Tag Archive | Magazine Covers

Announcing the Winners of the 37th annual National Magazine Awards!

The National Magazine Awards Foundation (NMAF) is pleased to announce the winners of the 37th annual National Magazine Awards.

At this year’s gala on June 6, presented by CDS Global and hosted by humourist (and award-winner) Scott Feschuk, the NMAF presented Gold and Silver awards in 47 categories representing the best in Canadian magazines from the year 2013.

Complete list (PDF) of all winners
Full-text of all nominated and winning articles
Twitter highlights
La version française

SPECIAL AWARD WINNERS

Magazine of the Year
Sponsored by RBC Royal Bank
Cottage Life

Magazine Website of the Year
Macleans.ca
14720

Tablet Magazine of the Year
Sportsnet

Best New Magazine Writer
Sponsored by Reader’s Digest Foundation
Catherine McIntyre

Foundation Award for Outstanding Achievement
Kim Jernigan

Top Winning Magazines at the 37th National Magazine Awards:

Magazine Gold Silver HM
The Walrus 7 6 22
Maclean’s 4 1 13
Maisonneuve 4 1 9
L’actualité 3 2 18
Report on Business 3 2 16
Cottage Life 3 1 9
Eighteen Bridges 3 1 7
Legion Magazine 2 0 1
Western Living 1 3 4
Sportsnet 1 2 7
The Grid 1 1 12
Hazlitt 1 1 8
Flare 1 1 2
United Church Observer 1 1 2
enRoute 1 1 1
Malahat Review 1 1 1
Torontoist 1 1 1
Toronto Life 0 2 16
Jobboom 0 2 0

See the complete list of winners at magazine-awards.com.

INTEGRATED AWARDS – GOLD WINNERS  

Best Single Issue
Tenth Anniversary Issue
The Walrus


Magazine Covers
Larry Fink
Report on Business

Infographics
How Much Does a Street Cost?
The Grid

Editorial Package (Web)
Canada’s Best New Restaurants
enRoute
13628

Online Video
Boy Genius
Maclean’s

Single Service Article Package
Calendrier de l’avent
Ricardo

Words & Pictures
Sponsored by CDS Global
Water
The Walrus

WRITING AWARDS – GOLD WINNERS

Arts & Entertainment
Curtis Gillespie
Rebel Without Applause
Eighteen Bridges

Best Short Feature
Paul Wells
Boy Genius
Maclean’s 

Blogs
Jamie Bradburn, Kevin Plummer, David Wencer
Historicist
Torontoist

Business
Sponsored by Accenture
Charles Wilkins
This Little Piggy Went to Market…and the Farmer Lost Money
Report on Business

Columns
Sponsored by Impresa Communications Ltd.
Chantal Hébert
Politique
L’actualité

Editorial Package (Print)
Sponsored by Canadian Society of Magazine Editors
Marine Corniou, Dominique Forget, Joel Leblanc, Raymond Lemieux, Chantal Srivastava
Août 2013
Québec Science

Essays
Curtis Gillespie
In The Chair
Eighteen Bridges

Fiction
Jess Taylor
Paul
Little Brother Magazine

Health & Medicine
Ann Silversides
First Do No Harm
Maisonneuve

How-To
Jane Rodmell, David Zimmer
Best Flavour Ever
Cottage Life

Humour
Scott Feschuk
Assemble ingredients. Pause dramatically.
Maclean’s

Investigative Reporting
Adam Day
One Martyr Down
Legion Magazine

One of a Kind
Craig Davidson
The Marineland Dreamland
The Walrus

Personal Journalism
Liz Windhorst Harmer
Blip
Malahat Review

Poetry
Karen Solie
Conversion
Hazlitt

Politics & Public Interest
Lisa Fitterman
The Avenger
The Walrus

Profiles
Omar Mouallem
The Kingdom of Haymour
Eighteen Bridges

Science, Technology & Environment
Sponsored by GE Canada
Alanna Mitchell
Losing the Hooded Grebe
United Church Observer 

Service: Health & Family
Sharon Adams
Lest We Forget: The Shocking Crisis Facing Our Wounded Veterans
Legion Magazine

Service: Lifestyle
Valérie Borde
Vive le poisson éco!
L’actualité

Service: Personal Finance & Business
Sponsored by Manulife Financial
Denny Manchee
The Hand-Me-Down Blues
Cottage Life

Society
Dan Werb
The Fix
The Walrus

Sports & Recreation
Jonathan Trudel
La machine à broyer les rêves
L’actualité

Travel
Taras Grescoe
Big Mac
The Walrus

 

VISUAL AWARDS – GOLD WINNERS

Art Direction of an Entire Issue
Sponsored by The Lowe-Martin Group
Paul Sych
Issue 1
fshnunlimited (f.u.)

Art Direction of a Single Article
Underline Studio
Not in the Age of the Pharaohs
Prefix Photo

Beauty
John Van Der Schilden, Photographer
Brittany Eccles, Art Director
Juliana Schiavinatto, Stylist
Vanessa Craft, Beauty Director
Masterpiece Theatre
ELLE Canada

Creative Photography
Paul Weeks
Wall Candy
Azure

Fashion
Petra Collins, Photographer
Jed Tallo, Art Director
Corey Ng, Stylist
Pastels Take Shape
Flare

Homes & Gardens
Martin Tessler, Photographer
Paul Roelofs, Art Director
Nicole Sjöstedt, Stylist
Bright Idea
Western Living

Illustration
Selena Wong
Old Wounds
Maisonneuve

Magazine Website Design
TheWalrus.ca
The Walrus

Photojournalism & Photo Essay
Sponsored by CNW Group
Brett Gundlock
El Pueblo
Maisonneuve

Portrait Photography
Anya Chibis
Larry Fink
Report on Business

Spot Illustration
Gracia Lam
The Elite Yellow Peril
Maisonneuve

Still-Life Photography
Liam Mogan
Set Pieces
Sharp

ABOUT THE 37th ANNUAL NATIONAL MAGAZINE AWARDS

More than 500 members of the Canadian magazine industry—publishers, editors, art directors, writers, photographers, illustrators, circulators and more—joined esteemed sponsors and other guests at the 37th annual National Magazine Awards gala on June 6, 2014, at The Carlu in Toronto, presented by CDS Global.

This year, from nearly 2000 individual entries received nationwide, the NMAF’s 238 volunteer judges nominated a total of 376 submissions from 92 different Canadian magazines for awards in 47 written, visual, integrated and special categories.

ACKNOWLEDGEMENTS

The National Magazine Awards Foundation acknowledges the financial support of the Ontario Arts Council, an agency of the Government of Ontario, as well as the Ontario Media Development Corporation.

The NMAF thanks its corporate sponsors Accenture, GE Canada, Manulife Financial, RBC Royal Bank, The Lowe-Martin Group, Canadian Society of Magazine Editors, Penguin Random House and Reader’s Digest Foundation for their generous financial support of the National Magazine Awards.

The NMAF thanks its media partners Cottage Life Media, Impresa Communications Ltd., Masthead, Rogers Media, TC Media and Toronto Life for their generous support of the National Magazine Awards.

The NMAF thanks its event partners CNW Group and Media Vantage, The CarluDaniel et Daniel, Relay Experience, KlixPix and Michèle Champagne for their generous support of the National Magazine Awards.

The NMAF gratefully acknowledges all its suppliers and its contributors who donated gifts in kind to support the awards program. We thank them for their generosity, interest and expertise. Thanks also to our hard-working event volunteers.

And thanks again to our wonderful Master of Ceremonies, Scott Feschuk.

ABOUT THE NATIONAL MAGAZINE AWARDS FOUNDATION

The National Magazine Awards Foundation is a bilingual, not-for-profit institution whose mission is to recognize and promote excellence in the content and creation of Canadian print and digital publications through an annual program of awards and national publicity efforts.

For more information, visit magazine-awards.com and follow us on Twitter (@MagAwards).

 

 

How Did They Create That Cover? subTerrain

The finalists for the 37th annual National Magazine Awards have been announced — including ten nominations in the Magazine Covers category.

In a new blog series titled How Did They Create That Cover? the NMAF chats with the creative directors of the Magazine Covers finalists about how their covers were made. It’s a behind-the-scenes look at things we may or may not think about when we pick up a magazine and devour its pages.

Today we chat with illustrator Marlena Zuber, creator of this nominated cover from subTerrain:

 

NMAF: Can you tell us a bit about your style of illustration, and how you came to be an illustrator?

Marlena: I was privileged to attend Etobicoke School of the Arts for my High School years. My major was Visual Arts and my minor was dance. Then I was off to OCAD. I had to decide if I wanted take the Fine Art or the Commercial route. I had been working at a children’s book and toy store and fell in love with the storybook section. Often when I got my pay cheque I would buy a favourite book based on the illustrations. I still have those books and have a little one that I can share them with now. That’s been pretty nice.

Those illustrators inspired me and I thought, I want to do something like that. I will also admit that I was typically afraid of being that mythical or perhaps not-so mythical “starving artist” if I went into the drawing and painting programs (the common sheepish story of the illustrator). Illustration was a viable choice. And so I studied illustration and I actually liked it. I liked the challenge of editorial work, coming up with a concept and working with text. I graduated, had offers from agents and dove straight into the world of mainly editorial illustration.

