Avenue Edmonton, Swerve, Omar Mouallem among big winners at the Alberta Magazine Awards

Thursday night in Calgary the Alberta Magazine Publishers Association presented the winners of the 2015 Alberta Magazine Awards, and Avenue magazine of Edmonton took home the biggest prize, Magazine of the Year.

Swerve led all magazines with 6 awards (2 Gold, 4 Silver). Magazine of the year co-finalists Avenue Calgary and Glass Buffalo were next with 2 Gold and 2 Silver each.

National Magazine Award-winning writer Omar Mouallem was the most decorated individual winner with 3 awards: Gold for Profiles and for Essays, and Silver for Feature Writing. NMA finalist Arno Kopecky also won a Gold award for Best Alberta Story.

Here are the Gold winners from the 2015 Alberta Magazine Awards:

Magazine of the Year: Avenue Edmonton

Alberta StoryAlberta Views Game Changer  – Arno Kopecky

Art Direction: Georgie No. 3 W14 – Nathan Marshall, art director; Neil Mota and Aaron Pedersen photographers

CoverWestern Living September 2014 “Designers of the Year – Paul Roelofs, art director; Evaan Kheraj portrait photographer

Digital PresenceAlberta Oil 10th Anniversary Tablet Edition – Ryan Girard, Kim Larson, Colton Ponto, Ben Rude, Jennifer Madole and Brent Felzien

Emerging Writer: Glass Buffalo  A Tale of Two Forms – Peter Takach

EssaySwerve Children of a Lessser Santa – Omar Mouallem

Feature DesignAvenue Edmonton Back in the Game – Pete Nguyen, art director

Feature WritingAlberta Venture Dot -111 – Anthony Davis

FictionGlass Buffalo Pearl – Bruce Cinnamon

IllustrationAvenue Calgary What’s Lost – Jon Krause

Photograph (Still-Life, Landscape, Architecture)Westworld Phantoms on Ice - Kurtis Kristianson, Spindrift Photography

Photograph (People and Portrait): Avenue Calgary Cultural Movement - Jared Sych

PoetryFreeFall But I’m no one – Weyman Chan

ProfileNew Trail Ray Muzyka’s Next Chapter  – Omar Mouallem

ServiceSwerve It’s Your Funeral  – Rita Sirignano

Editor of the Year: Steve Sandor, Avenue Edmonton

Volunteer of the YearJennifer Schmidt-Rempel, Lethbridge Living Magazine

Achievement in Publishing: Chris BirdKootenay Business Magazine andFly Fusion Magazine

Best New Magazine: Grains West

Check out all the highlights at albertamagazines.com/awards.

Check out the new issue of Prism International

The Winter 2015 issue of Prism International (Vol. 53, No. 2) is hot. Yes, we’re especially fond of the National Magazine Awards winners seal that adorns the cover, acknowledging writer Pasha Malla‘s silver medal for fiction (“The Actual” from Prism 51:3) at last year’s NMA gala.

The new issue features creative non-fiction by National Magazine Award winners Ayelet Tsabari–recent winner of the Sami Rohr prize–and Liz Windhorst Harmer, among others. And an impressive menu of short fiction and poetry, including a piece by NMA winner Alice Major.

You can find the new issue in select bookstores and literary newsstands, or online from the Prism store.

Your Guide to Winter/Spring 2015 Magazine Writing Contests

It’s minus-fifteen degrees. The pastel glow of an early dusk drapes over the bare walnut tree outside your window. You sit at a writing table with the seventh draft, poring over your final notes. You’re satisfied at last. But where to submit this poem, short story, memoir?

Answer: a Canadian magazine writing contest.

This guide, presented by the National Magazine Awards Foundation, is our largest yet, which hopefully indicates not only the vigour of the Canadian literary magazine scene, but also the unceasing desire to engage with new readers and writers that these wonderful magazines possess.

If you haven’t participated before, now is a great time to sit down with that story or poem of yours, polish it and put it out in the world. Along the way you may discover a great new magazine.

