonneuve publishes new and established writers, artists and photojournalists packaged around award-winning design.

NMAF: Congratulations again on winning Magazine of the Year in 2016, the third such honour for Maisonneuve since 2004. In presenting the award, the NMA jury said:

Maisonneuve fulfills its bold mandate of ‘banishing boring,’ clearly striving to engage, inform and inspire. From its refreshing and imaginative art direction to its passionate editorial voice, the magazine feels like it’s constantly evolving, yet at the same time seems to connect with a sense of familiarity with its readers.”

As a publisher, how do you achieve this winning formula of evolution and continuity? And what was the significance to you and your team of winning the big award?

Jennifer: The answer is simple: the people. Maisonneuve has been blessed with great editors, art directors, writers, artists and interns who give their all to the magazine. We take the editorial process seriously, which means we do everything we can to help writers shape their stories to be the best they can be.

This striving for excellence has been a part of the magazine’s ethos from the very beginning, with founder Derek Webster’s drive to create a magazine that reflected intelligence, humour, and genuine curiosity, and the tradition has been carried forward by Carmine Starnino, Drew Nelles, Haley Cullingham, Daniel Viola and now Andrea Bennett.

Winning Magazine of the Year is significant for Maisonneuve. It reminds us that the hours upon hours of toil the editors dedicate to a fifth draft, or to tweaking display copy or scouring for typos, are noticed by readers and recognized within the magazine community. Being in Montreal can feel a little isolating at times, so coming to Toronto and winning the top honour is gratifying. The win also helps raise the magazine’s profile, especially among contributors, and it draws more people to the magazine.

NMAF: What three words or phrases describe the typical Maisonneuve reader? To what extent do you think about your current (and future) readers when you’re putting together and promoting a magazine issue?

Jennifer: I think here I have to go with the three qualities I used earlier: our readers are intelligent, have a sense of humour, and are curious about Canada and the world around them.

As publisher I consult with the editor-in-chief about upcoming issues, stories and themes, but the work of putting the content together really rests on the shoulders of the editors. Our editors ask themselves how they can best draw the reader into the story – how to begin a feature about, say, fetal alcohol spectrum disorder in the North? How do you grab someone’s attention when discussing the politics of creating a national park? What messages do our graphics send, and are words and images working in unison? These are the kind of questions considered around the editorial table.

NMAF: What are the biggest challenges for a (small) magazine publisher in 2017? How do you address them?

Jennifer: The biggest challenges are resources (money) and maintaining circulation. Many people have a lot of love for the magazine, but connecting with that love and growing circulation even to 5,000 is a huge challenge. That’s partly a reflection of a competitive environment: there is so much amazing content out there competing for eyeballs and subscribers.

The Internet has put small Canadian magazines into direct competition with every other magazine in the world. Without our grants from all levels of government, we would not survive. I wish we were not so dependent on these funds, but it is a reality for most small Canadian magazines. Former editor Daniel Viola recently remarked to me that Maisonneuve runs on enthusiasm, and that is exactly right. I wish we could provide more remuneration to everyone who contributes to the magazine. I think every small magazine editor and publisher in Canada feels that way!

NMAF: Maisonneuve has a national perspective, but also very clearly reflects its Quebec and Montreal heritage. In many ways, Maisonneuve could be said to be the voice of Quebec for the rest of English Canada, in literature, art and current events. How has the magazine embraced this role, and why is it important to project Quebec (and Montreal) onto the national stage?

Jennifer: Maisonneuve has always wanted to blur borders – be they real or ideological. The magazine’s identity is rooted in Montreal, but it’s a cosmopolitan identity (which is very Montreal) so the result on the page is wide-ranging and eclectic. There are regular moments, such as in the Writing from Quebec section, where we shine a light on some new writing from the francophone community, but I think the voice of Quebec is more consistently found in the excellent reporting of L’actualité and the refined cultural commentary of Nouveau Projet, for example.

Maisonneuve really is a national magazine in its scope and story selection. There was a Beaverton headline that made me laugh recently – “Montreal declared the ‘I don’t know I’m just trying to figure my shit out’ capital of Canada” – and I certainly fit this bill when I was 19 and moved to Montreal from Saskatoon. The point being: Montreal presents an alternative to the norm, be it “Toronto” or “English” or whatever – you can do things a little differently in Montreal. Maisonneuve embraces this difference, and people appreciate that.