My style is something that’s evolved over the years and continues to evolve. One thing that seems to be a constant is my use of ink or fine pens. My work is also more drawing than painting. I’ve always loved playing with texture and pattern. My sketchbook of hidden art sometimes also inspires my illustration style. I like when things look immediate, slightly messy, and slightly unfinished. If a concept allows, I will draw people in group formations. I am interested in what we do in groups: dancing, sports, entertaining, recreation, etc. Oh yeah, and I have been influenced by artists and illustrators like Edward Gorey, Henrik Drescher, Frida Kahlo, Leanne Shapton and David Shrigley.

NMAF: There are a lot of small scenes happening on the cover. What are some of these groups of people meant to depict?

Marlena: Every group is sitting round a fire, like a campfire. One group is roasting marshmallows, another group is dancing, another one is in group therapy, another are telling Mexican ghost stories, and another group is making out or about to make out. All of them seem to be in the desert, which seemed like a perfect weird hot place. The theme for this issue was Heat. I was influenced by two main things: my love for campfires and photos of Burning Man Festival that I found on the Internet. The groups are like the stories inside the issue. The theme of heat is explored in a range of sexy, philosophical, scientific and magical ways.

NMAF: How were the colours chosen and why?

Marlena: I went heavy on all shades of red due to the theme of Heat. I used blue as a compliment. I also generally like using this palette.

NMAF: What were some of your challenges and concerns during the making of this cover?

Marlena: Brian Kaufman, the editor-in-chief, asked me to incorporate titles of some of the stories in the issue with the campfire groups. It was a fantastic idea and he suggested that I try incorporating the text in the smoke of the fires rising above each group. It simply didn’t look good. It took me awhile to problem solve. In the end I placed them almost like little playful 3D characters near or around the fires. That seemed to work.

NMAF: What did you use to create this cover? Can you explain the process?

Marlena: I work in a traditional way: pen and ink on sometimes fancy, sometimes not-too-fancy paper. That’s exactly what happened on the cover. I did use Photoshop to clean it up and piece a few things together.

This interview was edited for content. Special thanks to Nadya Domingo for conducting the interview.

 

More ‘How Did They Create That Cover?’Fashion MagazineToronto LifeBC BusinessWestern Living, Report on Business

Check out the finalists for best Magazine Cover on our Facebook page. Share your feedback with us on Twitter: @MagAwards | #NMA14 | #MagazineCovers.

The Gold and Silver winners will be revealed on June 6 at the National Magazine Awards gala. [TICKETS]

How Did They Create That Cover? Report on Business

The finalists for the 37th annual National Magazine Awards have been announced — including ten nominations in the Magazine Covers category.

In a new blog series titled How Did They Create That Cover? the NMAF chats with the creative directors of the Magazine Covers finalists about how their covers were made. It’s a behind-the-scenes look at things we may or may not think about when we pick up a magazine and devour its pages.

Today we chat with Domenic Macri, art director at Report on Business and creator of two of the ten finalists for best Magazine Cover:

NMAF: Where was this photo taken and why was this location chosen?

Domenic: After taking some portraits in the BlackRock offices in Toronto, we convinced Larry Fink to continue the shoot just outside on Bay Street. He was apprehensive, and it was starting to rain. Once outside, the photographer, Anya Chibis*, had Fink walk across the street. And it was at this point that Chibis managed to capture Fink with his guard down.

NMAF: There’s a lot going on in the Larry Fink cover–his facial and body expressions are very animated. Was this staged or a candid photograph, and why did you decide on this image?

Domenic: Typically, we don’t get as much body language from high-profile business people—especially one who runs the largest investment fund in the world—so we couldn’t resist trying it on the cover. And since the story celebrated his achievements, we decided to run with it.

* Editor’s Note: Photographer Anya Chibis is also nominated in the category Portrait Photography for her work on this cover.

NMAF: Is the animal on the “Target” cover fake or real? How was this achieved?

Domenic: The image on the cover is in fact Bullseye, the official mascot of Target. We managed to book a photo shoot with him when he was in Toronto. He was very well behaved.

NMAF: Was this always the image that you had in mind for the Target cover? What were some of the other ideas?

Domenic: When we commissioned the photographer, Aaron Vincent Elkaim, to get the shot, I already knew what I wanted—a close up of Bullseye’s distinct eye markings, which I could use on the cover. At the time, the Target marketing machine was working overtime, and stories and ads were appearing everywhere; most of the time, they were using the graphic red Target logo and portraits of Bullseye. I felt that by using the imperfect logo on Bullseye’s eye, along with the texture of his fur, we would be making an obvious connection to our cover story without looking like a promotional piece for Target.

NMAF: There isn’t a lot of text on this cover, other than the magazine name and headline on the bottom corner. What was the reason behind that decision? 

Domenic: Sometimes, when you don’t have the greatest image to work with on the cover, you can sell the story with strong lines. In this case, however, I had a strong graphic image, and I didn’t want to clutter up the image with blaring cover lines.

This interview was edited for content. Special thanks to Nadya Domingo for conducting the interview.

More ‘How Did They Create That Cover?’Fashion MagazineToronto LifeBC BusinessWestern Living

Check out the finalists for best Magazine Cover on our Facebook page. Share your feedback with us on Twitter: @MagAwards | #NMA14 | #MagazineCovers.

The Gold and Silver winners will be revealed on June 6 at the National Magazine Awards gala. [TICKETS]

How Did They Create That Cover? Western Living

The finalists for the 37th annual National Magazine Awards have been announced — including ten nominations in the Magazine Covers category.

In a new blog series titled How Did They Create That Cover? the NMAF chats with the creative directors of the Magazine Covers finalists about how their covers were made. It’s a behind-the-scenes look at things we may or may not think about when we pick up a magazine and devour its pages.

Today we chat with Paul Roelofs, art director at Western Living and creator of this nominated cover:

NMAF: Was this cover always what the magazine had in mind to depict the story, or were there other ideas? 

Paul: Not at all what we had in mind. The September issue is a landmark issue for us each year and features a large editorial package called Designers of the Year. It is a competition that WL hosts in many design categories. The issue celebrates the winners and there are quite large awards events that accompany the issue in Vancouver and Calgary. And so for the one issue each year we have the opportunity to break the mould, so to speak, and create something more conceptual.

The challenge is to find iconography that somehow covers the diversity of the categories, from architecture and interior design to fashion and industrial design, etc. Other thoughts ranged from creating a room set with pantone chips as artwork on the walls. Also: a still-life photograph of all different tools used across the genres.

NMAF: Why was the colour palette chosen to depict the Designers of the Year?

Paul: The visual icon was a swatch pad, like a pantone swatch fan. We landed on this since it seemed general enough to work across multiple design genres. As for the colours, we were inspired by Paul Smith colour palettes and embarked on creating our own palette that seemed fresh, bold and timeless, and not seasonal.

NMAF: How many people were involved in the making of this particular cover, and what role did you play?

Paul: Our entire senior group has a voice in this cover. We take a very collaborative approach. I drive the creative and so lead the group in partnership with the editor in chief. Once we landed on the idea, I sketched it out and contracted a 3D rendering artist, Mike Cormack, to help bring the idea to life. I had worked with Mike in the past for rendering retail products that were still in production and needed to be brought to life before they existed yet. We explored having a swatch fan built by a printing house and then photographed and retouched, but with the 3D rendering technology being so sophisticated today, it became the obvious choice for execution.

NMAF: Correct me if I’m wrong, but I think I spot Helvetica! Any reason behind the iconic font choice?  

Paul: That, my friend, is Univers and one of the fonts that debuted in the redesign that launched that same month.

 

This interview was edited for content. Special thanks to Nadya Domingo for conducting the interview.

More ‘How Did They Create That Cover?’Fashion MagazineToronto Life, BC Business

Check out the finalists for best Magazine Cover on our Facebook page. Share your feedback with us on Twitter: @MagAwards | #NMA14 | #MagazineCovers.

The Gold and Silver winners will be revealed on June 6 at the National Magazine Awards gala. [TICKETS]

How Did They Create That Cover? BC Business

The finalists for the 37th annual National Magazine Awards have been announced — including ten nominations in the Magazine Covers category.

In a new blog series titled How Did They Create That Cover? the NMAF chats with the creative directors of the Magazine Covers finalists about how their covers were made. It’s a behind-the-scenes look at things we may or may not think about when we pick up a magazine and devour its pages.

Today we chat with Catherine Mullaly, art director at BC Business and co-creator of this nominated cover:

NMAF: Can you describe what the setting was like at the photo shoot for this cover?

Catherine: I was not at the photo shoot for this cover, but Ben Oliver, our associate art director, was there. This was a joint collaboration and we entered the National Magazine Awards as co-contributors. We did not have time to scout our location so Ben (along with photographer Paul Joseph) went with the plan of shooting for the story and keeping his eye out for a good cover opportunity. The setting is real – it’s the meat cooler in the butcher shop where our subject (owner and butcher Jason Pleym) butchers his locally grown beef.

NMAF: What was the editorial decision behind the font placement, particularly how the words “Getting Killed” are in bold?