What this guide provides is a list of contests via Canadian magazines (or magazine-related organizations) open to unpublished works of Fiction, Poetry, Creative Non-fiction and Photography.

Please note: This list is organized chronologically by deadline dates from January 1 to June 15. If you know of a contest we missed, please email us or grab us on Twitter @MagAwards and we’ll update our guide.

Good luck!

Prism International Short Fiction & Poetry Contests
Genres: Fiction; Poetry
Deadline: January 23, 2015 January 30, 2015
Prize: $2000 (1st); $300 (2nd); $200 (3rd); publication
Entry Fee: $35; includes subscription
Detailshttp://prismmagazine.ca/contests/

Matrix Magazine Robert Kroetsch Innovative Poetry Award
Genre: Poetry
Deadline: January 31, 2015
Prize: $500 + publication
Entry Fee: $30
Detailshttp://matrixmagazine.org/rkaward/

Arc Poetry Magazine Poem of the Year Contest
Genre: Poetry
Deadline: February 1, 2015 February 15, 2015
Prize: $5000
Entry Fee: $32; includes subscription
Detailshttp://arcpoetry.ca/?page_id=5586

The Malahat Review Long Poem Prize
Genre: Poetry
Deadline: February 1, 2015
Prize: Two awards of $1000; publication
Entry Fee: $35 ($15 each for additional entries)
Detailshttp://www.malahatreview.ca/contests/long_poem_prize/info.html

11th annual Geist Literary Postcard Contest
Genre: Very short fiction or non-fiction (500 words)
Deadline: February 1, 2015
Prize: $500 (1st); $250 (2nd); $150 (3rd); publication
Entry Fee: $20; includes subscription ($5 each additional entry)
Detailshttp://www.geist.com/articles/postcard-contest/

Atlantic Writing Competition
Genres: Creative Non-fiction; Poetry; Short Fiction; Novel; Children’s Literature; Young Adult
Deadline: February 2, 2015
Prize: $200-$300 to winner in each category
Entry Fee: $20 – $35, depending on category
Detailshttp://writers.ns.ca/awards-competitions.html

Alberta Views Public Spaces Photography Contest
Genre: Photography
Deadline: February, 2015
Prizes: $1000; publication
Entry Fee: $30 ($15 for each additional entry)
Detailshttps://albertaviews.ab.ca/contests/

Carleton University In/Words “Passages” Writing Contest
Genres: Fiction, Poetry
Deadline: February 15, 2015
Prizes: $300 (1st); $100 (2nd); publication; prize pack
Entry Fee: None
Detailshttp://carleton.ca/english/annual-events/high-school-writing-competition/creative-writing-concentration-competition/
Note: Each contest has two age categories, one for under-18, one for 18+.

The New Quarterly Nick Blatchford Occasional Verse Contest
Genre: Poetry
Deadline: February 28, 2015
Prize: Two prizes of $1000 + publication
Entry Fee: $40 (for first 2 poems; $5 each for additional); includes subscription
Detailshttp://www.tnq.ca/contests

CBC Canada Writes Creative Non-Fiction Prize
Genre: Non-fiction (1200-1500 words)
Deadline: March 1, 2015
Prize: $6000 + publication in enRoute + Banff Centre residency (1st); $1000 each to 4 runners up
Entry Fee: $25
Details:
http://www.cbc.ca/books/canadawrites/literaryprizes/nonfiction/index.html

Ottawa Magazine Short Fiction Contest
Genre: Fiction (max 3000 words)
Deadline: March 1, 2015
Prizes: $700 (1st); $300 (2nd); publication
Entry Fee: None
Detailshttp://www.ottawamagazine.com/culture/2014/12/05/contest-ottawa-magazine-short-fiction-contest/
Note: Open to Ottawa residents only

Writers Union of Canada Short Prose Competition
Genres: Non-fiction; Fiction
Deadline: March 1, 2015
Prize: $2500 + assistance with publication
Entry Fee: $29
Detailshttp://www.writersunion.ca/short-prose-competition