Jennifer Varkonyi (second from left, with envelope) accepts the National Magazine Award for Magazine of the Year with (from right) former Maisonneuve editors Daniel Viola and Haley Cullingham, former art director Anna Minzhulina, and Gala host Chris Turner.
Jennifer Varkonyi (second from left, with envelope) accepts the National Magazine Award for Magazine of the Year with (from right) former Maisonneuve editors Daniel Viola and Haley Cullingham, former art director Anna Minzhulina, and Gala host Chris Turner at the 2016 National Magazine Awards.

 

NMAF: Based on Maisonneuve’s success, what advice would you give to small magazine publishers who are concerned they can’t compete against larger magazines on newsstands (real and virtual) or at the National Magazine Awards?

Jennifer: I think the key is to take chances. Take chances on people, on ideas, on an opening, on a story’s length. If an editor’s interest is piqued, chances are readers will be interested too. One thing that small magazines have going for them is that enthusiasm I mentioned earlier, without the punishing production cycle of larger magazines, so editors can take a little more time with a story, push for something slightly better, and the results can be astonishingly rewarding. That doesn’t pay the rent, but this is where a gold medal from the National Magazine Awards makes the sacrifices worthwhile.


Jennifer Varkonyi is the publisher of Maisonneuve, Canada’s reigning Magazine of the Year. Find out more at Maisonneuve.org, or subscribe and get 2 years (8 issues) for just $30

Download the 40th anniversary National Magazine Awards guide to submissions.

National Magazine Award for Magazine of the Year
Submissions to the 40th anniversary National Magazine Awards are now open for submissions. The award for Magazine of the Year honours the magazine that most consistently engages, surprises and serves the needs of its readers. This award recognizes outstanding achievement in magazine publishing over the past year.

The jury shall evaluate each candidate for Magazine of the Year according to four general criteria—quality, innovation, impact, and brand awareness—and its success relative to the magazine’s editorial mandate. Each submitter will need to complete an application form providing details supporting each criterion. There will be 5 finalists for this award and one overall winner.

The deadline for submissions for Magazine of the Year is January 27.
(For all other categories, the deadline is January 20).

magazine-awards.com

Freelancers: Last chance to enter the National Magazine Awards

Freelancers save over 50% on entry fees on National Magazine Awards submissions by Friday’s deadline. Are you a freelance journalist, illustrator, photographer, or other creator?

With the new Freelancer Support Fund from the National Magazine Awards Foundation, your first two entries are just $50 each (regular price $120). Awards include a cash prize of $1000.

Not sure if your magazine is entering your work on your behalf? If they do, we’ll refund your entry fees.

As a not-for-profit charitable organization, National Magazine Awards’ entry fees may be tax-deductible for self-employed freelancers.

The deadline for entries is Friday January 20.

Awards include:

Awards include a cash prize of $1000.

For a complete list of awards, visit magazine-awards.com/categories.

Ready to submit? Click here

PLUS: The Freelancer Support Fund is also applicable to creators entering the Digital Publishing Awards. Deadline for DPA entries is January 31.

Early Bird Rate for Digital Publishing Awards ends Friday

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The Early Bird deadline for the 2nd Annual Digital Publishing Awards is fast-approaching!

You have until midnight this Friday January 20 to enter your best work online.

After a successful inaugural year, we’ve both expanded the category roster and made improvements to pre-existing awards. You’ll see that we’ve created new divisions, such as the Best Online Video, Best News Coverage and General Excellence in Digital Publishing awards to better reflect the diversity of Canada’s digital publishers. There are also brand new awards, such as Best Social Storytelling, Personal Essays and Best Arts & Culture.

Early-Bird Deadline Today for National Magazine Awards

Friday January 13 is the “Early-Bird” deadline for submissions to the 40th anniversary National Magazine Awards. Enter online by 11:59pm EST to save 20% on entry fees.

Today is also the final deadline for applications for the Small Magazine Rebate.

The Freelancer Support Fund, offering 50% discount on the first two entries to freelancer submitters, remains in place until January 20.

The final deadline for all submissions is Friday January 20.

The 2017 Digital Publishing Awards are accepting submissions until January 31.

Off The Page, with Adrian Forrow

Off the Page is a regular interview series featuring National Magazine Award winners. Recently we spoke with Adrian Forrow, who won his very first National Magazine Award in 2016, winning the Gold Medal in Illustration for his series of illustrations featured alongside the article “My Prescribed Life” (The Walrus). The story is a memoir about the longstanding link between mental health and prescription dependency, and it also received an Honourable Mention for Best Health & Medicine article.