Catherine: When we saw the image we knew immediately it would make a stunning cover. The raw meat is jarring and I love the intense eye contact of the butcher. The focus of the image was the butcher and the cutting board – it made sense to place the main cover line right below. We had to darken the image a bit below so the cover lines really popped. Bold image – bold cover line. Our editor at the time, Tom Gierasimczuck, came up with our compelling headline and together it made for a cover hard not to pick up.

NMAF: Can you explain the process of setting up the meat?

Catherine: Rather than set up and planned, it is a true environmental photograph. The story was about small independent food distributors and this fellow, a local beef producer and butcher, was busy at work when they arrived. The table was laid out with these beautiful (if you’re not a vegetarian) fresh cuts of meat and as soon as Ben walked in he saw an opportunity for a shoot that would be a stunning cover. They did a quick light setup while the butcher was at work.

 NMAF: There are many different kinds of local food producers. Why did the magazine choose someone in the meat industry?

Catherine: This local meat producer (and butcher) was the lead of our cover story – it made sense to choose him for the cover. Most often we spend so much time planning and executing our covers and so many times there are a lot of challenges along the way. When we saw the results from this shoot we put any cover plans on hold and ran with this beautiful ‘real’ and for the most part unplanned cover image.

NMAF: The colours on the cover are interesting, particularly how the man’s outfit contrasts the red meat. Was this intentional?

Catherine: I love the simplicity of the colours in this cover, the rest of the photo is pretty neutral. The meat is red, his apron was blue – perfect. Together the two primary colours look great together. Whenever I have an opportunity to have primary colours on the cover I do. I actually added a little pop of yellow in the ‘button’ so we have all three primary colours.

 

This interview was edited for content. Special thanks to Nadya Domingo for conducting the interview.

More ‘How Did They Create That Cover?’: Fashion Magazine, Toronto Life

Check out the finalists for best Magazine Cover on our Facebook page. Share your feedback with us on Twitter: @MagAwards | #NMA14 | #MagazineCovers.

The Gold and Silver winners will be revealed on June 6 at the National Magazine Awards gala. [TICKETS]

See also:
Top 9 Infographics in Canadian Magazines
Top 6 Canadian Magazines for Art Direction
Top 10 Canadian Magazine Illustrations
Top Magazine Videos in Canada

 

How Did They Create That Cover? Toronto Life

The finalists for the 37th annual National Magazine Awards have been announced — including ten nominations in the Magazine Covers category.

In a new blog series titled How Did They Create That Cover? the NMAF chats with the creative directors of the Magazine Covers finalists about how their covers were made. It’s a behind-the-scenes look at things we may or may not think about when we pick up a magazine and devour its pages.

Today we chat with Christine Dewairy, art director at Toronto Life and creator of this nominated cover:

NMAF: Can you explain the process of choosing the child on the cover?

Christine Dewairy: Well, it had to be a mixed-race child, obviously.* But we also wanted to go in extremely close, and this little girl had such gorgeous skin, captivating eyes and lush curly hair. She was perfect. Also being about three years old, she was still in that very pure, sweet, innocent age.

*Editor’s Note: The cover story of this issue of Toronto Life, “Mixie Me” by Nicholas Hune-Brown, is also nominated for 2 NMAs this year.

NMAF: Did you always know that the image would only show a portion of the child’s face? 

Christine: No, but we did know it was a gatefold cover and that we’d need something on the flap. Showing only a portion of her face gave it impact and intimacy that would have been lost had the photo been more pulled back. I wanted the newsstand reader or passerby to be drawn in by the intense eye contact, and then the understated headline directly below.

Also, because the story wasn’t about this child in particular, but about a societal shift, by zooming in on the face, it becomes less about the person and more about the features — the eye, the hair, the skin, etc.

NMAF: Placing text on someone’s face is unique and unconventional for magazine covers. Did you have any hesitations about this? 

Christine: I didn’t want to lose the immediacy and impact of the larger-than-life face, to make room for the headline. The type becomes part of the image. You can’t look at one without absorbing the other simultaneously.

NMAF: Some might look at this cover and be immediately drawn to the child’s eye. In your opinion, what do you think is the focal point of this cover?

Christine: The viewer’s eye might wander at first, from the girl’s eye, to her lashes, her curls, and so on, but I think it’s impossible to just stop at the eye. Her features frame the type in such a way that marries the elements.

NMAF: What were some concerns and challenges when putting together this cover?

Christine: One question was how small you can go with the main sell, and how low you can place it on the page, and still draw people’s attention. We decided to keep it relatively small. I think sometimes a whisper can be louder than a shout, especially when you lay it on an enormously compelling image, like this one, and the words are super clear and unequivocal.

 

This interview was edited for content. Special thanks to Nadya Domingo for conducting the interview.

More ‘How Did They Create That Cover?’Fashion Magazine

Check out the finalists for best Magazine Cover on our Facebook page. Share your feedback with us on Twitter: @MagAwards | #NMA14 | #MagazineCovers.

The Gold and Silver winners will be revealed on June 6 at the National Magazine Awards gala. [TICKETS]

How Did They Create That Cover? Fashion Magazine

The finalists for the 37th annual National Magazine Awards have been announced — including ten nominations in the Magazine Covers category.

In a new blog series titled How Did They Create That Cover? the NMAF chats with the creative directors of the Magazine Covers finalists about how their covers were made. It’s a behind-the-scenes look at things we may or may not think about when we pick up a magazine and devour its pages.

Today we chat with Eng Lau, art director at FASHION Magazine and creator of this nominated cover:

NMAF: Was it difficult to pick the final image of Miley?

Eng Lau: There are a few factors to consider when picking a cover image. Firstly, the energy of eye contact; will her look grab the attention if you are just browsing through the newsstand? Secondly, is there room for cover lines? We have to ensure that all cover lines are legible, in order to convey the content in the issue that would appeal to a wide range of readers. The image satisfied both counts, so no, it was not a difficult choice.

NMAF: How was the blue and red shadow effect achieved?

Eng: The red and blue shadow helps to create a 3-D effect, and [helps] make it pop against the plain white background. The shadow in the image is a result of a particular lighting effect used by the photographer. Colours are what make the image pop in an elegant way. You need just enough of a contrast, but it must still be stylish.

NMAF: There are certain words on the cover that are set in boldface red. Can you explain why these words were chosen specifically?

Eng: We highlighted certain words to create balance of the colours on the layout and to make it more dynamic.

NMAF: Miley is quoted on the cover (“Shocking is what I’m good at”). How was this quote chosen?

Eng: The editorial team looks over the article and selects a few outstanding quotes. We meet to look over the selections and see what works the best and fits into the space comfortably.

NMAF: With a cover like this, people’s attention might be immediately drawn to the celebrity. How do you draw their attention to the content as well as the image?

Eng: The strong image is what initially draws an individual to the magazine, and once they stop to look at it, we have to ensure that the cover lines are visually appealing as well as succinct and enticing to readers. Both image and text have to work in harmony to create a powerful and appealing cover, and we are very pleased to have received a National Magazine Awards nomination!

[This interview was edited for content. Special thanks to Nadya Domingo for conducting the interview.]

Check out the finalists for best Magazine Cover on our Facebook page. Share your feedback with us on Twitter: @MagAwards | #NMA14 | #MagazineCovers.

The Gold and Silver winners will be revealed on June 6 at the National Magazine Awards gala. [TICKETS].

 

American NMAs announce finalists for Cover of the Year

BostonThe American Society of Magazine Editors (ASME) released its ten nominees for Cover of the Year recently. This year’s shortlist is comprised of familiar faces (Bloomberg Businessweek twice, Vanity Fair, New York) to this category and a few relative outliers (Food & Wine, Boston, W). Each cover was chosen as the best in its field (News, Entertainment, Science, Women’s Service, etc) and from among them one will be chosen Cover of the Year at ASME’s general meeting April 30, one day before the annual American National Magazine Awards.

Last year’s Boston Marathon bombing features in two nominated covers (Sports Illustrated, Boston). Only half the covers involve a face staring back at you; six if you count the skull on one of the covers of Bloomberg. The latter cover mocks the Canadian tech company Blackberry, reminiscent of earlier Canadian magazine send-ups (including Canadian Business, 2011, nom’d for a NMA in Best Cover).

NewYorkThree covers want you to notice hair: VF‘s Kate Upton curls; Oprah’s amazing, symmetrical disc of hair; and Michael Douglas, looking coy with a salon-fresh coiffeur as Liberace on the cover of New York.

Bloomberg Pursuits stops tracks with an alluring crocodile eyeball. Food & Wine‘s cover not only features no eyes, no face and no George Clooney, but no meat (“Vegetables Now” says the cover line in an understated font).

Only one cover–SI’s “Boston”–features a work of photojournalism. Eight others are conceptual photos and/or portraits, and only one–Bloomberg–features an illustration.

Which do you think is best? The winner will be announced next week.

And… the finalists for the Canadian National Magazine Awards–including this year’s finalists for Best Cover–will be announced on May 1. Right here.

Related post: Canada’s Best Magazine Covers of 2012

Canadian Cover Awards open for submissions until Jan 31

The annual Canadian Cover Awards, produced by CMC and Magazines Canada, is accepting submissions until January 31 for its 2013 awards.

