From all of us at the National Magazine Awards Foundation, have a happy, healthy and safe holiday season. Our office will be closed from 22 December – 2 January, but during that time you may still submit your entries to the National Magazine Awards via our online submissions portal. The early-bird deadline for entries is January 11.
May your stockings be full of magazines, and may the new year greet you with great stories waiting to be read.
We know that magazine publishers work hard to extend their brand across multiple platforms to attract readers and grow their business, and this year the National Magazine Awards Foundation will recognize this ingenuity with the award for Best Magazine Brand. Whether you’re advancing your publishing mandate with mobile apps, radio and television broadcasts, live events, SIPs, social media campaigns or other innovations in audience engagement, we want to recognize your work and showcase your brand to the industry.
The award for Best Magazine Brand will go to the publication whose brand best delivers on its editorial mandate through at least three platforms. The platforms may include but are not limited to a print or digital magazine, a website, SIP(s), mobile app(s), tablet edition, social media, television shows, radio broadcasts and podcasts, live events, innovations in print or digital media and other forms of audience engagement.
Publishers must complete the online application and submit in hard copy four (4) copies of a submission package which must include:
a) A cover letter of maximum two pages summarizing the strength of the publication’s brand identity against its editorial mandate and the achievements during 2014;
b) Any print edition of the magazine from 2014, if applicable; and
c) Any supporting documentation (such as links to social media, summaries of research, event materials, products, etc.) that attests to the success of the brand in 2014.
FEES AND DEADLINES
The application fee for Best Magazine Brand is $175 +HST. All supporting materials must be received by January 19.
FINALISTS AND WINNER
A shortlist of three finalists will be announced on May 4 and all finalists will receive a certificate and recognition in NMAF publications and at the awards gala. The winner will be announced on June 5 at the 38th annual National Magazine Awards and be promoted to the Canadian magazine industry and public in a promotional campaign whose goal is to showcase the winner’s branding strategy as a benchmark of excellence and an inspiration to others.
The deadline is approaching fast — for holiday gift shopping. (Also for the National Magazine Awards, but that deadline is January 19.) Looking for pleasurable, readable, can’t-put-down-able gift ideas. Here’s a list of gold-winning magazines from this past year’s National Magazine Awards and their subscription deals.
Cottage Life: Canada’s reigning Magazine of the Year has a fantastic online store with gift ideas for every Canadian. Plus, subscribe to Cottage Life print and digital editions for just $29.75 for a year.
The Walrus: Want some of this country’s best magazine writing and art in one compelling package? Get two years of Canada’s most award-winning magazine (Gold medals in Society, Politics & Public Interest, Travel, Best Single Issue, Magazine Website Design, Words & Pictures and One of a Kind) for under $50. Plus, the Walrus store – awesome gift ideas.
Maclean’s: Awarded Canada’s Magazine Website of the Year as well as Best Online Video and Best Short Feature; get a one-month free trial of the digital edition via Next Issue, plus access to back issues and over one hundred magazines in one app.
Maisonneuve: A one-year subscription to one of Canada’s best and most beautiful literary and arts magazines (4 Gold National Magazine Awards last year for Illustration, Spot Illustration, Photojournalism and Health & Medicine) is only $20!
Report on Business: Get Canada’s leading business magazine, winner of National Magazine Awards for Business reporting, Portrait Photography and Magazine Covers, among others, with your Globe and Mail subscription.
THIS Magazine: Almost 50 years old and still one of Canada’s top independent magazines where many emerging writers and investigative journalists are published, including Catherine McIntyre, winner of last year’s award for Best New Magazine Writer. Gift subscriptions for as low as $15 per year.
Western Living: Winner of 4 National Magazine Awards this year, Western Living is all about how to live well, healthy and in style in Western Canada. Get a one-year digital subscription for just $17.99.
Little Brother: One of Canada’s newest literary magazines, Little Brother won the NMA for Fiction this past year. Get 4 issues of the magazine for $50 and enjoy some of Canada’s best literary arts. Read our interview with publisher Charles Yao.
Azure: Canada’s premier architecture and design magazine, winner of the NMA for Creative Photography, get one year (8 big, bold issues) for less than $40.
