Announcing the Winners of the 37th annual National Magazine Awards!

The National Magazine Awards Foundation (NMAF) is pleased to announce the winners of the 37th annual National Magazine Awards.

At this year’s gala on June 6, presented by CDS Global and hosted by humourist (and award-winner) Scott Feschuk, the NMAF presented Gold and Silver awards in 47 categories representing the best in Canadian magazines from the year 2013.

Complete list (PDF) of all winners
Full-text of all nominated and winning articles
Twitter highlights
La version française

SPECIAL AWARD WINNERS

Magazine of the Year
Sponsored by RBC Royal Bank
Cottage Life

Magazine Website of the Year
Macleans.ca
14720

Tablet Magazine of the Year
Sportsnet

Best New Magazine Writer
Sponsored by Reader’s Digest Foundation
Catherine McIntyre

Foundation Award for Outstanding Achievement
Kim Jernigan

Top Winning Magazines at the 37th National Magazine Awards:

Magazine Gold Silver HM
The Walrus 7 6 22
Maclean’s 4 1 13
Maisonneuve 4 1 9
L’actualité 3 2 18
Report on Business 3 2 16
Cottage Life 3 1 9
Eighteen Bridges 3 1 7
Legion Magazine 2 0 1
Western Living 1 3 4
Sportsnet 1 2 7
The Grid 1 1 12
Hazlitt 1 1 8
Flare 1 1 2
United Church Observer 1 1 2
enRoute 1 1 1
Malahat Review 1 1 1
Torontoist 1 1 1
Toronto Life 0 2 16
Jobboom 0 2 0

See the complete list of winners at magazine-awards.com.

INTEGRATED AWARDS – GOLD WINNERS  

Best Single Issue
Tenth Anniversary Issue
The Walrus


Magazine Covers
Larry Fink
Report on Business

Infographics
How Much Does a Street Cost?
The Grid

Editorial Package (Web)
Canada’s Best New Restaurants
enRoute
13628

Online Video
Boy Genius
Maclean’s

Single Service Article Package
Calendrier de l’avent
Ricardo

Words & Pictures
Sponsored by CDS Global
Water
The Walrus

WRITING AWARDS – GOLD WINNERS

Arts & Entertainment
Curtis Gillespie
Rebel Without Applause
Eighteen Bridges

Best Short Feature
Paul Wells
Boy Genius
Maclean’s 

Blogs
Jamie Bradburn, Kevin Plummer, David Wencer
Historicist
Torontoist

Business
Sponsored by Accenture
Charles Wilkins
This Little Piggy Went to Market…and the Farmer Lost Money
Report on Business

Columns
Sponsored by Impresa Communications Ltd.
Chantal Hébert
Politique
L’actualité

Editorial Package (Print)
Sponsored by Canadian Society of Magazine Editors
Marine Corniou, Dominique Forget, Joel Leblanc, Raymond Lemieux, Chantal Srivastava
Août 2013
Québec Science

Essays
Curtis Gillespie
In The Chair
Eighteen Bridges

Fiction
Jess Taylor
Paul
Little Brother Magazine

Health & Medicine
Ann Silversides
First Do No Harm
Maisonneuve

How-To
Jane Rodmell, David Zimmer
Best Flavour Ever
Cottage Life

Humour
Scott Feschuk
Assemble ingredients. Pause dramatically.
Maclean’s

Investigative Reporting
Adam Day
One Martyr Down
Legion Magazine

One of a Kind
Craig Davidson
The Marineland Dreamland
The Walrus

Personal Journalism
Liz Windhorst Harmer
Blip
Malahat Review

Poetry
Karen Solie
Conversion
Hazlitt

Politics & Public Interest
Lisa Fitterman
The Avenger
The Walrus

Profiles
Omar Mouallem
The Kingdom of Haymour
Eighteen Bridges

Science, Technology & Environment
Sponsored by GE Canada
Alanna Mitchell
Losing the Hooded Grebe
United Church Observer 

Service: Health & Family
Sharon Adams
Lest We Forget: The Shocking Crisis Facing Our Wounded Veterans
Legion Magazine

Service: Lifestyle
Valérie Borde
Vive le poisson éco!
L’actualité

Service: Personal Finance & Business
Sponsored by Manulife Financial
Denny Manchee
The Hand-Me-Down Blues
Cottage Life

Society
Dan Werb
The Fix
The Walrus

Sports & Recreation
Jonathan Trudel
La machine à broyer les rêves
L’actualité

Travel
Taras Grescoe
Big Mac
The Walrus

 

VISUAL AWARDS – GOLD WINNERS

Art Direction of an Entire Issue
Sponsored by The Lowe-Martin Group
Paul Sych
Issue 1
fshnunlimited (f.u.)