Room Creative Non-fiction Contest
Genre: Creative Non-fiction
Deadline: March 8, 2015
Prizes: $500 (1st); $250 (2nd); publication
Entry Fee: $35 (includes subscription)
Details: http://www.roommagazine.com/rooms-annual-contests-2015

Arc Poetry Magazine Diana Brebner Emerging Poet Prize
Genre: Poetry
Deadline: March 15, 2015
Prize: $500
Entry Fee: $23 for up to 2 poems (includes subscription)
Detailshttp://arcpoetry.ca/?p=8662
Note: Open only to residents of Ottawa and the national capital region

Reader’s Digest Summer Camp Stories Competition
Genre: Short memoir (of summer camp)
Deadline: March 23, 2015
Prizes: Publication
Entry Fee: None
Detailshttp://www.readersdigest.ca/summer-camp-stories

The New Quarterly Edna Staebler Personal Essay Contest
Genre: Creative Non-Fiction
Deadline: March 28, 2015 April 13, 2015
Prize: $1000 + publication
Entry Fee: $40; includes subscription
Detailshttp://www.tnq.ca/contests

Exile Literary Quarterly Carter V. Cooper Fiction Competition
Genre: Fiction (max 30 pages)
Deadline: March 30, 2015 April 13, 2015
Prizes: $10,000 for best story by an emerging writer; $5000 for best story by a career writer; publication
Entry Fee: $30 (includes subscription)
Details: http://www.theexilewriters.com/

Narrative Magazine Winter 2015 Story Contest
Genres: Non-fiction; Fiction; Graphic Narratives; Photo Essays
Deadline: March 31, 2015
Prize: $2,500 (1st); $1000 (2nd); $500 (3rd); $100 (finalist)
Entry Fee: $22
Detailshttp://www.narrativemagazine.com/node/238622
Notes: Entries may be fiction or literary nonfiction, including essays, memoirs, or any other form of unpublished manuscript, with a word limit of 15,000. This year photo essays and graphic narratives are also accepted. All are judged in the same pool.

Writers’ Trust Student Non-Fiction Contest
Genre: Non-fiction (open to high school students only)
Deadline: March 31, 2015
Prize: $2500 + trip to Toronto + publication in Maclean’s (1st); $500 (2nd); $250 (3rd)
Entry Fee: None
Detailshttp://writerstrust.com/students

Grain magazine Short Grain Writing Contest
Genres: Fiction; Poetry
Deadline: April 1, 2015
Prize: $1000 (1st); $750 (2nd); $500 (3rd); publication
Entry Fee: $40; includes subscription
Detailshttp://www.grainmagazine.ca/short-grain-contest/

The Rusty Toque Poetry Chapbook Contest
Genre
: Poetry (20 pages max)
Deadline: April 1, 2015
Prizes: $800 + publication + prize pack (1st); $100 + except publication + prize packs (2 other finalists)
Entry Fee: $15
Detailshttp://www.therustytoque.com/chapbook-contest.html

The Impressment Gang Poetry Contest
Genre: Poetry
Deadline: April 1, 2015
Prize: $100 + publication
Entry Fee: $7.50; other options for subscribers
Detailshttp://www.theimpressmentgang.com/contest/

CV2 2-Day Poem Contest
Genre: Poetry
Deadline: April 6, 2015 (registration; competition is held April 11-12)
Prize: $500 (1st); $300 (2nd); $150 (3rd); publication
Entry Fee: $26; includes subscription
Detailshttp://www.contemporaryverse2.ca/en/contests/2-day-poem-contest

Event magazine Creative Non-Fiction Contest
Genre: Non-fiction (5000 words or fewer)
Deadline: April 15, 2015
Prize: $1500 in total cash prizes; publication
Entry Fee: $34.95; includes subscription
Detailshttp://www.eventmagazine.ca/contest-nf/

The Malahat Review Far Horizons Short Fiction Contest
Genre: Fiction
Deadline: May 1, 2015
Prize: $1000; publication
Entry Fee: $25
Detailshttp://www.malahatreview.ca/contests/far_horizons_fiction/info.html