United Church Observer: Winner of the National Magazine Award for Science, Technology & the Environment, this veteran Canadian magazine will surprise you. Get a year’s subscription for $25.
Malahat Review: The winningest literary magazine of all time and winner of this year’s award for Personal Journalism, give a gift subscription for $35 for a year for some of Canada’s best poetry, fiction and creative non-fiction.
Prefix Photo: Get one year of Canada’s most alluring contemporary photography magazine, and NMA winner for Art Direction, for less than $30. That special photographer friend will be thrilled.
Hazlitt: The online magazine from Penguin Random House will help you discover great writing again. Browse the bookshop for Hazlitt’s anthologies and eBooks featuring National Magazine Award-winning writers.
Flare: Consistently one of Canada’s most award-winning fashion magazines, get one year of all-access print and digital editions for $14.95.
ELLE Canada: Winner of the National Magazine Award for Beauty, ELLE is one of Canada’s most popular magazines for good reason – incredible fashion, beauty and lifestyle content. Print and digital subscriptions available.
Off the Page is a regular interview series produced by the National Magazine Awards Foundation. Today we chat with Jennifer Morse, general manager of Legion Magazine, winner of the National Magazine Awards for Investigative Reporting and Service: Health & Family at this past year’s gala.
NMAF: Tell us a bit about Legion and its readers.
Jennifer: Legion is an independent magazine and one of Canada’s oldest continuously published magazines, founded in 1926. Our mandate is straightforward: Bring the stories of Canada to as many Canadians as we can, with a focus on Canadian military history and issues facing members of the military, veterans, their families and communities. We blend a mix of stories—often by some of Canada’s top historians—with iconic images, using words and pictures to excite Canadians about their history.
We’re not a magazine that is focused just on profit. We have a small, dedicated staff and a budget—like many magazines—that is limited. But we’re passionate. We have a readership, including print and online audiences, of more than 640,000, which is wonderful. Our readers really trust us to deliver quality journalism.
NMAF: Earlier this year, Legion Magazine’s commitment to excellent journalism was recognized with two Gold National Magazine Awards: one in Service: Health & Family (“Lest We Forget,” which is about veterans struggling with PTSD) and the other in Investigative Reporting (“One Martyr Down,” the incredible story of the death of a Canadian soldier serving with UN Peacekeepers in Lebanon during the Israel-Hezbollah war of 2006). How do these stories exemplify Legion’s publishing mandate, and what kinds of responses have you received from readers about these stories and/or the awards?
Jennifer: There has been an overwhelming response. In the last couple of years we’ve made a commitment to publish more longform journalism, which is difficult for publishers; obviously it’s more expensive. But these stories really exemplify our mandate and we want to pursue them no matter how difficult or how limited the resources are.
On those stories in particular we received a great deal of feedback from a cross-section of readers, both military and civilian—lots of letters and comments on Twitter and social media, and it’s great to get that kind of participation. People feel like it’s their story, too. There are a lot of challenges facing Canada’s veterans and a lot of debate about benefits for veterans. Sharon [Adams] really got to the heart of this in the PTSD story and another one [“Collateral Damage: Families in the Wake of War,” which won Honourable Mention at the National Magazine Awards]. These stories have been talked about in Parliament and the Senate; they are stories that may help lead to change. The recent announcement [that the government will commit $200 million to military mental-health care and benefits] I think had a lot to do with Legion’s work.
When we won the National Magazine Awards, lots of people—readers—contacted us to congratulate our writers and the magazine. These were the first two National Magazine Awards we’d ever won, and it was great for morale in the office. We already knew these stories were important to tell, and the awards and response put a stamp on it. I think readers felt like it was partly their award, too. We were very delighted.
NMAF: Is there a measurable impact that winning a National Magazine Award has on the business of Legion Magazine, and where do you see this?
Jennifer: I read a statistic recently about how magazine newsstand sales are soft, down 23% combined in 2012 and 2013. We all know there are challenges out there for publishers. We’ve fortunately had the opposite result over the last two years in that we’ve experienced growth in both direct circulation and advertising.