Art Direction of a Single Article
Underline Studio
Not in the Age of the Pharaohs
Prefix Photo

Beauty
John Van Der Schilden, Photographer
Brittany Eccles, Art Director
Juliana Schiavinatto, Stylist
Vanessa Craft, Beauty Director
Masterpiece Theatre
ELLE Canada

Creative Photography
Paul Weeks
Wall Candy
Azure

Fashion
Petra Collins, Photographer
Jed Tallo, Art Director
Corey Ng, Stylist
Pastels Take Shape
Flare

Homes & Gardens
Martin Tessler, Photographer
Paul Roelofs, Art Director
Nicole Sjöstedt, Stylist
Bright Idea
Western Living

Illustration
Selena Wong
Old Wounds
Maisonneuve

Magazine Website Design
TheWalrus.ca
The Walrus

Photojournalism & Photo Essay
Sponsored by CNW Group
Brett Gundlock
El Pueblo
Maisonneuve

Portrait Photography
Anya Chibis
Larry Fink
Report on Business

Spot Illustration
Gracia Lam
The Elite Yellow Peril
Maisonneuve

Still-Life Photography
Liam Mogan
Set Pieces
Sharp

ABOUT THE 37th ANNUAL NATIONAL MAGAZINE AWARDS

More than 500 members of the Canadian magazine industry—publishers, editors, art directors, writers, photographers, illustrators, circulators and more—joined esteemed sponsors and other guests at the 37th annual National Magazine Awards gala on June 6, 2014, at The Carlu in Toronto, presented by CDS Global.

This year, from nearly 2000 individual entries received nationwide, the NMAF’s 238 volunteer judges nominated a total of 376 submissions from 92 different Canadian magazines for awards in 47 written, visual, integrated and special categories.

ACKNOWLEDGEMENTS

The National Magazine Awards Foundation acknowledges the financial support of the Ontario Arts Council, an agency of the Government of Ontario, as well as the Ontario Media Development Corporation.

The NMAF thanks its corporate sponsors Accenture, GE Canada, Manulife Financial, RBC Royal Bank, The Lowe-Martin Group, Canadian Society of Magazine Editors, Penguin Random House and Reader’s Digest Foundation for their generous financial support of the National Magazine Awards.

The NMAF thanks its media partners Cottage Life Media, Impresa Communications Ltd., Masthead, Rogers Media, TC Media and Toronto Life for their generous support of the National Magazine Awards.

The NMAF thanks its event partners CNW Group and Media Vantage, The CarluDaniel et Daniel, Relay Experience, KlixPix and Michèle Champagne for their generous support of the National Magazine Awards.

The NMAF gratefully acknowledges all its suppliers and its contributors who donated gifts in kind to support the awards program. We thank them for their generosity, interest and expertise. Thanks also to our hard-working event volunteers.

And thanks again to our wonderful Master of Ceremonies, Scott Feschuk.

ABOUT THE NATIONAL MAGAZINE AWARDS FOUNDATION

The National Magazine Awards Foundation is a bilingual, not-for-profit institution whose mission is to recognize and promote excellence in the content and creation of Canadian print and digital publications through an annual program of awards and national publicity efforts.

For more information, visit magazine-awards.com and follow us on Twitter (@MagAwards).

 

 

Off the Page, with Eighteen Bridges editor Curtis Gillespie

Off the Page is an exclusive series produced by the NMAF that reaches out to former National Magazine Award winners to find out what their awards have meant to them and what they’re up to now. Off the Page will appear each Thursday on the Magazine Awards blog during the fall of 2012. This week we catch up with three-time National Magazine Award-winning writer Curtis Gillespie, editor of the new magazine Eighteen Bridges.

NMAF: Some might call it a bold venture: launching a publication of narrative non-fiction journalism—a magazine of big ideas—in an age when long-form is seemingly subsumed by Internet media and niche publishing. Perhaps that’s a misconception. As an editor and an award-winning long-form writer, what were your founding objectives for Eighteen Bridges; what did the magazine seek to achieve that wasn’t already on the landscape?

Curtis Gillespie: The founding objectives of Eighteen Bridges were very simple: marry sound research with compelling narrative. We wanted to offer a home for great writers who can also do trustworthy research.