There are eight categories this year, including Newsstand Marketer of the Year. Last year’s winner of that award, Greg Kielty, highlighted a successful 2012 awards for SkyNews magazine.

Submissions are open to Canadian magazines that were distributed on newsstands between September 2012 and September 2013, and are sales-final. Submissions must be accompanied by distribution verification.

This year’s awards ceremony will once again be held at the Courtyard Toronto Downtown at 6 pm on February 25, 2014.

Redesigns for the new issues of Vancouver & Reader’s Digest

Two National Magazine Award-winning titles with a combined 114 years of publishing have unveiled redesigns this month.

Vancouver Magazine, owned by TC Media, debuted a new style for its Jan/Feb 2014 issue.

Most notably, the rounded font with the drop shadow, prominent in the old design (including this cover nominated for a National Magazine Award last year) has been replaced with a sleeker serif design. As for what’s new on the inside, read up on the details of the new VanMag at the Canadian Magazines blog.

And Canada’s Reader’s Digest also has a new look for February 2014.

The new print redesign follows up on the digital redesigns for RD and its French counterpart, Sélection, from last fall. And not just the cover has changed (though note the new miniscule ‘d’ in “digest,” quite a departure from the old design in which that word was the more prominent part of the title). Editor Robert Goyette told Canadian Magazines,

We asked what you liked best about Reader’s Digest and we’re happy to unveil a makeover to enhance your reading experience. From a new logo that emphasizes the “Reader” to an expanded selection of stories, this redesign is tailored to the people who told us they love our content and want more of it.

More:
Reader’s Digest and Vancouver Magazine the NMA Archive
More blog coverage of Magazine Covers & Redesigns

Off the Page, with The Feathertale Review editor Brett Popplewell

Off the Page is an interview series that appears regularly on the Magazine Awards blog. Today we catch up with Brett Popplewell, editor of The Feathertale Review, winner of the 2012 National Magazine Award for Best Single Issue.

NMAF: The Feathertale Review has been dubbed the “illegitimate love child of Mad Magazine and The New Yorker.” We just saw your latest issue, no. 11, double in size to 128 pages. Is this a signal to readers that the child is growing up? And if so, where is it headed?

Brett Popplewell: It’s definitely a sign that the child is growing up. Where it’s heading, I have no idea.

Truth is our entire team has grown up since our launch in 2006. We were just kids back then who felt there was an absence of high- and low-brow humour magazines in the Canadian market and thought we could be the cork to plug that hole. Lee Wilson, Feathertale’s co-founder and art director, and I wanted to create something that would feel fresh and cutting edge but that would hark back to an age when magazines leaned entirely on illustration to bring their words to life. We’re the ones who started calling our creation the “illegitimate love child of Mad Magazine and The New Yorker” because it felt like the best way to describe it.

The Feathertale Review, Issue no. 1

The Feathertale Review, issue no. 1

We really started to grow up with our fourth issue (summer 2009). I finally started writing editorials to help nail a raison-d’etre for each issue and we began interviewing interesting people (David Rakoff, Stuart McLean, Patrick deWitt, Lynn Coady, etc.) in the magazine, using those interviews to try to answer some of life’s greatest questions, like: “What does it actually mean to be funny?” All of this added a creative depth to what we were doing.

The Feathertale Review, issue no. 4

The Feathertale Review, issue no. 4

That adolescent stage carried on until our ninth issue (Spring of 2012), which was later named Best Single Issue by the National Magazine Awards Foundation.

By that point Lee and I were both working fulltime with mass-market magazines and had a much better understanding of our industry and Feathertale’s place within it. We began wanting to use Feathertale to challenge what we and others thought a magazine actually was. That’s how we came up with the idea for Feathertale 9. That issue, which looked, read and felt like it was lost in time, was modeled after 250-year-old magazines in order to show readers how far magazines had evolved and changed since their initial creation back in 1731. I think the moment we started thinking about Feathertale on such a bold scale was when it grew up and became more than just the bastard love child of Mad Magazine and The New Yorker.

The Feathertale Review, issue no. 9

The Feathertale Review, issue no. 9, winner of Best Single Issue at the 2012 National Magazine Awards

We didn’t have it in us to make Feathertale 10 as crazy an innovation as its predecessor. So we sought instead to create a “swan song” issue that resembled some of our earlier issues and served to book-end a chapter of our lives.

After Feathertale 10 we had time to reflect on what we’d accomplished and assess what we thought was working and what wasn’t. We had contemplated ending the print product and concentrating on Feathertale.com, the online companion to the Review. Our $10 cover price hadn’t been doing us any favours on newsstands and our online readership had always outstripped our printed circulation. But we still believed in producing beautiful printed products and decided to double down on that belief. That’s when we started thinking about making the Review look less like a magazine and more like a book.

From a design standpoint, this made sense. We were starting to publish some much longer stories and Lee felt the long features would read better if we changed the design. So we shrunk the page size from the 8”x10” we’d been using for the first 10 issues to 5”x8”. We then doubled the length of the book to make sure it would still pack the roughly 35,000 words we’d been publishing in our previous issues. In the end, the adjustment made good business sense as well.

The Feathertale Review, issue no. 11

The Feathertale Review, issue no. 11

Feathertale is still a magazine of course, but our current issue (and our next one for that matter) does look a lot more like a book than a mag. I don’t know how that format will serve us on newsstands. We have one of the thicker spines out there right now, and I think we’ve got some pretty appealing covers but we don’t take up nearly as much space on the magazine rack. That said, our subscribers seem to be enjoying the new forma, which is encouraging. It’s also substantially cheaper for us to print the smaller layout and from what we’ve seen at festivals, people are more inclined to pay $10 (or even $15) for the new format. We’re under no pretense of being the first to come out at this size, but so far it makes sense for us.

NMAF: In addition to winning the National Magazine Award for Best Single Issue (for issue no. 9), Feathertale has also won NMAs for Humour and for Best Magazine Cover; remarkable achievements for any magazine, no less a young literary one. What impact have achievements like these made on Feathertale and its writers and artists?

Brett: The accolades have certainly helped us stay motivated, but this has never been a vanity project. Our first win for Best Magazine Cover of 2010 came as a shock, both to us and I think to others in our industry. That cover was really special to us. It was illustrated by a young artist in Oshawa named Dani Crosby. She had just graduated from Sheridan and didn’t have a huge portfolio when we handed her our magazine and told her to do as she pleased with it. There aren’t many magazines that will hand over that kind of opportunity to such a young and relatively inexperienced artist. When we won best cover, we were really just humbled and honoured to be recognized by our peers.

The Feathertale Review, issue no. 6, winner of Best Magazine Cover, 2010 National Magazine Awards

The Feathertale Review, issue no. 6, winner of Best Magazine Cover, 2010 National Magazine Awards

After our first NMA a lot of illustrators and writers who hadn’t really been looking at us started submitting work our way. It definitely helped us grow and added some more established voices to our ever-expanding list of contributors. I guess you could say that award helped us beef up subsequent issues, including Feathertale 9, which won Gold for Best Single Issue last year. I was surprised when we were nominated for that award as well and I was ecstatic when we won. I think what I’m most proud of about that issue is that we pulled it all together on a $7,000 budget. I can’t really explain how it feels to have published and edited a magazine on that kind of budget and then see it nominated alongside magazines that are easily 100 times our size.

Feathertale was probably the smallest magazine nominated for any awards last year, so to win one of the evening’s most prestigious was an unexpected honour, something Cathal Kelly (one of our frequent contributors) touched on when he tweeted that watching Feathertale win that NMA was, financially speaking, “like your home movies winning an Oscar.”

There were 37 contributors in that issue and each of them was integral to its success. I can’t speak for any of them, but I can say that I am extremely proud to have worked with each of them on that issue. I’m equally as proud of Cathal for picking up silver in the Humour category last year. We’ve always said we’re a humour magazine, and Cathal’s award and work helped validate that claim. He’s probably the most naturally gifted writer I’ve had the privilege to work with.

"Feathertale Man rewrites history..." Silver, Humour, 2012 National Magazine Awards

“Feathertale Man rewrites history…” Silver, Humour, 2012 National Magazine Awards

NMAF: You’ve spoken elsewhere about the early success story of Feathertale, where start-up funds from a successful anti-bullying comic-book venture seeded the start of the magazine, and support from Canadian arts funding has helped you grow. What lessons have you learned about publishing a literary magazine in Canada that might benefit other publishers, writers and artists out there?

Brett: The biggest lesson I’ve learned is you have to believe in the value of what you’re doing because you won’t necessarily see any benefit from your labours in your bank account. Canada is such a small market that it’s very hard to make a profit with this type of venture. Financially, Feathertale is subsidized by grant money and sales of Lee’s and my anti-bullying comic books. But aside from that, this whole thing survives on the passion of its creators. That passion comes and goes. There are times when each of us have wanted to run away from Feathertale but the longer we spend working on the project the more we realize that it’s like a child that deserves a shot at growing up and becoming a fully functioning adult. It has definitely grown up and matured, but it’s still not ready to feed itself or change its own diapers.