It’s not always easy for a special-interest magazine such as Legion to succeed on the newsstand. Our special “Normandy” issue was on newsstands when the National Magazine Awards were announced, when we received a lot of news and feedback. And that issue has become one of our best sellers, the top one or two issues of all time. We are also seeing a pick-up in subscriptions via newsstand copies, and we’re forecasting a 14% increase in the second half of this year. Is it related to the awards we won—let’s hope so, but I think absolutely there has been a great impact, and we are thrilled.
NMAF: This time of year is especially significant to Canadian veterans, with Remembrance Day and the WWI anniversary, not to mention the recent attacks on members of the armed services in Ottawa and Quebec. What is Legion presenting to its readers right now?
Jennifer: In our November-December issue on newsstands now, we have a profile on Julian Fantino, and about the growing frustration of veterans about government neglect. I think the level of frustration being felt is unprecedented and we wanted to address that in the story. Our editorial addresses the Veterans’ Affairs
We want to put these stories in context, to present the facts for our readers, because they are important stories to Canadians. And in a future issue we’ll be covering more of the story about the attack on Parliament Hill.
NMAF: Who should be reading Legion magazine that isn’t right now?
Jennifer: Every single Canadian! A reader recently told me he bought the special Normandy issue for his 90-year-old father, a veteran of the Second World War, who said he found it so satisfying to read something truly about Canada. We’re a country with our own story. I think Legion should be read in classrooms, in senior centres, and anywhere people want to discuss what we’re doing as a country, whether we’re doing it wrong or right. We know there is an appetite for stories like Legion presents, and our readers love the discoveries they make.
Descant, the arts and literary quarterly published independently in Toronto since 1970, has announced that its forthcoming 167th issue, Vol. 45, No. 4, Winter 2014, will be its last.
Editor-in-chief Karen Mulhallen posted a farewell note on the magazine’s website, noting that after painstaking efforts to find alternative funding and deliberations among staff and funders, “we have jointly decided that Descant magazine in its present form is no longer sustainable.”
Grants have been in decline for more than five years, although other revenues such as sales and subscriptions have held steady or increased. We have cut costs everywhere we could, but many expenses over which we have no control have continued to spiral up.
Descant has won 6 National Magazine Awards since 1980 for its fiction, poetry and essays, most recently Adam Lindsay Honsinger‘s short story “Silence” in 2009.
What began as a mimeograph forty-four years ago evolved into a robust and stimulating literary magazine that has published works by Anne Michaels, Timothy Findley, Evelyn Lau, Margaret Atwood, Isabel Allende, Tom McGuane, Jane Urquhart, Dennis Lee, Michael Ondaatje and R. Murray Schafer, among many others. Lately its production office has been the historic George Brown building at the corner of Baldwin and Beverly Streets.
Recently the literary journal Echolocation published a great interview with Jess Taylor about her National Magazine Award-winning short story, “Paul,” the challenges of writing and her pursuit of a book project: the story collection Pauls will be published in 2015 by BookThug.
The interview was conducted by Liz Windhorst Harmer, herself a National Magazine Award winner earlier this year for Personal Journalism (“Blip,” published in The Malahat Review).
In this excerpt from the interview, Liz and Jess discuss the “hard place,” the core of the writerly being from which the literary art emerges.
Liz: What is exciting to watch as far as your “emerging” (a word with multiple meanings, it seems to me!) career, is just how many things you manage to balance and balance well. You recently wrote about ways of building community. You of course are the founder of Toronto’s Emerging Writers series. Your Puritan article discusses the joys and pitfalls of building community, and in it you use the phrase “the hard place”: you hoped “you’d meet people who’d understand you and what you describe as a hard place in yourself”. I love this essay. As we close out this interview, I hoped you could talk a little about the hard place.
I think I know what you mean by the phrase, and you don’t need to elaborate, but I wondered if your relationship to it has changed as your life as a writer has become more public. The transition from aspiring to published and awarded comes with its own costs. Have you found this?
Jess: Thanks, Liz! I’m glad you liked the essay.