Dalhousie Review Short Story Contest
Genre: Fiction
Deadline: May 1, 2015
Prizes: $750 (1st); $250 (2nd); publication
Entry Fee: $30 ($15 for each additional entry)
Detailshttp://dalhousiereview.dal.ca/contest.html

Sub-Terrain Lush Triumphant Literary Awards
Genres: Creative Non-fiction; Fiction; Poetry
Deadline: May 15, 2015
Prize: $1000 to winner of each category; publication
Entry Fee: $27.50; includes subscription
Detailshttp://subterrain.ca/about/103/lush-2013-awards-open+for+entries

The New Quarterly Peter Hinchcliffe Fiction Award
Genre: Fiction
Deadline: May 28, 2015
Prize: $1000 + publication
Entry Fee: $40; includes subscription
Detailshttp://www.tnq.ca/contests

CBC Canada Writes Poetry Prize
Genre: Poetry
Deadline: June 1, 2015
Prize: $6000 + publication in enRoute + Banff Centre residency (1st); $1000 each to 4 runners up
Entry Fee: $25
Detailshttp://www.cbc.ca/books/canadawrites/literaryprizes/poetry/index.html

Alice Munro Festival Short Story Contest
Genre: Short Fiction (one category for adults, one for teens)
Deadline: TBA
Prizes: $500 (1st); $300 (2nd); $200 (3rd); $75 (4th); $50 (5th)
Entry Fee: $10 – $25
Detailshttp://alicemunrofestival.ca/?page_id=306

Did we miss one? Send us a note or grab us on Twitter @MagAwards. We’ll update this post throughout the winter and spring as more contests are announced.

Find more awards, prizes and contests for magazine journalism on the Awards and Contests pages of this blog.

Related Posts:
A Writer’s Guide to Canadian Literary Magazines
Your Guide to Summer Magazine Writing Contests
Your Guide to Fall Magazine Writing Contests

An Interview with National Magazine Award-winning Fiction writer Jess Taylor

Jess Taylor on stage at the 37th annual National Magazine Awards, June 6, 2014.
Jess Taylor on stage at the 37th annual National Magazine Awards, June 6, 2014.

Recently the literary journal Echolocation published a great interview with Jess Taylor about her National Magazine Award-winning short story, “Paul,” the challenges of writing and her pursuit of a book project: the story collection Pauls will be published in 2015 by BookThug.

The interview was conducted by Liz Windhorst Harmer, herself a National Magazine Award winner earlier this year for Personal Journalism (“Blip,” published in The Malahat Review).

In this excerpt from the interview, Liz and Jess discuss the “hard place,” the core of the writerly being from which the literary art emerges.

Liz: What is exciting to watch as far as your “emerging” (a word with multiple meanings, it seems to me!) career, is just how many things you manage to balance and balance well. You recently wrote about ways of building community. You of course are the founder of Toronto’s Emerging Writers series. Your Puritan article discusses the joys and pitfalls of building community, and in it you use the phrase “the hard place”: you hoped “you’d meet people who’d understand you and what you describe as a hard place in yourself”. I love this essay. As we close out this interview, I hoped you could talk a little about the hard place.

I think I know what you mean by the phrase, and you don’t need to elaborate, but I wondered if your relationship to it has changed as your life as a writer has become more public. The transition from aspiring to published and awarded comes with its own costs. Have you found this?

Jess: Thanks, Liz! I’m glad you liked the essay.

The hard place for me is this little place inside of me that tells me I will always write, that I’m a writer. It’s the one aspect of my identity that is always consistent. It’s what spurs me on and gives me my sense of self. I know I’m a hard worker, I take pride in being a hard worker, and writing is my work. I hope this means that I will be able to build a life either from writing or around writing, but I know that even if no one publishes me, it will always be something I do and something that contributes to my sense of self. Some people may describe this as confidence. I think it’s different than confidence. It’s a baseline. More than knowing my name is “Jess,” that the word “Jess” refers to me, I know that this place exists in me.