Publishing, especially in the 21st century, is a very fickle industry. Lee and I wandered into it without any real experience. We had some spectacular success early on with our anti-bullying comic books and have no regrets at having used that success to launch The Feathertale Review. We are fortunate to now have support from both the Canada Council for the Arts and the Ontario Arts Council. I think it’s important for every Canadian to understand that if the Arts councils ever pulled out of funding literary journals in this country the entire industry would likely die, or at least cease to print.

NMAF: Who is D’Artagnan, really?

Brett: He’s the real brains behind this operation. The one who makes all this possible.

Seriously though, he’s the blue monkey who appears on all things Feathertale. We used to think of him as our Alfred E. Newman or Eustace Tilley, but he’s become more than that. He’s our face in this world. What’s his story? Why is he blue? We’ve been asking ourselves those questions for a long time now but still haven’t figured it out.

Brett Popplewell is the editor of The Feathertale Review, as well as a National Magazine Award-winning writer — he won Gold in the category Sports & Recreation at the 2011 National Magazine Awards for “The Team that Disappeared” (Sportsnet). Follow him on Twitter @b_popps.

Images courtesy Feathertale.com and National Magazine Awards Foundation.

Submissions are now being accepted for the 2013 National Magazine Awards. Deadline for entries: January 15.

A Celebration of Covers: Spacing’s 10th anniversary

Marking the tenth anniversary of the popular and award-winning Spacing–the magazine devoted to Canadian urban issues–founder and art director Matthew Blackett tells the story behind ten of the most popular covers in Spacing‘s history. Among the group is the above issue, with cover photography by Stephen Rothlisberger, which won the 2005 Gold National Magazine Award for Editorial Package.

Canada’s 2013 National Magazine Awards are open for submissions, and among 48 categories for achievement in magazine writing, photography, illustration, packaging and digital content creation is the celebrated category for best Magazine Cover. Check out the NMA archives for past winners. The deadline for entries is January 15.

Going for Gold: How to win a National Magazine Award

At last June’s MagNet magazines conference in Toronto, a golden panel of industry experts gathered to present a session called “Going for Gold: How to Create Award-Winning Content,” moderated by Deborah Rosser, president of Rosser & Associates.

The panellists were:

  • Carole Beaulieu, publisher and editor-in-chief of L’actualité, winner of more than 50 National Magazine Awards since she became EIC in 1998;
  • Sarah Fulford, editor-in-chief of Toronto Life, the most-nominated magazine at last year’s NMAs and former winner of Magazine of the Year (2007);
  • David Hayes, freelance writer (nominated for 14 NMAs during his career, winning a gold and a silver award) and member of the board of directors of the National Magazine Awards Foundation (NMAF);
  • Domenic Macri, art director at Report on Business and winner of 6 NMAs for his design and creative direction;
  • Patrick Walsh, editor-in-chief and brand manager of Outdoor Canada, winner of 21 National Magazine Awards since 1987, and former president of the NMAF.

Risk and Reward: The moderator began by asking each of the panellists to present the story of a challenging piece that won a National Magazine Award, and what lessons they took from the experience.

2008_torontolife2Sarah Fulford spoke about how breaking the rules helped Toronto Life to a surprise NMA win for best magazine cover of 2008. Sarah said she and her then art director Jessica Rose, whom she hired with this specific challenge in mind, took big risks on a cover about gun violence in Toronto, as they bucked the conventions for cover design with small cover lines and other elements reflecting thinking outside the box. The issue sold well on the newsstand and also impressed the NMA judges that year, as they gave it a Gold.

Domenic Macri spoke in a similar vein about a magazine cover that won Gold the following year, 2009, at the NMAs. The Julie Dickson cover presented a challenge because the editors had agreed not to put her portrait on the magazine cover. Domenic showed the audience several of his drafts and mockups that he went through on his way to finally developing the final cover, saying that what he learned from the experience was although there are certain elements required of a good cover, “you don’t have to take the same approach all the time. I think we won the award because we came up with new directions, and because of the words.”

David Hayes mentioned an episode from 1990 when a feature story he’d written for Toronto Life wasn’t entered for an NMA that year, and after talking with his editor, who said he wasn’t able to enter the piece that year due to budget constraints, he learned that he could enter the NMAs himself. Several years later he took that experience to heart when he again discovered that an editor wouldn’t enter his story, so he entered it himself and it ended up winning Gold. “You never know what the jury will decide,” he reminded the audience, “so as a writer if you are proud of your work you should enter it.”

Patrick Walsh described the story of a controversial article he commissioned about the death of a hunter in Newfoundland, called “Another Fine Day Afield.” As an editor he felt that the story hadn’t been covered well in other media, and though it would be a legal, financial and editorial challenge to pursue the story for Outdoor Canada, he decided to take the risk. The risk paid off when the magazine story he published was picked up by CBC’s The Fifth Estate and NBC’s Inside Edition, and his writer Charles Wilkins won a Gold National Magazine Award in Sports & Recreation.

Carole Beaulieu also touted the benefits of taking risks and believing in the work you produce. She talked about a piece from last year she commissioned from a writer about Pauline Marois. Although Quebec news had been saturated with stories about the premier, Carole felt there was room for more if they could find the right angle and give it the right depth. She sent her writer to spend time with Mdm Marois at her hairdresser’s, achieving a kind of intimate portrait not yet seen, and L’actualité created a newsprint insert–what it is now calling a “mini-book” and making a semi-regular feature for the magazine–to accommodate the 16-page story. And at this year’s NMAs, “L’éttoffe d’un premier ministre,” by journalist Noémi Mercier, won Gold in Profiles.

Quote-Unquote: On the significance of winning a National Magazine Award and why we strive for award-winning content.

Sarah: “An award is useful for communicating to our stakeholders that we are successful. It adds momentum to what we do every day at the magazine… We create content to satisfy our readers, not to win awards. But it is our creators who get the awards and the cash prize, and for an editor, that’s an honour.”

David: “As writers, what we have is our reputation, and what we create should stand on its own. Awards are a feather in your cap, not the cap itself.”

Patrick: “We won because the story was beautifully written, because it was longform [5000 words]… We also took risks and winning the award was a measure of that.”

Carole: “I think we should always believe in what we do. Successful magazine stories have that ‘wow’ factor, and with everything we do we try to achieve that. You know that story matters, that content matters. If you believe you achieved success then you should enter, because then you’ll know if your peers [the jury] agree; that it made them say, ‘wow.’”

The Bottom Line: The moderator asked each panellist to distill one piece of advice for winning a National Magazine Award.

Domenic: Strive for strong collaboration between editorial and art in creating your content. Success is a product of a strong team.

Carole: Don’t take things too seriously. Trust your instincts and never give up on a great story.

Sarah: The most successful pieces are the ones where the creators were passionate and took risks.

Patrick: Be strategic, because the more you enter the more you are likely to win. If your aim is to win awards then enter as much as you can.

David: Advice to writers: write well. And advice to editors: hire writers who write well.

In Summary: Accept challenges, take risks, think differently, be passionate, find (or be) the best creator, work together, never give up on a good story, believe in your work and enter as much as you can. That, and always strive for the ‘wow’ factor! 

On behalf of the Canadian magazine industry, thank you to the panellists for sharing your wisdom.

Related posts:
Off the Page, with Patrick Walsh
National Magazine Award-winning Covers, 2007-2010
Winners of the 36th National Magazine Awards

More:
Award-winning work in the National Magazine Awards archive
National Magazine Awards digital Gold Book (free)

A Brief History of Magazines in First Covers

Ernest Hemingway wrote a story for the inaugural issue of Esquire in 1933. The debut of Rolling Stone in ’67 featured John Lennon in military garb. Gracing the first cover of People in 1974 was Mia Farrow, promoting her new film “The Great Gatsby” (deja vu?).

Recently the blog at The Week put up 17 first covers of famous American magazines, including Time (1923), Newsweek (then News-Week, 1933), Life (1936), New York (1968) and Wired (1993).

On February 21, 1925, Eustace Tilley came to life as a cover icon for The New Yorker (note the cover price: 15 cents. In 1965 it was 25 cents; in 1991, $1.75; and today, $6.99).

The first cover photo of Sports Illustrated in 1954 featured a swinging Eddie Matthews (career stats: .271 batting average, 512 home runs, 2 World Series titles, debuted for the Boston Braves, before they moved to Milwaukee and then Atlanta, and long after they were known as the Boston Beaneaters).

And how about that first cover of The Atlantic Monthly., which sent its first issue to press in 1857 to crowd the newsstands with Harper’s, which had launched seven years earlier.

Check out all 17 covers and their stories.

A couple of years ago the Magazines Canada blog started posting first covers of Canadian magazines, featuring National Magazine Award winners like The Beaver (1920), Chatelaine (1928), The Fiddlehead (1945), THIS Magazine (1966), Cottage Life (1988), The Walrus (2003) and more.

Hot on the Newsstand: 3 magazines making news right now

The 10th anniversary issue of The Walrus hit newsstands last week, an impressive 124-page, perfect-bound magazine with a cover photograph by Edward Burtynsky. On the inside, illustrations by Barry Blitt, fiction by Lisa Moore, and journalism from Ron Graham, Mellissa Fung, Katrina Onstad, Andrew Coyne and more.