The hard place for me is this little place inside of me that tells me I will always write, that I’m a writer. It’s the one aspect of my identity that is always consistent. It’s what spurs me on and gives me my sense of self. I know I’m a hard worker, I take pride in being a hard worker, and writing is my work. I hope this means that I will be able to build a life either from writing or around writing, but I know that even if no one publishes me, it will always be something I do and something that contributes to my sense of self. Some people may describe this as confidence. I think it’s different than confidence. It’s a baseline. More than knowing my name is “Jess,” that the word “Jess” refers to me, I know that this place exists in me.
To me, this is separate from any sort of public writing life or awards or publications. It’s a deeply personal and special thing. Of course, with public recognition comes a little validation that you’re doing the right thing, that other people can see it and know that you’re doing good work. But that’s almost an extra. Having the hard place in me has allowed me to not worry too much about whether or not my work fits into the current trends of writing. Having studied literature, it’s obvious that what’s popular changes and what’s lasting remains to be seen. So I’m just going to do what I like, write the type of work I like to write and read, and hope that the enjoyment comes across to other people. After winning an award or signing a contract, I guess all that changes for me is that I start to think, “Oh, ok, people are starting to see this my way. They like this too. Interesting.” But that could all change again in a moment.
This isn’t to say that I don’t have moments of doubt. We all do. Right after I was nominated for the National Magazine Award, I had a huge crisis. It was one of the first times I really doubted the hard place existed. I was happy about the nomination and starting to think about focusing on Pauls instead of the novel I was currently working on. A couple of my male colleagues who I really respected told me I should wait until I was older to publish. One was barely older than I was! It made me desolate. Normally someone else’s opinion about that sort of thing wouldn’t faze me; it might make me a little annoyed, but it wouldn’t put that doubt in me. It made me feel that awards were pointless because it wouldn’t change the fact that I was young and a female writer. There would still not be the same level of respect, even if I was doing good work and working hard. And having the award nomination just meant that people would gossip about me and form these opinions about me, about whether I deserved it, and I had no interest in being the subject of this sort of gossip or these dismissive attitudes.
But then everyone was surprised because I did win. The hard place was restored, as it was the one time I think I needed some external validation for that hard place. I’d been sending work out and getting rejected (as we all do), had never had a paid publication in my life, and all of a sudden I had won an NMA. It changed a lot in my life. I finally qualified for TAC grant, which only requires one paid publication, people were actually reading my work and coming to my readings, people were respecting me for my work instead of just as a promoter, it helped me with my job, and I signed a contract for Pauls. The hard place whispered, “I told you so, Jess, you big idiot.”
People are always going to talk, they are always going to be critical, haters gonna hate. But I know I can’t let it interfere with me and my work. Nothing can interfere with that. And that’s what great about having a hard place … everything else could be gone, they could take away the NMA, the book deal, my job, everything, but I’d still be me. The hard place would still be there. I’d keep trying to communicate and write in anyway I could. I always will. At this point, I’m still emerging, I would hesitate to say I have any real public writing life or that I’m the center of anyone’s focus, but if things were to go that way, the experiences I had over the summer really helped prepare me and reaffirmed why I write and why it’s a necessity.
Last Thursday on TVO’s The Agenda with Steve Paikin, four prominent Canadian magazine editors appeared together in conversation about the challenges and opportunities of magazine publishing and engaging readers in a digital age and in a crowded, shifting marketplace. (SPOILER ALERT: The answer to the digital-age question–“Will there still be print magazines in 10 years?”–is yes!)
Haley Cullingham, editor-in-chief of Maisonneuve
Sarah Fulford, editor-in-chief of Toronto Life
Jonathan Kay, editor-in-chief of The Walrus
Steve Maich, senior vice-president & general manager of Rogers Publishing and founding editor of Sportsnet
When host Steve Paikin introduces everyone with their associated magazine, describing each as having won “Best Canadian Magazine of…” he is referring to the National Magazine Award for Magazine of the Year (or, in the case of Sportsnet, Tablet Magazine of the Year).
Are you an emerging Canadian magazine illustrator, photographer, graphic artist or digital image creator? Have you published your first major piece of visual work in a Canadian consumer magazine, university magazine or arts journal within the last 3 years? Chances are you’re eligible to be named Canada’s Best New Illustrator or Photographer from the National Magazine Awards Foundation.
The National Magazine Award for Best New Illustrator or Photographer goes to the artist whose early work in Canadian magazines (print, online or tablet) shows the highest degree of craft and promise.