Long form is more important than ever, because context is more important than ever. We’re awash in information, but lacking in depth and background, and that’s precisely why the long-form narrative journalism format is, I believe, essential.

This kind of in-depth journalism is expensive, and so most outlets are shying away from it. Digital-age, quick-hit, small-dose journalism is fine, but it needs to be supported by genuine investigative journalism that offers trustworthy and thorough research (to further our insight) along with genuine writing talent (to keep us reading!).

We didn’t see this style on the Canadian landscape. The Walrus is a great magazine, but doesn’t necessarily focus on narrative. Maclean’s is newsy. Brick is arts and culture. All are good magazines and serve their readers well.

The point of doing something like Eighteen Bridges is to create an immersive experience for readers, so that they’re enjoying a story but also gaining context.

Eighteen Bridges, issue #1, Spring 2011

NMAFOne of the pledges Eighteen Bridges makes to the Canadian readership is that it will “initiate vibrant debate.” What has informed this perspective that we’re in need of enhanced public debate in this country, and what is the role of narrative journalism in fostering such discourse that is unique among the myriad forms of Canadian media.

Eighteen Bridges, issue #2, Winter 2011

Curtis Gillespie: The “narrative” aspect is crucial. It’s our base camp, in a way. We believe in story telling as the perfect conduit for in-depth journalism, because we believe a magazine article should be both enlightening and entertaining, and that the two are not mutually exclusive. But this takes talent, hard work, and a clear editorial mandate.

Too often, newspapers and television provide facts, but no context. We learn the issues, but not the subtleties behind the issues. We don’t get to know the personalities in their complexity.

You can’t really have a vibrant debate without feeling well informed. Otherwise, conversations, arguments, debates and discussions are simply an exchange of opinion.

Our goal (if we can ever reach anything like the level of cultural penetration of a major media source) is to offer enough background and context to allow for vigorous discussions based on good research and compelling stories, rather than sound bites and quick hits.

If we can take the principles of narrative (characterization, dramatic arc, psychological and emotional inquiry, and so on) and use those to convey the stories that are shaping our world, then we’ll be creating journalism that people enjoy and value.

NMAFAmong the early measures of success for Eighteen Bridges are the ten National Magazine Awards nominations and 2 wins—Gold for Don Gillmor’s “All In” and Silver for Alissa York’s “Class Mammalia”—that came from just your first two issues from 2011. Was this a key step in the realization of your vision for the magazine, and what have the awards meant to the magazine and its future?

Eighteen Bridges, issue #3, Spring 2012

Curtis Gillespie: I can’t honestly say it was a key step in the realization for our vision for the magazine, since it would be unwise to ever plan on winning awards!

Having said that, we did feel that if we were lucky enough to get noticed at the National Magazine Awards in our first year of eligibility it would help us spread the word of what we are about and who we are trying to reach.

The NMAs mean a great deal to people in the magazine industry and to writers in general; they indicate what is working at a high level and signal to the country what might be worth paying attention to.

We were stunned and delighted to get 10 nominations and two wins in our first crack at it, partly because it means people might notice our magazine and what we’re trying to do with it; that we take issues that matter and create great stories about them. But more because it was recognition for some outstanding writing.

Don and Alissa were rightly recognized, but it also drew attention to many other fine writers.

We think it also showed, in some ways, that our rationale for creating the magazine wasn’t completely without merit!

Curtis Gillespie won 3 National Magazine Awards for his writing in Saturday Night magazine, and has been nominated for a total of 14 NMAs since 1999. He has also served as a judge for the NMAs. Eighteen Bridges was nominated for 10 NMAs last year, and won Silver in Travel (Alissa York, “Class Mammalia“) and Gold in Arts & Entertainment (Don Gillmor, “All In“; featured in the new NMA eBook). Discover more at eighteenbridges.com.

Summer Reading Series 8: Award-Winning Arts & Entertainment

Two days hence and the stars and starlets of Hollywood will park their jets in Hogtown for the Toronto International Film Festival, and you’ll pardon this blogger if he’s camped at the corner of Bellair and Cumberland streets ready to ambush Shia LaBeouf or Gwyneth Paltrow and get them to plug the new National Magazine Awards eBook (free download on iTunes) to their Twitter followers.

Apropos of which, this week’s installment of our Summer Reading Series is cinematically themed: 3 award-winning stories from the category Arts & Entertainment with a nod to the film industry descending on our fair city.

These stories and so many more can be found in the National Magazine Awards archive (magazine-awards.com/archive).