The Walrus was born in October 2003, when the big stories were Paul Martin, SARS and a re-arming Russia (plus Lewis Lapham essaying on Marshall McLuhan). Since then the magazine has won 99 National Magazine Awards for its journalism, fiction, poetry, design, photography and illustration, and won Magazine of the Year in 2007. Buyers of the anniversary issue will also receive a free Walrus e-Book and be entered in a drawing to win a place on an Adventure Canada Greenland and Wild Labrador expedition.

A newly renovated Western Living is out on newsstands this month, featuring a bold redesign by art director Paul Roelofs for the magazine’s annual Designers of the Year issue. More than just a new look, however, the award-winning TC Media title has expanded its content, too, with a host of new columns (including Just One Room, On Trend, 48 Hours In, Out There, Spirit Guide) and an editorial roster that promises readers “more faces in places, more pan-regional content, an authoritative voice, more entertaining stories [and] more travel stories with a design focus.” 

The September Designers of the Year issue is the largest for the magazine in 20 years, and is accompanied by events in Vancouver (with the Western Living Design Week from Sept 12-22) and Calgary (on Oct 2) celebrating the best new designs in Western Canada. Founded in 1970, Western Living has won 13 National Magazine Awards from 49 nominations.

The September-October issue of This Magazine presents its annual Corporate Hall of Shame report, and this year the publication is adding a twist: launching a new film series Every Film is Political. The series gets underway with a screening on September 25 of the film WAL-TOWN, “director Sergeo Kirby’s NFB-produced look at the business practices of mega-retailer Wal Mart and the ongoing debate of the company’s effect on towns across Canada.” The film will be screened at the Tranzac in Toronto (event info and tickets). The new issue of This Magazine, winner of 17 National Magazine Awards since 1977, is on stands now.

Border Crossings, Eighteen Bridges, subTerrain big winners at Western Magazine Awards

[This post has been updated] At last Friday night’s Western Magazine Awards gala in Vancouver, the Winnipeg-based arts and culture magazine Border Crossings was named Western Magazine of the Year, in a ceremony at the Renaissance Vancouver Hotel Harbourside, hosted by Jo-Ann Roberts.

Alberta Oil was named Trade Magazine of the Year, while Toque & Canoe won for Best Online Magazine. And Coast Mountain Culture took the prize for Best New Magazine.

Eighteen Bridges won the award for Best Alberta/NWT magazine, as well as two three individual awards, for Best Alberta/NWT Article, for Best Public Issues Article and for Best Culture & Entertainment Article, the latter for “The Populist” by Curtis Gillespie, which won Honourable Mention in Profiles at this year’s National Magazine Awards.

Vancouver indie literary mag subTerrain won the awards for Fiction and for Best Illustration. Up Here also won two awards, for Best Profile and for Best Travel & Leisure Article. Vancouver Magazine won for Best Art Direction of a Single Article and for Best Human Experience Article.

New Trail Winter 2012_Big Melt.pdfIn the Best Photograph category the winner was “The Changing Face of the North” by John Ulan in New Trail, which also won Honourable Mention in Creative Photography at this year’s National Magazine Awards.

[Update] The Gold Award for Best Saskatchewan Article went to Ayelet Tsabari for “Yemeni Soup and Other Recipes” in Grain, which also won a Silver Award in the One-of-a-Kind category at this year’s NMAs.

Best New Writer went to Melissa Molloy for “The Accuser and Us” in Profiles West. Ms. Molloy also won the award for Best New Writer at this year’s Alberta Magazine Awards.

Best Cover went to “Last Supper” from Avenue, art direction by Anders Knudsen, which also won the same award at the Alberta Magazine Awards.

Other winners include Alberta Views, BC Business, Focus, Grain, Impact, Swerve and Western Living. Visit westernmagazineawards.ca for more information, or check out the Canadian Magazines blog for more coverage.

Paul and Audrey Grescoe were recognized as winners of the WMA Lifetime Achievement Award.

Related Post:
Western Magazine Awards announce finalists

Canada’s Best Magazine Covers of 2012

At the 36th annual National Magazine Awards gala last week, the Gold Award for Best Magazine Cover went to Adbusters, for the cover of their 100th issue, entitled “Are We Happy Yet?”

"Are We Happy Yet?" - Adbusters, Art Direction by Will Brown and Pedro Inoue

“Are We Happy Yet?” – Adbusters, Art Direction by Will Brown and Pedro Inoue

Why the judges picked this cover: “It resonated loudly and immediately on all counts, with its tight connection between the striking cover image and the solitary cover line. An instant classic… [it] challenges one of the primary goals of advertising–to stimulate desires–and implicitly answers its own question. At once strong, direct, incisive, compelling and complete: a brilliant magazine cover.”

The Silver award for Magazine Covers went to Maisonneuve.

"Issue 45" - Maisonneuve, Art Direction by Anna Minzhulina

“Issue 45″ – Maisonneuve, Art Direction by Anna Minzhulina

Congratulations to all the winners of the 36th National Magazine Awards.

Related post:
Meet the NMA Finalists for Magazine Covers

Announcing the winners of the 36th National Magazine Awards!

Tonight the National Magazine Awards Foundation (NMAF) presented the winners of the 36th annual National Magazine Awards at a gala this evening in Toronto at The Carlu, presented by CDS Global, and hosted by Canadian actor Zaib Shaikh. Gold, Silver and Honourable Mention awards were presented in 47 categories, after the NMAF’s 250 volunteer judges evaluated 2000 submissions from nearly 200 Canadian consumer magazines.

[Version française]
[Complete list of winners PDF]
[36th NMA Gold Book]

Magazine of the Year

The coveted award for Magazine of the Year went to Corporate Knights. Honourable Mention for Magazine of the Year was awarded to Cottage Life, UPPERCASE and Urbania.

The award for Tablet Magazine of the Year went to Canadian House & Home for their “Colour Issue” from March 2012.

The award for Magazine Website of the Year went to Hazlitt, the online literary magazine published by Random House Canada.

Renowned Canadian editor, teacher and mentor Stephen Trumper was presented with the Foundation Award for Outstanding Achievement.

The winner of the award for Best New Magazine Writer was Sierra Skye Gemma, for her story “The Wrong Way” published in The New Quarterly.

Top Winning Magazines at the 36th National Magazine Awards:

Magazine

Gold

Silver

HM

L’actualité

6

0

18

The Grid

5

2

15

The Walrus

4

2

17

Hazlitt

3

0

1

Report on Business

2

5

13

Maisonneuve

2

3

9

Maclean’s

2

2

16

Corduroy

2

0

0

Toronto Life

1

4

24

Sportsnet

1

2

7

Eighteen Bridges

1

1

8

Canadian House & Home

1

1

5

Explore

1

1

4

Reader’s Digest

1

1

2

The Feathertale Review

1

1

0

Québec Science

0

2

1

HIGHLIGHTS OF THE AWARDS
The article “Building with the Brigadier” (Report on Business) by Greg McArthur and Graeme Smith—about the SNC-Lavalin investment in Libya—was the most celebrated individual article of the 36th National Magazine Awards, winning two Gold Awards, in Business and in Investigative Reporting, as well as Silver in Politics & Public Interest.

The Gold award for Best Single Issue went to The Feathertale Review (“Issue 9”), the Toronto-based independent arts magazine. The Silver went to Toronto Life (“The Loneliest Man in Toronto”).

The Gold award for the best Magazine Cover of the year went to Adbusters for their fast food satire “Are We Happy Yet?” by Will Brown and Pedro Inoue. “Issue 45” of Maisonneuve by Anna Minzhulina took the Silver award.

The new online literary magazine Hazlitt, in addition to winning Magazine Website of the Year, also took the Gold awards for Magazine Website Design and for best Online Video, the latter for the first installment of their interview series “Pagelicker 01: Irvine Welsh.”

Journalist Catherine Dubé of L’actualité won her eighth National Magazine Award with a Gold in Service: Health & Family, for “Faut-il interdire le cellulaire à l’école?” – one of six Gold awards won by L’actualité, the most of any magazine.

Journalists from L’actualité also won Gold in Politics & Public Interest (“Jason, le missionaire de Harper” by Alec Castonguay); in Service: Personal Finance & Business (“La guerre des retraites est commencée” by Annick Poitras); in Profiles (“L’étoffe d’un premier ministre?” by Noémi Mercier); in Photojournalism & Photo Essay (“Au coeur d’Attawapiskat” by Renaud Philippe); and in Spot Illustration (“Papa souffre, moi aussi” by Gérard Dubois).

The Grid led all publications with 7 total awards, including 5 Gold Awards: in Editorial Package: Web for their feature “Are You Going to Eat That?”; in Single Service Article Package for “The Grid Guide to Getting Hitched”; in How-To for “The Grid Guide to Buying a Condo”; in Creative Photography for “Truckin’ A!” by Angus Rowe MacPherson; and in Art Direction of a Single Magazine Article, for “Chef’s Guide to Toronto” by Vanessa Wyse.

Corduroy, an independent style and fashion magazine based in Toronto, won Gold for Art Direction of an Entire Issue (“Issue 10”) and in Fashion (“ten covers x ten models”), with art direction by Peter Ash Lee.