To me, this is separate from any sort of public writing life or awards or publications. It’s a deeply personal and special thing. Of course, with public recognition comes a little validation that you’re doing the right thing, that other people can see it and know that you’re doing good work. But that’s almost an extra. Having the hard place in me has allowed me to not worry too much about whether or not my work fits into the current trends of writing. Having studied literature, it’s obvious that what’s popular changes and what’s lasting remains to be seen. So I’m just going to do what I like, write the type of work I like to write and read, and hope that the enjoyment comes across to other people. After winning an award or signing a contract, I guess all that changes for me is that I start to think, “Oh, ok, people are starting to see this my way. They like this too. Interesting.” But that could all change again in a moment.

This isn’t to say that I don’t have moments of doubt. We all do. Right after I was nominated for the National Magazine Award, I had a huge crisis. It was one of the first times I really doubted the hard place existed. I was happy about the nomination and starting to think about focusing on Pauls instead of the novel I was currently working on. A couple of my male colleagues who I really respected told me I should wait until I was older to publish. One was barely older than I was! It made me desolate. Normally someone else’s opinion about that sort of thing wouldn’t faze me; it might make me a little annoyed, but it wouldn’t put that doubt in me. It made me feel that awards were pointless because it wouldn’t change the fact that I was young and a female writer. There would still not be the same level of respect, even if I was doing good work and working hard. And having the award nomination just meant that people would gossip about me and form these opinions about me, about whether I deserved it, and I had no interest in being the subject of this sort of gossip or these dismissive attitudes.

But then everyone was surprised because I did win. The hard place was restored, as it was the one time I think I needed some external validation for that hard place. I’d been sending work out and getting rejected (as we all do), had never had a paid publication in my life, and all of a sudden I had won an NMA. It changed a lot in my life. I finally qualified for TAC grant, which only requires one paid publication, people were actually reading my work and coming to my readings, people were respecting me for my work instead of just as a promoter, it helped me with my job, and I signed a contract for Pauls. The hard place whispered, “I told you so, Jess, you big idiot.”

People are always going to talk, they are always going to be critical, haters gonna hate. But I know I can’t let it interfere with me and my work. Nothing can interfere with that. And that’s what great about having a hard place … everything else could be gone, they could take away the NMA, the book deal, my job, everything, but I’d still be me. The hard place would still be there. I’d keep trying to communicate and write in anyway I could. I always will. At this point, I’m still emerging, I would hesitate to say I have any real public writing life or that I’m the center of anyone’s focus, but if things were to go that way, the experiences I had over the summer really helped prepare me and reaffirmed why I write and why it’s a necessity.

Read the complete interview here.

Echolocation Magazine (www.echolocationmag.com) publishes fiction, poetry, creative nonfiction, visual art, reviews and interviews. Their joint poetry/fiction contest with Qwerty Magazine on the theme of Doubles closes on December 31.

Check out our Off the Page department for more interviews with NMA winners, including our recent chat with Little Brother magazine publisher and art director Charles Yao.

See also:
Writer’s Guide to Canadian Literary Magazines & Journals
Guide to Fall 2014 Magazine Writing Contests

Off the Page, with Charles Yao & Little Brother Magazine

Charles Yao (Photo by Paul Terefenko)
Charles Yao (Photo by Paul Terefenko)

Off the Page is a regular interview series produced by the National Magazine Awards Foundation. Today we catch up with Charles Yao, publisher and art director of Little Brother, a literary magazine which won its first NMA this past spring. The 2014 National Magazine Awards are now open for submissions.

NMAF: Little Brother only recently burst onto the Canadian lit-mag scene, with your first issue released in 2012 (and already sold out, I see). What is your perspective on the value of literary magazines to Canadian readers and culture, and how did this influence what was no doubt a bold decision to launch LB?

Charles: Literary magazines are valuable, for sure. They’re like this living system—new writing, lovingly packaged, parceled out every few months—that keeps the culture moving, keeps it evolving. That’s the best-case scenario anyway.