The inaugural winner of this award, illustrator Byron Eggenscwhiler, has been nominated for 9 National Magazine Awards in total, winning 5 times, and his work has been published in Cottage Life, Swerve, More, Up Here, Maisonneuve and elsewhere. Read our interview with Byron about his career.
Another winner, the fashion & beauty collective The Coveteur, have been published in Report on Business, Toronto Life and elsewhere. Read our interview with The Coveteur about their creative work.
ELIGIBILITY Eligible work–illustration, photo illustration, photography, infographics, graphic narratives and digital images–must have been published in a Canadian magazine (print, online or tablet) between January 1, 2012 and December 31, 2014, and must be at least one full page in size or digital equivalent, a single or series accompanying an article or editorial package. Candidates must not have published any magazine work larger than one page prior to 2012. The intent is to restrict this award to students and visual artists with a maximum of 3 years’ experience in professional journalism. One entry per person. See the NMAF’s general rules for further information about eligible publications.
HOW TO ENTER Enter your submissions at magazine-awards.com. Submissions may be made by the artist or their art director or teacher. Entrants must complete the online application and submit required hard copies (see below). The deadline for applications including all required hard copies is January 19. The cost to enter is only $25 +HST.
Submit in hard copy four (4) sets of original tear sheets and four (4) copies of a letter of reference from a teacher, art director, mentor or colleague which attests to the candidate’s eligibility and provides context for the work submitted. Both the visual work and letter are reviewed by the judges.
Pay the submission fee ($25 + HST) by cheque or credit card.
FINALISTS AND WINNERS
A shortlist of 3 finalists will be announced on May 4, and all finalists receive a certificate and recognition in NMAF publications and at the gala. The winner will be revealed at the 38th annual National Magazine Awards gala on June 5.
$500 cash; plus the right to call yourself a National Magazine Award winner. We’ll interview you on our blog and promote you and your work nationwide.
Off the Page is a regular interview series produced by the National Magazine Awards Foundation. Today we catch up with Byron Eggenschwiler, five-time National Magazine Award-winning illustrator whose work has been published in Swerve, Maisonneuve, Cottage Life, Canadian Business, Up Here and other Canadian magazines.
NMAF: You call Alberta home and graduated from the Alberta College of Art + Design. Like so many other graduates of programs at ACAD and the Ontario College of Art and Design, you’ve found great success in the Canadian magazine industry. How has your education helped shape your art and your future as a magazine illustrator?
Byron:My education was pretty invaluable, it gave me an environment that encouraged exploration of media and ideas and forced me to sit down and start thinking about the kind of work I wanted to make. The program at ACAD was really great for teaching us about both design and illustration and how the two intersect. Having both those backgrounds has been helpful in my illustration work.
I actually didn’t even know illustration was a career or what it really meant until going through the program. I was lucky to have teachers who encouraged me and steered me in the right direction and some really talented friends in my classes that challenged me to push myself out of my comfort zone to make better work.
NMAF: A year after winning your first NMA for Spot Illustration in Swerve for “Be Worried–Don’t be Happy” in 2008, you were the first-ever winner of the award for Best New Visual Creator [now known as Best New Illustrator or Photographer] for “Tales from Riverheights Terrace” (also in Swerve). How did this recognition help propel your career?
Byron: I am unsure how these things directly affect future work but it helps to get your name out into the world a bit more, which can’t hurt. It is a great event celebrating the Canadian magazine industry and an honour for me to be acknowledged for the work I am doing within that [industry]. It gives a guy a confidence boost to keep moving forward in an otherwise fairly solitary profession.
NMAF: You have a distinct and recognizable style. How much direction do you take from your clients in the magazine industry and how much of your own creative voice goes into designing your illustrations for each piece?
Byron: It can be a balance and depends on the magazine itself, but sometimes an art director has something specific in mind for an idea and I work with that. Sometimes that can be a jumping off point for an even better idea. There are times where there is a bit of back and forth along the way but most of the time it is left in my hands to see where I can take a piece and how I want to finish it. Compromising is part of the job and hopefully no matter what it still carries a bit of me with it at the end.