Writer Chris Turner led all individuals with four nominations and won Gold in Travel for “On Tipping in Cuba” in The Walrus. Mr. Turner has now won nine National Magazine Awards.

The Walrus won 6 total awards including 4 Gold: in addition to the Travel category, also winning Gold in Illustration (“Apocalypse Soon” by Sam Weber); in One-of-a-Kind (“What Would Tommy Douglas Think?” by Tom Jokinen); and in Society (“Fade to Light” by Dave Cameron).

In Words & Pictures the Gold award went to “On Thin Ice” in Canada’s History, by Terry Mosher (a.k.a. Aislin), Mark Reid and Michel Groleau.

Writer Alison Motluk won Gold in Health & Medicine for her story “Is Egg Donation Dangerous?” in Maisonneuve. For Ms. Motluk this is her third National Magazine Award. The Montreal quarterly’s other Gold award came in the category Best Short Feature, for “Notes from the End of the War” by Jonathan Montpetit.

In Fiction the Gold went to Alberta novelist Caroline Adderson for her short story “Ellen-Celine, Celine-Ellen” published in Canadian Notes & Queries. Former Governor General Literary Award winner Patrick deWitt won the Silver for “The Looking-Ahead Artist” in Brick.

In Poetry the Gold winner was former Governor General Literary Award winner Karen Connelly for her poem “The Speed of Rust, or, He Marries” in Geist. Sue Goyette won the Silver for her series of “Fashion” poems in Prairie Fire.

The story “Whale Rising” by Jeff Warren in Reader’s Digest was a double winner, taking Gold in Science, Technology & Environment and Silver in Essays.

Sportsnet took the Gold in Editorial Package: Print, for “Sports that can kill.” Québec Science won Silver for “50 défis pour 2050.”

Emma Teitel of Maclean’s won the Gold award in Columns. Ms. Teitel won Honourable Mention last year in the category Best New Magazine Writer.

Six of the ten finalists in the new category Blogs were from Maclean’s, with the blog “Science-ish” by Julia Belluz—a former winner of the National Magazine Award for Best Student Writer—winning Gold. Paul Wells won the Silver for “Inkless Wells.”

In Portrait Photography the Gold went to “Never Left Art School,” a series of portraits of artist Douglas Coupland by Mark Peckmezian for Montecristo.

The new French-language literary magazine Nouveau Projet won its first National Magazine Award for “Faux self mon amour” by Fanny Britt in the category Personal Journalism.

Eighteen Bridges gained ten nominations and won Gold in Humour for “The Hairs about our Secrets” by Jessica Johnson.

Toronto Life led all publications with 29 nominations, winning a Gold in Arts & Entertainment for “Something Borrowed” by Leah McLaren.

The new Globe & Mail magazine Globe Style Advisor won its first National Magazine Award, a Gold in the category Beauty for “Lady Obscura.”

Also winning Gold Awards:

Visit magazine-awards.com for the complete list of winners and to download the commemorative 36th National Magazine Awards Gold Book.

ACKNOWLEDGEMENTS
The National Magazine Awards Foundation acknowledges the financial support of the Government of Canada through the Canada Periodical Fund of the Department of Canadian Heritage, as well as financial support from the Ontario Arts Council, an agency of the Government of Ontario, and the Ontario Media Development Corporation. The National Magazine Awards Foundation gratefully acknowledges its suppliers and its contributors who donated gifts in kind to support the awards program. We thank them for their generosity, interest and expertise.

ABOUT THE NATIONAL MAGAZINE AWARDS FOUNDATION
The National Magazine Awards Foundation is a bilingual, not-for-profit institution whose mission is to recognize and promote excellence in the content and creation of Canadian print and digital publications through an annual program of awards and national publicity efforts. magazine-awards.com

Oilweek, Up Here Business, Marketing big winners at 59th Kenneth R. Wilson Awards

Last night inside the Grand Banking Hall at One King West in Toronto, Canadian Business Press announced the winners of the 59th annual Kenneth R. Wilson Awards for Canadian B2B publishing, presented by CDS Global.

Complete list of winners. KRW digital Gold Book.

K_MoYt-oilweekWith two divisions for Magazine of the Year, Up Here Business was named Magazine of the Year–Professional, while Oilweek won Magazine of the Year–Trade. Read what the KRW judges said about these winning magazines.

Best Issue of the year went to Les Affaires for their May 2012 issue “Le pouvoir créatif.”

Best Cover went to Oilsands Review for their September 2012 cover:

Precedent won the award for Website of the Year.

The inaugural Kenneth R. Wilson Award for Best New Journalist went to Katie Keir for her article “When Good Partners go Bad” in Advisor’s Edge.

Marketing magazine led all publications with 3 Gold and 2 Silver awards, followed by CAmagazine, Up Here Business, OHS Canada and Conseiller.

Top Winning Magazines at the 59th Kenneth R. Wilson Awards:

Magazine

Gold

Silver

HM

Marketing

3

2

9

CAmagazine

3

1

13

Up Here Business

2

0

4

OHS Canada

2

0

3

Conseiller

2

0

0

Les Affaires

1

2

6

Precedent

1

2

5

Le Coopérateur agricole

1

2

0

University Affairs

1

1

6

Alberta Oil

1

1

2

Notable winners include writer Jason Contant, who won two Gold awards for OHS Canada. And Nicolas Mesly won a Gold and two Silver awards for his work in Le Coopérateur agricole.

Tom Gierasimczuk, former editor of Marketing and now vice-president of editorial at Canada Wide Media, emcee’d the gala for the second year in a row. Tom was also a Gold winner himself, in the category Best Profile of a Company (“Vice Age” in Marketing).

For all the winners and coverage, visit krwawards.ca or on twitter @KRWawards and #KRW13.

Update: List of all 59th KRW nominees and winners (pdf)

Meet the NMA Finalists for Magazine Covers

A great magazine cover attracts the reader with alluring images and solid display; the perfect blend of editorial and design that makes the magazine such a unique and special medium. At this year’s National Magazine Awards gala on June 7 [INFO & TICKETS] one of these 10 nominees will earn the right to be called Canada’s best magazine cover:

"Are We Happy Yet?" - Adbusters, Art Direction by Will Brown and Pedro Inoue

“Are We Happy Yet?” – Adbusters, Art Direction by Will Brown and Pedro Inoue

"March/April 2012" - Azure, Art Direction by Concrete Design Communications

“March/April 2012″ – Azure, Art Direction by Concrete Design Communications

"The New Oilpatch" - Canadian Business, Art Direction by John Montgomery

“The New Oilpatch” – Canadian Business, Art Direction by John Montgomery

"The Secret Khadr File" - Maclean's, Art Direction by Stephen Gregory

“The Secret Khadr File” – Maclean’s, Art Direction by Stephen Gregory

"Issue 45" - Maisonneuve, Art Direction by Anna Minzhulina

“Issue 45″ – Maisonneuve, Art Direction by Anna Minzhulina

"Colombia" - Report on Business, Art Direction by Domenic Macri

“Colombia” – Report on Business, Art Direction by Domenic Macri

"January 12, 2012" - The Grid, Art Direction by Vanessa Wyse

“January 12, 2012″ – The Grid, Art Direction by Vanessa Wyse

"That Time We Beat the Americans" - The Walrus, Art Direction by Brian Morgan

“That Time We Beat the Americans” – The Walrus, Art Direction by Brian Morgan & Anita Kunz

"The Northwest Passage" -  Up Here, Art Direction by John Pekelsky

“The Northwest Passage” – Up Here, Art Direction by John Pekelsky

"July/August 2012" - Vancouver Magazine, Art Direction by Randall Watson

“July/August 2012″ – Vancouver Magazine, Art Direction by Randall Watson

Congratulations to all the nominees in Magazine Covers. The Gold and Silver winners will be revealed at the 36th annual National Magazine Awards gala on June 7 at The Carlu in Toronto. [INFO & TICKETS]

Meet the NMA Finalists for:
Art Direction for an Entire Issue
Photojournalism & Photo Essay
Best New Magazine Writer
Illustration

Announcing the Nominees for the 36th National Magazine Awards!

Today the NMAF announces the nominees for the 36th annual National Magazine Awards!

[Version française]
[PDF Nominations List]
[Tickets]

In the category Magazine of the Year the jury has selected four finalists:

Corporate Knights
Cottage Life
Uppercase
Urbania

Nominated for Tablet Magazine of the Year are Canadian House & Home (“The Colour Issue”), Maclean’s (“Canada’s Best Restaurants”) and Chez Soi (“Noël 100% déco”).

And the nominees for Magazine Website of the Year are Hazlitt, Maclean’s and Toronto Life.

The winner of the Foundation Award for Outstanding Achievement, announced on April 30, is Stephen Trumper.

Leading all magazines with 29 nominations for this year’s National Magazine Awards is Toronto Life, followed by L’actualité (24), The Walrus (23), The Grid (22), Maclean’s and Report on Business (20 each).