NMAF: As splashes of colour that break up pages otherwise saturated by text, magazine illustrations give the reader a welcomed break, a moment’s pause before they jump back into reading. What do you think the role of an illustration is for people reading magazine articles?

Adrian: The role of editorial Illustration should be additive. It should help set the mood of the forthcoming text. The image can help evoke visual interest and transport the reader to a place where ideas and understanding intersect.

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NMAF: What details do you need before you can properly begin your creative, designing process? Are there certain elements or information that your client or partner needs to relay, in order for you to develop your concept?

Adrian: What I find that works best for me is to receive the brief and the text and really absorb the core idea before putting pen to paper. Once I feel I have a grasp of the idea, I might discuss the tone of the imagery that I feel is best for the article. This is where collaboration can happen with the art director and it’s a great way to help inform your imagery. I try not to think about the imagery at this stage–just the mood, atmosphere and tone of the picture.

The other detail that is critical for my process is the dimensions of the image. It’s really important for me to consider the whole compositional area. The dimension can ignite my conceptual approach and really make the art feel customized to the space available.

NMAF: You won Gold in Illustration at last year’s National Magazine Awards for your pieces featured in a memoir called “My Prescribed Life.” The story, published in The Walrus, discussed the link between the author’s mental illness and related dependence on medication. How did the subject matter of the memoir influence your creative conceptualization for the piece? How did you decide what tone would be most appropriate?

Adrian: This was a great article and so interesting. It was a delicate and somewhat saddening topic. I knew the colours were going to be really important. I didn’t want to do what was expected. I knew I had to take an approach that might have to be more ambiguous and surreal.

I didn’t want to use this illustration to summarize or define the problem. Instead my intent was to ask a question or pose a contemplative composition so the viewer would be left to decipher the visual symbols that I included.

The colours were mostly primary and that helped carry the idea of youth and aging. The colours also helped to create a surreal or even jarring feeling in relation to the content. The goal was for the colours and composition to carry ideas about an altered state of reality.

NMAF: Your Gold win last year was also your first time being recognized by the National Magazine Awards Foundation. How does winning awards for your illustration work help you, on both a personal and professional level?

Adrian: It feels great to know that my work is being received and appreciated within the industry. Personally, it helps to motivate me to keep developing my skills as a visual communicator. Professionally, it helps to open doors and possibilities for new and exciting opportunities.

NMAF: Your work has adorned coffee cups, been part of the creative for major music festivals and has been made larger-than-life by outdoor mural installations. Your work has also appeared in magazines, including The New Yorker, Corporate Knights and The Walrus. As an illustrator, what types of creative collaborations do you like to pursue? Do you try to not limit yourself to any one medium?

Adrian: I feel that in many ways I am just getting started. I have so many ideas and desires to push what I can do. The best thing about my profession is the variety it offers. One day I’m drawing a coffee cup, the next day I’m painting a huge outdoor mural. Variety is the spice of life, so I try to be diverse in the projects I take on.

I also love the collaborative process and making things that fulfill a need or desire. I have always experimented with different approaches and tools for making images.  I think it helps my clients see different possibilities and vary their experiences with illustration.

As of now, I have been collaborating with Warby Parker for a new store mural which I am really excited to share with people. I have also been collaborating with Keilhauer to make some artful promotional products.


Adrian Forrow is a National Magazine Award-winning illustrator whose work has been published in The Walrus, Corporate Knights, Canadian Running & Cycling Magazine and The New Yorker. His debut National Magazine Award was the Gold Medal in Best Illustration, for his series of illustrations featured in The Walrus memoir, “My Prescribed Life“. 

Check out his work at www.adrianforrow.com.

Read more Off the Page interviews with National Magazine Award-winning illustrators including Gracia Lam, Hudson ChristieByron Eggenscwhiler, Roxanna Bikadoroff, Jillian Tamaki and Selena Wong. 


Submissions to the 40th Anniversary National Magazine Awards
The 40th anniversary National Magazine Awards are open for submissions until January 20, including awards for Illustration and for Best New Magazine Illustrator.
Enter at magazine-awards.com.

In alternate years, the NMAF presents distinct awards for Best New Magazine Illustrator and Best New Magazine Photographer. For this year’s 40th anniversary National Magazine Awards, the Best New Visual Creator award will go to an illustrator whose early work in magazines shows the highest degree of craft and promise.

Read more about the Best New Creators Awards here.