NMAF: Many of your pieces seem to be more of an article within an illustration as opposed to an illustration meant to accompany an article. How does conceptualization for some of these, more image-heavy, pieces work?
Byron: I start by distilling an article down to a core point or phrase and then start sketching whatever ideas come to mind with that theme in the back of my mind. I don’t tend to have too many thoughts until I can see the forms taking shape on the page and it is somewhere in that mental wandering and playing around that ideas will emerge for me. Depending on the feel of the story itself this can lead off in different directions, and as long as that initial idea is still there I am pretty open to anything.
I like the idea of creating a new story with my illustrations to tell the author’s story. I think it can add another layer to the article and enrich it.
NMAF: When drawing, do you aim to create an image that contextually matches the text of the article, or does the tone or theme of the piece dictate what imagery will accompany it?
Byron: I like to read an article a few times to get an overall feel for the content and then decide how I want to approach it. If the tone is more serious or if it is humorous it will have a big influence on my thinking of how to approach the piece. I find the end result is much better if I can keep myself open to surprises through the sketching phase and let thoughts show up no matter how out-there they are. I try to make work that captures the feeling you get when you read the story and will speak to you with or without the text.
Byron Eggenscwhiler is an award-winning illustrator based in Calgary. His work has appeared in The New York Times, Wall Street Journal, Discover, More Magazine, BusinessWeek, National Post, O, The Oprah Magazine, LA Weekly, Canadian Business, Swerve, Runner’s World, Wired, The Walrus, Maisonneuve, Quill & Quire, Uppercase Gallery, Little, Brown Books for Young Readers & more. See more of his work at byronegg.com.
Special thanks to Melissa Myers for conducting this interview with Byron for the NMAF.
Are you an emerging Canadian magazine journalist or creative non-fiction writer? Did you publish one of your first major stories in 2014 in a Canadian consumer magazine, university magazine or literary journal? Chances are you’re eligible to be named Canada’s Best New Magazine Writer from the National Magazine Awards Foundation.
The National Magazine Award for Best New Magazine Writer goes to the writer whose early work in Canadian magazines (print, online or tablet) shows the highest degree of craft and promise.
Last year’s winner, Catherine McIntrye, published an investigative story in THIS Magazine about cancer rates in New Brunswick and correlations to heavy industry. Read our interview with Catherine about her story and ambition to become a magazine journalist.
The 2012 winner, Sierra Skye Gemma, published a personal essay about grief in the literary journal The New Quarterly. Read our interview with Sierra about her approach to creative writing and how she came to enter her story for a National Magazine Award.
Previous finalists and winners have been published in Ryerson Review of Journalism, The Walrus, Maisonneuve, Prairie Fire, Chatelaine, Alberta Views, NOW Magazine, Toronto Life, Maclean’s and more.
ELIGIBILITY Eligible work must have been published in a Canadian magazine (print, online or tablet) between January 1 and December 31, 2014, and must be at least 1000 words in length. Open to non-fiction work only. Articles published in university/college magazines are eligible. Candidates must not have published any magazine work longer than 1000 words prior to 2013. The intent is to restrict this award to students and magazine writers with a maximum of 2 years’ experience in professional journalism. One entry per person. See the NMAF’s general rules for further information about eligible publications.
HOW TO ENTER Submit now at magazine-awards.com. Submissions may be made by the writer or by their publisher, editor or teacher. Entrants must complete the online application and submit required hard copies (see below). The deadline for applications including all required hard copies is January 19. The cost to enter is only $25 +HST.
Upload a PDF of your story during the online application.
Submit in hard copy four (4) sets of original tear sheets and four (4) copies of a letter of reference from a teacher, editor, mentor or colleague which attests to the candidate’s eligibility and provides context for the work submitted. Both the article and letter are reviewed by the judges.
Pay the submission fee ($25 + HST) by cheque or credit card.
FINALISTS AND WINNERS
A shortlist of 3 finalists will be announced on May 4, and each finalist will receive recognition in the NMAF’s publications and a certificate. The winner will be revealed at the 38th annual National Magazine Awards gala on June 5.
$500 cash; plus the right to call yourself a National Magazine Award-winning writer. We’ll interview you on our blog and promote you and your writing across Canada.