Top Nominated Magazines for the 36th National Magazine Awards:

Magazine

Written

Integrated

Visual

Special

Total

Toronto Life

19

4

4

2

29

L’actualité

20

0

4

0

24

The Walrus

15

3

5

0

23

The Grid

8

7

7

0

22

Maclean’s

17

1

0

2

20

Report on Business

13

3

4

0

20

Maisonneuve

10

2

1

1

14

Cottage Life

4

3

2

1

10

Eighteen Bridges

10

0

0

0

10

Sportsnet

9

0

1

0

10

enRoute

3

2

4

0

9

The New Quarterly

7

0

0

1

8

Magazine of the Year Finalist

Magazine of the Year Finalist

Nine magazines are nominated for National Magazine Awards for the first time:
Chez Soi
Globe Style Advisor
(3 nominations)
Hazlitt
(4 nominations)
Infopresse
Le Must
New Trail
Nouveau Projet
(2 nominations)
Ottawa Citizen Style

Write Magazine

Chris Turner leads all individual finalists with 4 nominations in written categories for his work in Canadian Geographic, Marketing and The Walrus. Garnering 3 individual nominations are Catherine Dubé (L’actualité), Dan Robson (Sportsnet), Iain Marlow (Report on Business) and Dominique Forget (ELLE Québec, Jobboom and L’actualité).

Magazine of the Year Finalist

Magazine of the Year Finalist

The article “Building with the Brigadier” (Report on Business) by Greg McArthur and Graeme Smith has the distinction of being nominated in 3 categories: Business, Investigative Reporting and Politics & Public Interest.

The 10 finalists for the best Canadian Magazine Cover of 2012 come from Adbusters, Azure, Canadian Business, Maclean’s, Maisonneuve, Report on Business, The Grid, The Walrus, Up Here and Vancouver.

There are 8 finalists for the award for Best Single Issue: Cottage Life (“June 2012”), enRoute (“The Food Issue”), LE Must (“Santé alimentaire”), Maisonneuve (“Tenth Anniversary Issue”), The Feathertale Review (“Issue 9”), The Grid (“May 10”), The Walrus (“November 2012”) and Toronto Life (“The Loneliest Man in Toronto”).

The 3 finalists for Best New Magazine Writer are Chris Hampton (for “The Place Where Art Sleeps”; Maisonneuve), Sierra Skye Gemma (for “The Wrong Way”; The New Quarterly), and May Jeong (“The Cult of Pastor Song”; Toronto Life).

Magazine of the Year Finalist

Magazine of the Year Finalist

In addition to the new category Tablet Magazine of the Year, for 2012 the NMAF created 2 other new categories for digital content. In the new integrated category Online Video, the 5 finalists are “Balcony Makeover” (Canadian House & Home), “Les coulisses du reportage mode Icône” (ELLE Québec), “Pagelicker 01: Irvine Welsh” (Hazlitt), “Reboot on Life” (Ottawa Citizen Style), and “Toronto’s National Anthem” (The Grid).

Of the 10 finalists in the new written category Blogs, 6 are from Maclean’s, 2 from Torontoist, and 1 each from L’actualité and Today’s Parent.

Congratulations to all the finalists!
[PDF Nominations List]

Magazine of the Year Finalist

Magazine of the Year Finalist

The 36th annual National Magazine Awards Gala
Join us for the 36th annual National Magazine Awards, Friday June 7 at the fabulous Carlu in Toronto. [Tickets]

Gold and Silver awards will be handed down on June 7 in 24 written categories, 12 visual categories and 6 integrated categories. All other finalists will receive Honourable Mention. Winners will also be celebrated in 5 special categories: Outstanding Achievement, Best New Magazine Writer, Magazine Website of the Year, Tablet Magazine of the Year, and Magazine of the Year.

Gold winners in written, visual and integrated categories (except Best Single Issue) receive a cash prize of $1000; Silver winners $500. The winner of Best New Magazine Writer receives a cash prize of $500.

Credit Changes
If you are a National Magazine Award nominee, please let us know of any credit changes to your nomination no later than Thursday May 9, 2013.

Thank you!
A grand thank you to all of our judges who evaluated this year’s entries to the National Magazine Awards. From nearly 2,000 individual entries nationwide, the NMAF’s 251 volunteer judges nominated a total of 365 submissions from 87 different Canadian magazines for awards in 47 written, visual, integrated and special categories.

Acknowledgements
The National Magazine Awards Foundation acknowledges the financial support of the Government of Canada through the Canada Periodical Fund of the Department of Canadian Heritage, as well as financial support from the Ontario Arts Council, an agency of the Government of Ontario, and the Ontario Media Development Corporation. The National Magazine Awards Foundation gratefully acknowledges its suppliers and its contributors who donated gifts in kind to support the awards program. We thank them for their generosity, interest and expertise.

NMA_SM_May1

New cover of Boston Magazine honours the resilience of a city

Boston Magazine

Boston magazine’s “We Will Finish the Race” cover on its May issue is being called perfect. The magazine put a call out for donations of shoes from this year’s race to photograph this iconic image, which taps into the collective grief, resilience and catharsis of a city following the Boston Marathon bombings.

According to an article in Runner’s World, the May issue of the magazine was about to head to the printer on that fateful day, but the publishers were able to obtain an extension to re-shoot their cover in the wake of the tragedy. The magazine received over 150 pairs of shoes in donation and interviewed each of the donors about their experience in the race. 15 of those stories appear in the May issue.

Boston associate Art Director Liz Noftle told Yahoo! News:

We wanted to do something really special that would honor the runners and everything they had to go through in the events of marathon. We had only a few days to pull something together. Monday night we came up with the concept, and Tuesday began to execute it. It was only made possible by the help of everyone on staff. We reached out to anyone and everyone to collect shoes in less than 48 hours. It was a tremendous effort by everyone—people going out of their way to bring in shoes, interns collecting them, organizing couriers to bring them here. Then we drove them all down to New York on Thursday, where Mitchell Feinberg photographed them, and we closed the magazine while the city was in lockdown on Friday.

More behind the scenes at Boston magazine.

Chatelaine’s bold and bilingual new logo

The award-winning magazine Chatelaine has redesigned its cover logo on its May 2013 print issue and sleek website, featuring a bold and bilingual typography integrating l’accent circonflexe of its French counterpart, Châtelaine, which will also use the same logo beginning with the June 2013 issue.

According to a story in Marketing,

The all-uppercase logo, described as “fresh, modern and clean” by publisher Tara Tucker, uses the Neutraface 2 typeface and is bilingual (it has a stylized circumflex on the first “a”). Tucker said the timing was right to debut a new look as the magazine is kicking off its 85th anniversary celebrations in June.” [Read more]

Since 1977 Chatelaine and Châtelaine have won 15 and 23 National Magazine Awards, respectively.

{ Tip o’ the hat: Canadian Magazines blog }

Atlantic Journalism Awards finalists announced

The annual Atlantic Journalism Awards gala will be held on Saturday, May 11 at the Halifax Marriott Harbourfront Hotel. The finalists were announced last week, and the magazine nominees include Herald Magazine, Saltscapes, Progress, East Coast Living, Atlantic Salmon Journal, CBC Maritime Magazine, and Atlantic Business Magazine.

The 3 finalists for the coveted award of Best Magazine Cover are:

East Coast Living, Summer 2012

East Coast Living, Summer 2012

Saltscapes, January/Feburary 2012

Saltscapes, January/Feburary 2012

Atlantic Salmon Journal, December 2012

Atlantic Salmon Journal, December 2012

In the category for best Atlantic Magazine Article, the three finalists are:

  • John DeMont, Herald Magazine, “Does Nova Scotia Get the Government it Deserves?”
  • Marjorie Simmins, Progress Magazine, “To the Manor Born”
  • Martin Silverstone, Atlantic Salmon Journal,  “Atlantic Salmon to the End”

And for best Magazine Profile Article, the nominees are:

  • John DeMont, Herald Magazine, “Graham Day”
  • Martin Silverstone, Atlantic Salmon Journal, “River Princess”
  • Paul McLeod, Herald Magazine, “Kathy Dunderdale’s Revolution”

Check out all the finalists here. Winners will be announced on May 11.

Best Cover finalists for the Alberta Magazine Awards

With the 2013 Alberta Magazine Awards ceremony coming up on the calendar on March 14 (part of the Alberta Magazines Conference of March 14-15 in Calgary), we’re looking forward to seeing who will take the top honours this year.

Among the 14 Showcase categories to be presented at the gala is the always intriguing competition for Best Magazine Cover. Here’s a look at the 8 finalists this year for the top Alberta magazine cover:

Ryan Girard, art director; Marco Cibola, illustrator

Ryan Girard and Kim Larson, art directors; John Gaucher, photographer

Kim Larson, art director; Gary Stevensen, illustrator

Anders Knudsen and Erin Burns, art directors; Jared Sych, photographer; Alicja Wilkosz, hair and makeup; Julie Van Rosendaal, food stylist

Marcey Andrews, art director; Raymond Biesinger, illustrator

Cathy Ozubko, creative lead; Joel Kadziolka, designer; Deborah Jaremko, editor

Vishu Mahajan, art director; Joey Podlubny, photographer

Danae Thompson, art director; Josh Holinaty, illustrator

Check out all the finalists here. The winner of Best Cover and all the other Alberta Magazine Awards will be announced on March 14.

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