1.Man Standingby Timothy Taylor, Canadian Art (2011 Silver winner in Arts & Entertainment)
Canadian Inuit filmmaker Zacharias Kunuk is no stranger to TIFF; his masterpiece Atanarjuat: The Fast Runner won the honour of Best Canadian Feature Film back in 2001. Timothy Taylor travels (with NMA-winning photographer Donald Weber) to the Arctic hamlet of Igoolik to interview Kunuk about his latest film, Qapirangajuq: Inuit Knowledge and Climate Change. It’s a rare opportunity to acquaint oneself with the ecology of this transcendent artist, who by rights and geography is more than a bit removed the rest of the country yet has helped his audiences (and his neighbours) redefine their notions of history.

“Walking around Igloolik, meanwhile, I sense the reach that Kunuk’s work has had in the community. He downplays it, saying, ‘My hunting buddies are still my hunting buddies.’ But if you’ve watched his films closely, you recognize a surprising number of faces in town. Even people I don’t recognize turn out to have had off-camera roles, like the woman I speak with at the high school who is proud that she learned to sew traditional caribou-skin parkas while working in the wardrobe department for Atanarjuat.” [Read more]

2.My Dad, the Movie and Meby Noah Richler, The Walrus (2010 Gold winner in Arts & Entertainment)
The son of the late Canadian literary icon Mordechai Richler is more than just behind the scenes on the Montreal sets of Barney’s Version, the Richard Lewis adaptation (starring Paul Giamatti, Minnie Driver and Dustin Hoffman) of Richler’s famous novel. Noah Richler employs his unique position intersecting the writer and the film to reflect on his father’s notions of family, marriage and sense of belonging; the re-animation of his father’s personality through the title character is both stimulating and calming.

“Barney’s Version, like his earlier novels St. Urbain’s Horseman and Joshua Then and Now, draws on my parents’ exemplary love and what, even to his death, struck my father as the wild unlikelihood of having been able to love and raise a family with this striking woman. From Jake Hersh’s beloved wife in St. Urbain’s Horseman (‘Nancy. Nancy, my darling’) to the third Mrs. Panofsky of Barney’s Version (‘Miriam, Miriam, my heart’s desire’), there exists in his work a portrait of the shiksa wife as love object that his author hero is stunned to have acquired but also believes, in some buried and persecuted Jewish part of himself, he is besmirching.” [Read more]

3. L’étoffe des héros(“Heros’ Fabric”) by Mélanie Saint-Hilaire, L’actualité (2010 Silver winner in Arts & Entertainment)
Nine-time NMA finalist Mélanie Saint-Hilaire was the runner up to Noah Richler in 2010 for her scintillating portrait of Quebec costume designer Mario Davignon, one of Hollywood’s most celebrated couturiers whose atelier is stuffed with period-piece designs that have draped such luminaries as Leonardo DiCaprio (in Romeo + Juliet), Sophia Loren (Between Strangers) and the legendary Ava Gardner (City on Fire).

“Sa passion, c’est le vêtement d’époque. Ce maniaque du démodé pille les antiquaires partout où il va. Il en rapporte des artefacts bizarres, telle cette unique botte rouge qui aurait jadis galbé le mollet d’une tragédienne russe — « pour le modèle », se justifie-t-il. Sa bibliothèque ploie sous les livres de référence, les vieux catalogues et La mode illustrée, encyclopédie française du 19e siècle.” [Lire la suite]

Read these stories and more at the National Magazine Awards archive: magazine-awards.com/archive.

Previous editions of our Summer Reading Series: Travel | Essays | Sports & Rec | Fiction | Personal Journalism | Poetry | Best Short Feature

One award missing from CBC Massey lecturer’s trophy case

Starting today and continuing through the week you can listen to the 2011 CBC Massey Lecture series, starring well-known New Yorker contributor Adam Gopnik, who is presenting his series of essays on winter (Winter: Five Windows on the Season).

The bio of Adam on the CBC’s website notes that he is “a three-time winner of the National Magazine Award for Essays and for Criticism”; this matches almost verbatim what you’ll find on his New Yorker bio.

Point of clarification: these accolades are from the American National Magazine Awards. However, Adam Gopnik is also a Canadian National Magazine Award laureate: In 2007 The Walrus published his essay “The Mindful Museum,” which won a Gold award in the Arts & Entertainment category.

So tune in and hear four-time National Magazine Award winner Adam Gopnik present his critical reflections on Canada’s most iconic season.