As the National Magazine Awards Foundation announces the 2014 Call for Entries, there are a few important changes this year.
Each year the NMAF reviews its awards program in consultation with our stakeholders, participants, judges and industry experts in order to ensure that we continue to provide the best service to the Canadian magazine industry. This year is no exception, and we want to thank those stakeholders who took time to contact us, respond to surveys and participate in our round-table discussions to give their voice to proposed changes to the National Magazine Awards. We at the NMAF are looking forward to another great year of evaluating, recognizing and awarding the best in Canadian magazines.
— Joyce Byrne, President, NMAF
THE END OF PHOTOCOPYING! Yes, that’s right—you’ll save countless hours and avoid numerous paper cuts (and so will we) as we no longer require six photocopied, collated sets of every written-category entry. Instead, we are moving to a print-on-demand format, which means you’ll need to upload an 8.5″x11″ printable PDF for each entry in written categories. (Double-page spreads are preferred for visual and integrated categories.) Please read the “How to Package” instructions carefully as hard copies are still required for whole-book and some special and integrated categories.
ONE NEW AWARD: BEST MAGAZINE BRAND Magazine publishers work hard to extend their brand across multiple platforms to attract readers and grow their business, and this year the NMAF will recognize this with the award for Best Magazine Brand. Whether you’re advancing your publishing mandate with mobile apps, radio and television broadcasts, live events, SIPs, social media campaigns or other innovations in audience engagement, we want to recognize your work and showcase your brand to the industry. Read more about this new award and its submissions requirements.
10% FEWER CATEGORIES We hear you: everyone wants fewer categories, but no one wants us to cut their categories. So we did our research, talked to stakeholders, reviewed past entries, discussed many options and determined the following:
How-To and Service Journalism: What was 4 categories is now 2 – Service: Lifestyle and Service: Family, Health & Personal Finance. Submitters will find a home for their entries in these refurbished categories.
Blogs and Columns: The former Blogs category has been merged with Columns, so that submissions from both print and online columns are eligible in the new Columns category. Blogs that are more curated creations of dynamic and thematic content may be eligible in the category Editorial Package (Web).
Creative Photography and Beauty: These categories, which were created in recent years, have not received enough participation to merit continuation. Submitters in these categories will find their work may be eligible for the awards Still-Life Photography, Fashion, Portrait Photography and/or Words & Pictures.
A LITTLE HELP FOR SMALL MAGAZINES We understand that smaller magazines have a tough time competing when budgets are tight. So this year we’re introducing a Small Magazine Rebate—one FREE entry to every Canadian magazine whose annual revenue is $200,000 or less. Read more about how to apply for this great opportunity for small and literary magazines.
A NEW NATIONAL MAGAZINE AWARDS GALA In the spring of 2015 we’ll be announcing a few changes to the annual awards gala with the aim of providing a more enjoyable, affordable and rewarding experience for guests. We’re also accepting suggestions from you about how we can improve the gala experience, and who you’d like to see as Master of Ceremonies. Get in touch with us with your ideas.
The 2014 National Magazine Awards are open for submissions. Enter your best magazine work for awards in 45 written, visual, integrated and special categories. Digital content is eligible in most categories. The early-bird deadline for entries is January 11. Final deadline (including all required hard copies) is January 19.
Before you submit, you’ll want to review the categories, rules and FAQ, and you’ll also need the following:
Name and email of the author/creator and editor/art director of each piece;
Title, date and publication of each piece;
PDF of each piece (printable, single-page spreads 8.5 x 11 for written categories; single- or double-page spreads for all others);
Method of payment (cheque or credit card);
Statement of editorial mandate (for new magazines and for certain categories).
No more photocopies! All written categories except Editorial Package no longer require 6 sets of photocopies. Submit only a printable, single-page-spread (8.5 x 11) PDF version of each entry.
One new category: Best Magazine Brand. This Special Award will go to the publisher whose brand best delivers on their editorial mandate through at least three platforms. The platforms may include a print or digital magazine, a website, SIP(s), mobile app(s), tablet, social media, television shows, radio broadcasts, live events, innovations in print or digital media and other forms of audience engagement.