When we started Little Brother, we wanted to be a part of that, but also do our own thing. If it’s not new, why bother? So we junked what we didn’t like, and made a magazine that we personally would want to read. LB has always been very DIY. No grants, no open submissions, no army of slush readers, no affiliations with universities. Just two people pushing out their literary and aesthetic sensibilities onto the world! We’ve run 10,000-word essays on hot dogs, professional wrestling, illness and laughter, women in print media, the influence of America on Canadian writers. We’ve commissioned photo essays on pop bottles and “boring” apartment buildings. It speaks to the breadth of Canadian literary culture that there’s room—even a relatively sizeable audience—for what we’re doing.

As far as the “bold” decision to launch our own mag. Back then, [founding publisher] Emily M. Keeler was thinking a lot about Canadian literature: whether there was anything new under the sun—that kind of thing. Little Brother is like this candy-coloured mag that, twice a year, says, “Yes. Yes there are new things coming out of Canada that will more than repay your commitment.”

NMAF: Emily has said that she decided to pursue LB as a print publication (as opposed to digital) in part because the magazine wanted to create space for long pieces and experiments, for “prose that isn’t forced to hurriedly unfurl itself.” And she spoke of the rhythm of reading a printed magazine over digital. Is this sense of writer-reader engagement on a kind of special sensory plane a motivating force for you as a publisher, and why is this important in a media landscape with so much content?

Charles: A beautifully designed, thoughtfully paced magazine is simply the best medium for reading a certain kind of literary writing. If you want to read work that requires and rewards sustained attention, then a quality print mag, like McSweeney’s, like The Paris Review, like Little Brother, is still where it’s at.

And part of that, for sure, has to do with the sensory appeal—with, as you say, the rhythm of turning pages. You get that “space” that Emily mentions. You get the literal white space of the margins surrounding nice typography, which is its own kind of minor luxury these days. But you also get the mental space of uninterrupted reading. And you just don’t get that, at least not right now, with the junky impermanence of most web sites. (Just to be clear, though, the web is great for 95% of all reading. Most of my reading—most of everyone’s, I imagine—takes place on the web.)

I’ve also mentioned this elsewhere that an important aspect of publishing is excitement. Does the reader get excited when something is released? I think people still do get genuinely excited when a new issue of a print magazine comes out. They’re probably less excited when a web site gets refreshed. And, let’s be honest, they’re hovering in the bottom rungs of excitement when an eBook is released.

Finally, as producers, making a print, as opposed to a digital, magazine is a necessary motivator. We could have made a Tumblr. That would have been easy, but a little struggle is good. The fact that a print magazine costs money to produce, takes time to design and distribute, requires a wide skill set, forces you to learn new things—these are all pluses. Having stakes is important.

Jess Taylor at the 2014 NMA Gala
Jess Taylor accepting the award for Fiction at the 2014 NMA Gala

NMAF: A wonderful emerging writer named Jess Taylor won last year’s National Magazine Award for Fiction, for a short story called “Paul” in LB No. 3. Describe your experience of the nomination and the award, and what were you thinking when Jess walked up on stage?

Charles: Well, funny story. We first heard Jess read an early version of “Paul” at a live reading series, and we immediately wanted it for the mag. Wanted it quite badly. The problem was that she had already submitted it to this other journal, which, incredibly, couldn’t decide if they wanted to run it! I still remember the day that Jess sent us an email to say that we could have the story and start the editing process. That was a good day.

Still, I didn’t think Jess would win. It’s not because “Paul” isn’t great. And it’s not because Jess isn’t amazingly talented. It’s because, you know, she’s a relative newcomer. At that point, she hadn’t published very many stories and Little Brother wasn’t even finished its second year! So: you have a 24-year-old writer with an offbeat but beautiful story about three guys named “Paul,” and it’s published in a small-run magazine that’s only on its third issue—and it’s up against Michael Winter and Pasha Malla [and 3 other nominated writers]. Yet, somehow, she won! Actually, that’s some false modesty, I know: Jess’s story is a stone-cold classic!

When they announced Jess as the Gold winner, we pretty much lost our shit! She ran up on stage, and gave this really endearing speech. Her speech, and the one from an editor at Torontoist, were the best of the night. They were both deeply appreciative and a little shocked and very happy. I remember talking to Emily about whether we should even go to the ceremony; the price of the tickets was not inconsequential—that’s money we could put to good use elsewhere. But it turned out all right in the end. Also: there were two chocolate fountains at the post-awards gala, so I really can’t complain.

NMAF: What are your publishing goals for Little Brother, and where do you see recognition, such as that of the National Magazine Awards helping, to fulfill those goals?

Charles: Our goal is to keep growing, to get in front of as many potential readers as possible. Little Brother No. 5, the meta issue, is the first where we have proper national distribution. It’s important that LB be in stores across the country, in a lot of cities. It’s cool to see a spreadsheet of all the places selling it. My hope is that someone who’s never heard of LB stumbles on it, finds it intriguing enough to pick up, and brings it home. That kind of serendipity was how I found a lot of magazines—like early McSweeneys and Speak—that were important to me.

We’ve also launched a speaker series, called What We Talk About, which was originally started by the late Alicia Louise Merchant and Peter Merriman. Both of them, coincidentally, wrote essays for LB2. One reason we started LB was to build this community of like-minded writers, artists, and readers. So the lecture series is an extension of Little Brother! The first–about Witchy Women!–was held on November 19 at the Drake Hotel.

With Emily now the Books Editor at The National Post, we’ve grown the administrative side to compensate: Lydia Ogwang from Worn Fashion Journal is now our publishing associate, and Evangeline Holtz, who talked us into letting her be our publishing assistant (really!), will be helping us as she finishes her PhD. Jess Taylor, speak of the devil, will become our first fiction editor, which is very exciting. She’s as dedicated as anyone we know to nurturing, finding, and publishing new fiction writers, and she has a sensibility all her own—though it fits well within the context of LB. Emily will still work on the big essays, and I’m still the art director, but now also the publisher.

As for the National Magazine Award, I think it’s given us a certain legitimacy in the eyes of people who might have otherwise written us off as this upstart publication that just does what it likes. That’s true, but getting a Gold NMA is proof that there are other people who like what we’re doing, too.

Find out more about Little Brother at littlebrothermagazine.com and on Twitter @yourLB. Read Jess Taylor’s National Magazine Award-winning story “Paul” at the NMA archive

Read more Off the Page interviews with NMA winners.

The 2014 National Magazine Awards are now open for submissions. Small and literary magazines, find out about our Small Magazine Rebate for 1 free entry to the NMAs.

NMA winners headline shortlists for GGs, Writers’ Trust, Giller Prize

Yesterday’s revealing of the Giller Prize shortlist, today’s announcement of the Governor General’s Literary Awards finalists, both on the heels of last week’s release of the five finalists for the Writers’ Trust Fiction Prize, means that the big three Canadian literary prizes are counting down the days until we find out who wrote the best in Canadian literature for 2014.

Each year, it seems a handful of the nominees for these prestigious CanLit prizes have come from the magazine world; this year, almost all of the shortlisted authors have National Magazine Awards on their resumes.

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Your Guide to Fall 2014 Magazine Writing Contests

New Yorker cartoonist Roz Chast published this instant classic not too long ago, which serves as an apt reminder of the value to readers of canny, captivating and creative writing.

So once again, as summer lingers here and there and autumn peeks behind, it’s time to get out those fountain pens or laptops or typewriters (maybe?) and submit your poetry and prose, as the National Magazine Awards Foundation presents the fall guide to Canadian magazine writing contests.

As always, the list below may be incomplete. Leave a comment here or hail us on Twitter @MagAwards #WritingContest if you know of any we missed.

And, for those whose lens is mightier than their pens (yeah, we went there), we’ve also included a section for Magazine Photography Contests at the bottom.

Unless otherwise indicated, these contests are open to unpublished works only.

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